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[Jacob's Ladder] Vidit Jacob in somnis scalam stantem super terram, et cacumen illius tangens...
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[Jacob's Ladder] Vidit Jacob in somnis scalam stantem super terram, et cacumen illius tangens Coelum: Angelos ascendentes et descendentes: et Dnum innixum scalæ

by RAPHAEL. Raffaello Sanzio d'Urbino (1483-1520)

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Rome, 1770. Copper engraving, on two joined sheets, by Ottaviani after drawings by Savorelli and Camporesi, printed in light brown coloured ink with contemporary hand-colouring. Neat marginal restoration. A stunning plate from "Logge di Rafaele nel Vaticano": with contemporary colouring of the highest quality from the golden age of the hand-coloured print. The main panel shows Jacob at Luza having a vision of the angels ascending and descending by a ladder which reached from earth to heaven. A very fine image from the second part of a work titled "Loggie di Rafaele nel Vaticano" depicting the decorative work executed by Raphael and his assistants between 1518-1519 in the Vatican. They were drawn by Gaetano Savorelli, a Roman painter and draughtsman best known for his Raphael drawings, and Pietro Camporesi, a Roman architect, who worked for Pope Clemens XIII and Pius VI on rooms for the Vatican Museum. The first to illustrate the famous frescoes, these beautiful plates were probably planned as early… Read More
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Jager. From The Birds of America (Amsterdam Edition)
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Jager. From "The Birds of America" (Amsterdam Edition)

by AUDUBON, John James (1785-1851)

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Amsterdam and New York: Johnson Reprint Corporation and Theatrum Orbis Terrarum, 1971. Colour-printed lithograph, on fine hand-made paper. Excellent condition. Image size: 18 1/2 x 24 inches. Sheet size: 26 3/4 x 39 7/8 inches (approx). [Pl. 253]. In October 1971, employing the most faithful printing method available, the best materials and the ablest craftsmen of their age, the Amsterdam firm of Theatrum Orbis Terrarum Ltd., in conjunction with the Johnson Reprint Corporation of New York, set out to produce the finest possible limited edition facsimile of the greatest bird book ever printed: the Havell edition of John James Audubon's well-loved "Birds of America". The Curators of the Teyler's Museum in Haarlem, Holland made their copy of the original work available for use as a model. The Museum, founded in 1778, bought their copy through Audubon's son as part of the original subscription in 1839. After long deliberation, the extremely complex but highly accurate process of colour photo-lithography… Read More
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January

January

by FURBER, Robert (circa 1674-1756, publisher) - After Pieter CASTEELS (1684-1749)

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London: Robert Sayer and John King, 1770. Engraving, coloured by hand, by R. S.[heppard]. (Cut close to plate mark). A very rare image that is both a highly decorative botanical print and an important document in the history of gardening. The plate comes from a very rare later issue of a series called 'Twelve Months of Flowers', originally issued by Robert Furber in 1730. Furber was a nurseryman with gardens near Hyde Park Gate in Kensington, London. The series was issued as a luxurious catalogue for his stock: over 400 flowers are illustrated, and each is identified in the key below the picture so that customers could easily order their requirements. These plates thus form an illustrated check-list of the varieties and forms of flowers that were popular with gardeners in the early 18th century. Furber later issued a small quarto book which contained reduced versions of the original plates. The present plate, published by Sayer, is from a very rare later version, re-engraved yet again, but to a size… Read More
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Javan Rusa Rusa Moluccensis

Javan Rusa Rusa Moluccensis

by WATERHOUSE HAWKINS, Benjamin

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London: Printed by McLean & Co, 1850. Hand-coloured lithograph printed on fine thick wove paper. Very good condition apart from some minor foxing. A fine plate from John Edward Gray's "Gleanings from the Menagerie at Knowsley," a comprehensive visual survey of one of the largest private menagerie's in Victorian England. Edward Smith Stanley, 13th Earl of Derby (1775-1851) was a learned naturalist, who pursued his avid interest in zoology after a brief and unfulfilling political career. In addition to his frequent contributions to the Zoological Society's journal Proceedings, Stanley served as president of the Linnaean Society from 1828 to 1833 and, towards the end of his life, as president of the Zoological Society. He is probably best known, however, for the extensive menagerie of birds, quadrupeds, reptiles, and fish that he founded on his family estate of Knowsley outside of Liverpool. Stanley invested a significant amount of his fortune maintaining the menagerie and adding to the impressive… Read More
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Jericho. April 3rd, 1839
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Jericho. April 3rd, 1839

by ROBERTS, David (1796-1864)

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[London: Day & Son, 1849. Tinted lithograph by Louis Haghe, coloured by hand. From the deluxe issue of David Roberts' monumental works on the Middle East: 'The Holy Land' and 'Egypt & Nubia', considered the greatest lithographically illustrated works issued in the 19th century. This example has been removed from the card mount Roberts' masterpiece was issued in 41 parts over seven years in three states; tinted, tinted proof and in its finest form (as with the present image), coloured and mounted on card. It is beautifully lithographed by Louis Haghe, to whom Roberts paid tribute in glowing terms, `Haghe has not only surpassed himself, but all that has hitherto been done of a similar nature. He has rendered the views in a style clear, simple and unlaboured, with a masterly vigour and boldness which none but a painter like him could have transferred to stone'. Abbey regarded the work as `one of the most important and elaborate ventures of nineteenth-century publishing, and...the apotheosis of the… Read More
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Jerry, the Winner of the Great St. Leger, at Doncaster, 1824
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Jerry, the Winner of the Great St. Leger, at Doncaster, 1824

by HERRING, John Frederick (1795-1865), aquatinted by Thomas SUTHERLAND (1785-1838)

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[London]: W. Sheardown and Son, 1825. Colour-printed aquatint by Thomas Sutherland, finished by hand and heightened with gum arabic. Printed on wove Whatman paper. State i, later republished by J. Fuller in a book. A stunning impression in fine condition. Expert repairs to the margins and two areas of the sky. Image size: 12 1/2 x 16 9/16 inches. This magnificent portrait of Jerry, R. O. Gascoigne's celebrated racehorse who won the Great St. Leger Stakes in 1820, is considered one of Herring's most accomplished sporting portraits. Herring is an outstanding and imaginative artist who at an early age showed an aptitude for handling both riding whip and pencil. At a young age, fate took Herring to the Doncaster races where he saw the Duke of Hamilton's horse, William, win the St. Leger. The sight inspired him to attempt the art of animal-painting, in which he subsequently excelled. In addition to being a successful horse painter, Herring made his livelihood as a coachman, and for some time drove the… Read More
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[Jerusalem from the South] April 12th, 1839
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[Jerusalem from the South] April 12th, 1839

by ROBERTS, David (1796-1864)

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[London: Day & Son, 1849. Tinted lithograph by Louis Haghe, coloured by hand, removed from original card. A fine example of David Roberts' monumental work on the Middle East: 'The Holy Land' and 'Egypt & Nubia', considered the greatest lithographically illustrated work issued in the 19th century. Roberts' masterpiece was issued in 41 parts over seven years in three states; tinted, tinted proof and in its finest form (as with the present image) with hand- colouring (and originally mounted on card). It is beautifully lithographed by Louis Haghe, to whom Roberts paid tribute in glowing terms, `Haghe has not only surpassed himself, but all that has hitherto been done of a similar nature. He has rendered the views in a style clear, simple and unlaboured, with a masterly vigour and boldness which none but a painter like him could have transferred to stone'. Abbey regarded the work as `one of the most important and elaborate ventures of nineteenth-century publishing, and...the apotheosis of the tinted… Read More
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Jerusalem from the South

Jerusalem from the South

by ROBERTS, After David (1796-1864)

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[London: Day & Son, 1849. Tinted lithograph by Louis Haghe. Very good condition. A fine example from David Roberts' monumental works on the Middle East: 'The Holy Land' and 'Egypt & Nubia', considered the greatest lithographically illustrated works issued in the 19th century. Roberts' masterpiece was issued in 41 parts over seven years. It is beautifully lithographed by Louis Haghe, to whom Roberts paid tribute in glowing terms, `Haghe has not only surpassed himself, but all that has hitherto been done of a similar nature. He has rendered the views in a style clear, simple and unlaboured, with a masterly vigour and boldness which none but a painter like him could have transferred to stone'. Abbey regarded the work as `one of the most important and elaborate ventures of nineteenth-century publishing, and...the apotheosis of the tinted lithograph'. David Roberts was born at Stockbridge near Edinburgh, and at the early age of 10 apprenticed to Gavin Buego, a house painter. He continued to work for… Read More
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Jerusalem From the Mount of Olives

Jerusalem From the Mount of Olives

by ROBERTS, After David (1796-1864)

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[London: Day & Son, 1849. Tinted lithograph by Louis Haghe. Very good condition apart from two small water stains in the left margin and a very light pencil mark in the lower right margin. A fine example from David Roberts' monumental works on the Middle East: 'The Holy Land' and 'Egypt & Nubia', considered the greatest lithographically illustrated works issued in the 19th century. Roberts' masterpiece was issued in 41 parts over seven years. It is beautifully lithographed by Louis Haghe, to whom Roberts paid tribute in glowing terms, `Haghe has not only surpassed himself, but all that has hitherto been done of a similar nature. He has rendered the views in a style clear, simple and unlaboured, with a masterly vigour and boldness which none but a painter like him could have transferred to stone'. Abbey regarded the work as `one of the most important and elaborate ventures of nineteenth-century publishing, and...the apotheosis of the tinted lithograph'. David Roberts was born at Stockbridge near… Read More
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Jeypore Enamels
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Jeypore Enamels

by JACOB, Samuel Swinton (1841-1917) and THOMAS, Holbein Hendley (1847-1917)

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London: W. Griggs, 1886. Folio. (14 1/2 x 10 3/4 inches). 16 pp. 28 chromolithograph plates containing one hundred and twenty designs. Black morocco backed publisher's pictorial paper boards. Rare and important work documenting the gold enamelling traditions of northwest India. The authors note that the best enamellers in modern India are the Sikhs, the tradition in Jaipur starting when "Maharaja Man Singh... brought five Sikh enamel workers from Lahore, and... that the descendants of these men still procure their colours from that town to carry on the trade of their forefathers confirms that tradition", and giving the names of the best current practitioners. One of these, Guma Singh, is depicted with in the opening plate alongside three other named workers. Two plates depict the tools of their profession, and the remainder examples of their work including sword handles, vases, cups and spoons, bracelets and jewels. In the preface S.S. Jacob, Executive Engineer of Jaipur State, praises the quality… Read More
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Joel Barlow's Second Letter to His Fellow Citizens of the United States. on Certain Political...

Joel Barlow's Second Letter to His Fellow Citizens of the United States. on Certain Political Measures Proposed to their Consideration

by BARLOW, Joel (1754-1812)

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New York: David Denniston, 1801. 8vo. (7 7/8 x 4 11/16 inches). 40pp. Disbound. Ink notation above title. Rare pamphlet by poet and diplomat Joel Barlow, proposing actions for the United States at the close of the French Revolution. Though born in Connecticut, Barlow spent many years in France, earning citizenship for his efforts in the Revolution, and his negative feelings for the English government shine through in this detailed address. Regardless of his personal feelings toward the English, Barlow's suggestions follow the example laid down by Washington's Federalist-leaning Proclamation of Neutrality with articles for a proposed Public Maritime Law and constitution, which would allow for peaceful trade between the United States and both England and France. Rare, with only five copies located in OCLC. Sabin 3423; Shaw & Shoemaker 134.
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John Grosvenor, Oxford

John Grosvenor, Oxford

by TURNER, Charles after T. LEEMING

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Oxford: Published by Mr. Leeming, High Street, & by Mr. Smith Printseller, High Street, 1812. Mezzotint. State ii/ii with the title in open letters. In excellent condition. Image size: 17 1/4 x 13 7/8 inches. A distinguished portrait of John Grosvenor, the noted surgeon from Oxford, by the celebrated mezzotint engraver Charles Turner. Charles Turner was an excellent engraver who throughout his memorable career produced an array of wonderful images. Born in Oxfordshire, Turner moved to London in 1795, at which time he was employed by the famous engraver and publisher Boydell. Turner was a versatile engraver working in stipple and aquatint as well as mezzotint. Although, Turner produced a wide array of excellent prints in subjects ranging from topography to genre, his main artistic focus was portraiture. Throughout his career he produced more than six hundred plates, of which about two-thirds were portraits. Turner was a close friend of JMW Turner, and engraved many of the artists' paintings, in… Read More
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John Lindley

John Lindley

by MAGUIRE, Thomas Herbert

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{Ipswich: George Ransome, 1850. Tinted lithograph in octagonal format, signature "John Lindley" as title, artist's printed signature in image l.r "T. H. Maguire 1849". Printed by M. & N. Hanhart. Fine portrait of the great English botanist. John Lindley (1799-1865) was born in Norwich and attended Norwich School. His father was a gardener and could not afford to send Lindley to university. At sixteen therefore, Lindley became agent to Belgium for a seed merchant. This eventually led to his meeting W. J. Hooker. Hooker introduced him to Sir Joseph Banks, who gave him a job in his herbarium. When Banks died, Lindley went to work for another wealthy plant collector, William Cattley (after whom he named the orchid genus, Cattleyea. Thus, through personal connections, shared passion for botany and hard work, Lindley rose to a position of prominence in the world of science. He wrote many books, including an Encyclopedia of Plants, in collaboration with John Claudius Loudon, that described 15,000 flowering… Read More
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John Milton. Poems in English with Illustrations by William Blake
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John Milton. Poems in English with Illustrations by William Blake

by NONESUCH PRESS

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London: Nonesuch Press, 1926. 2 volumes, 8vo. (9 3/4 x 5 7/8 inches). 53 collotype illustrations after Blake. Uncut and unopened. Publisher's vellum-backed patterned boards. Limited to 1450 copies, this edition printed on Van Gelder rag paper, plates printed at the Chiswick Press. The first volume is "Paradise Lost," the second miscellaneous poems. Edited by the late Canon Beeching, pictures chosen by Geoffrey Keynes, and includes a section of Notes on Blake's Illustrations by Keynes.
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John Paul Jones
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John Paul Jones

by GUTTENBERG, Carl after C. J. NOTTE

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Paris: Published by Guttenberg, rue St. Hyacinthe, 1780. Line engraving. Proof before inscription and publication details. In pristine condition with the exception of minimal suface soiling. Image size: 10 3/4 x 9 1/4 inches. A lovely proof impression of one of the earliest portraits of John Paul Jones, the father of the American navy. John Paul Jones is best remembered as the father of the American navy and remains one of the most celebrated American heroes. His victory over the British fleet in the Channel came to be one of Jones's most famous engagements, and helped decide the outcome of the Revolution. It was during this heated battle, in which Jones defeated Captain Pearson's ship Serapis, that he uttered his famous words "I have not yet begun to fight". This striking print captures the crowning moment of Jones's celebrated victory. Jones is shown standing on the deck of the Serapis, surrounded by smoke and musket fire. The heat and drama of the battle infuse this work with a sense of urgency… Read More
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John Speed. A Prospect of the Most Famous Parts of the World. London 1627. [Reprint]
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John Speed. A Prospect of the Most Famous Parts of the World. London 1627. [Reprint]

by [THEATRUM ORBIS TERRARUM, publisher]

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Amsterdam: Theatrum Orbis Terrarum Ltd, 1966. Folio. Introduction by R. A. Skelton. with small inked stamp on title page. 29 double-page black and white maps. Publisher's cloth. Facsimile of Speed's "Prospect," the first world atlas by an Englishman and also his most famous work. John Speed was one of the best known English mapmakers in the early modern period. He first had a career as a tailor, which he worked as until he was able to make a living from being a scholar. He made his first maps in the 1590s and entered the trade when he was almost 60 years old. His maps were widely used even years after his death, and, due to their many printings, became the basis for world maps throughout the 18th century.
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John Stevens Henslow

John Stevens Henslow

by MAGUIRE, Thomas Herbert (1821-1895)

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[Ipswich: George Ransome, 1851. Tinted lithograph in octagonal format, with signature as title: "J. S. Henslow", with artist's printed signature in image lower left: "T. H. Maguire 1851" A handsome portrait of a brilliant Anglican scientist. John Stevens Henslow (1796-1861), passionate about natural history as a boy, grew up to be one of the leading botanists of his time as well as an Anglican minister. He attended Cambridge, made geological observations on the Isle of Wight with Adam Sedgwick and in 1822 became Professor of Mineralogy at the University of Cambridge. In 1824, his scientific interests had shifted to botany. In 1827, he gave up his Professorship in Mineralogy and in 1829 became Professor of Botany. It was in this year that his "Catalogue of British Plants" appeared. It was during his Botany Professorship that he had Charles Darwin as a student. And when he was offered the post of botanist on H. M. S. Beagle, he recommended Darwin for the position. Like many Anglican clergymen, Henslow… Read More
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Jonathan Sharp; or, The Adventures of a Kentuckian. Written by Himself
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Jonathan Sharp; or, The Adventures of a Kentuckian. Written by Himself

by [TEXAS FICTION]

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London, 1845. 3 vols; octavo. (7 7/8 x 4 3/4 inches). x, 336; [2], 320; [2], 334, [2]pp. Original boards, printed paper labels. Some minor chipping to spine ends, hinges cracked but solid, backstrip detached from front hinge of volume one. Bookplates on front pastedowns. In a half morocco and cloth clamshell case. A remarkable work of Frontier fiction. Much of the story relates to Texas during the early 1840s, especially the events leading up to Annexation. Half of the first volume and all of the third volume are set in Texas, which the narrator describes as populated by swindlers, cowards and rascals. There are good descriptions of the various factions involved in a period of great turbulence, including the Mexicans, Indians, and the colorful characters both major and minor who dwelled in Texas during the period of independence. At the end the author accurately predicts the impending war with Mexico and urges the British to intervene: "I think it opportune for the legislators of wealthy England to… Read More
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Josef Sudek
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Josef Sudek

by SUDEK, Josef (1896-1976); FAROVA, Anna (1928-2010)

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Munich: Kehayoff, 1999. Quarto. (13 x 10 1/4 inches). First English language edition of the 1995 Czech original, 405pp, many reproduced photographs and scholarly essays. Publisher's boards with inset pictorial label, glassine dustwrapper, and cardboard slipcase. Fine copy. Collection of Josef Sudek's most important works. Dubbed the "poet of Prague," Sudek was one of the most important and celebrated of Czech photographers. Sudek was born in Kolín, Bohemia. He worked as a bookbinder before being drafted into the Austro-Hungarian Army in 1915 and served on the Italian Front during the First World War. In 1916, his right arm was wounded which led to the limb being amputated at the shoulder. After returning from war, he studied photography for two years in Prague under Jaromír Funke. With his army disability pension, he was able to devote his time to making art and exploring different photographic styles. Sudek pushed boundaries in his work and argued for photography to move forward from the… Read More
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Josef Sudek [signed, with an Original Photograph of Josef Sudek by Miroslava Khola]
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Josef Sudek [signed, with an Original Photograph of Josef Sudek by Miroslava Khola]

by SUDEK, Josef (1896-1976)

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Breclav: Moravia Press, 1996. Large quarto. 12 1/2 x 12 3/4 inches. #299 of 300 copies, text in Czech; vi, 96pp. 83 mounted black and white photographs (from 2 x 1 1/2" to 9 x 6 1/2") reproduced in photolithography to their original sizes, captioned by the original Sudek notes below each photograph in facsimile pencil as in Sudek's original "Scrapbook." Numbered and signed on colophon by Jaroslav Bocek, Pavel Jedlicka, and Miroslava Khola; with an original photograph of Josef Sudek (9 1/4 x 7") by Miroslava Khola on page 1. Black soft cover, black lettering on cream labels on cover and spine, housed in tan publisher's cloth slipcase. Fine copy. Facsimile of master photographer Josef Sudek's "Scrapbook," complete with photographs reprinted in their original sizes, as well as captions and page numbers rewritten in facsimile pencil to match Sudek's own writing. Sudek was born in Kolín, Bohemia. He worked as a bookbinder before being drafted into the Austro-Hungarian Army in 1915 and served on the… Read More
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