Search Results: Titles starting with L from Kenneth Mallory Bookseller. ABAA

NY: G.P. Putnam's Sons, 2000. Hardcover. Very good. Hardcover. One of 150 copies specially bound for friends and inscrbed and signed by Woods. Slight spine lean from being read, else a very good hardback in a very good dustjacket.

NY: Limited Editions Club, 1949. Hardcover. Very good. Hardcover. #1230 of 1500cc signed by the illustrator Bernard Lamotte. Prelims and page edges foxed, darkened overall, else very good in publisher's brown wove cloth; lacking the slipcase.

Paris: Payot, 1950. Paperback. Very good. Paperback. 213pp. Small spot of loss to the bottom of the front, else very good in publisher's wraps.

Paris: A La Belle Image, 1945. Paperback. Very Good. Paperback. 29pp. Very good in stapled wraps with onionskin jacket; text in French. Lacking the front free endpaper.

Zagreb: Galerie Municipale du Chateau D'eau, 1994. Paperback. Very good. Paperback. Unpaginated. Lightly rubbed and edgeworn, tape residue on the bottom right of the spine, else very good. Text in French.

London: Lund Humphries, 1971. Paperback. Very good. Paperback. 118pp. Lightly rubbed and edgeworn, creasing to the spine, small tear to the top of the spine, else very good.

Paris: Centre Georges Pompidou, 1980. 112pp. Light edgewear and rubbing, else very good in publisher's wraps. Text in French.

Paris: Editions Chantal Crousel, 1987. Paperback. Very good. Paperback. 1500cc. Light rubbing, else very good in publisher's wraps. Text in English and French.

Paris: Librairie Grund, 1952. Paperback. Very good. Paperback. 180pp. Very good paperback in a darkened and rubbed integral jacket that has some minor loss at the spine ends. Text in French.

Madrid: San Martin, 1969. Hardcover. Very good. Hardcover. Small 16mo. 90pp. Ink name and address on rear pastedown, else very good in publisher's illustrated boards.

Washington DC: Metropolitan Museum of Art, 1995. Paperback. Very good. Paperback. 20pp. Lightly edgeworn, creasing to the spine, else very good.

Paris: La Bibliotheque des Arts, 1988. Hardcover. Very good. Hardcover. 192pp+ index. Very good hardback in a very good dustjacket. Text in french.

Paris: La Bibliotheque des Arts, 1988. Hardcover. Very good. Hardcover. 192pp+ index. Very good hardback in a very good dustjacket. Text in French.

Paris: Les Editions Vega, 1951. Paperback. Very good. Paperback. 145pp. Wraps rubbed, old [unnecessary] tape reinforcements at the spine ends, else a very good copy.

Paris: Librairie Larousse, 1960. Paperback. Very good. Paperback. 229pp. Wraps edgeworn, laminate wrinkling in a few places, else a very good. Text in French.

Schaffhausen: Edition Stemmle, 1988. Hardcover. Very good. Hardcover. 121pp. Very good hardback in a slightly tanned jacket.

Milan: M'arte Edizioni, 1970. Hardcover. Very good. Hardcover. #4 of 129cc. Six folders, loose in chemise and box. Original signed lithographs and facsimile of holograph manuscript poem present signed by the author, all in fine condition. Top panel of box detached, but present. All contents in fine condition.

Milan: Direzione del Movimento Futurista, 1911. Single sheet folded once to make [4]pp. Soft horizontal fold to middle, else a nice example of this early Futurist music manifesto. The first musician to "surrender to the persuasion of promises and liberation", Pratella was courted early on by Marinetti to join his new movement that he hoped would breathe new life into Italian culture. Though not as nihilistic as Russolo's Art of Noises published three years later, he still makes what at the time, were revolutionary demands that musicians break from the traditional, proclaiming in a later manifesto that" the new order of disorder should be created by destroying the ancient schemes."

Paris: Librairie Artheme Fayard, 1943. Paperback. Very good. Paperback. Wraps a bit darkened, else very good.

Paris: Bibliotheque Nationale de France, 1995. Paperback. Very good. Paperback. 120pp. Very good in publisher's boards over wraps; includes glasses. Text in French.