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L'Abbozzo del Rigoletto. [Facsimile]

L'Abbozzo del Rigoletto. [Facsimile]

by VERDI, Giuseppe 1813-1901

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Milano: G. Ricordi, 1941. Hardcover. Very Good. Folio. Publisher's printed cloth-backed portfolio. 56 pp. facsimile sewn in two fascicules reproducing the original in size and binding. Includes a two page commentary by Carlo Gatti. Limited to 250 numbered copies, this number 179. Slightly worn. Rare. Hopkinson Vol. II, p. 83. Chusid p. 141.
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L'Accordéoniste. Fine etching and aquatint of an accordion player by French artist Louise Ibels...

L'Accordéoniste. Fine etching and aquatint of an accordion player by French artist Louise Ibels (1891-1965)

by [ACCORDION]

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Paris, 1930. On heavy wove paper. Signed and numbered (this no. 18 of 25 copies) at lower blank margin in pencil by the artist. 282 x 210 mm. (to platemark); 364 x 280 mm. (sheet size). The present etching depicts a seated man with a somewhat pained expression playing a button accordion. A fine impression. Ibels was a member of the Society of Modern Women Artists founded in 1930. The Society held annual exhibitions in Paris between 1930 and 1938.
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[L'Africaine]. L'Africana Opera in 5 atti di E. Scribe Traduzione italiana di M. Marcello ... Per...
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[L'Africaine]. L'Africana Opera in 5 atti di E. Scribe Traduzione italiana di M. Marcello ... Per Canto e Pianoforte Fr. 50 Per Pianoforte a 4 mani _ Fr. 40 Per Pianoforte solo _ Fr. 30. [Piano-vocal score]

by MEYERBEER, Giacomo 1791-1864

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Milano: F. Lucca [PNs 15501-15533], 1865. Folio. Full contemporary brown cloth with decorative blindstamping gilt to upper, spine in blindstamped compartments with titling gilt. 1f. (recto title printed in mid-brown, verso blank), 1f. (fine bust-length frontispiece portrait of Meyerbeer by F. Perrin lithographed by Fli. Doyen in Torino, verso blank), 1f. (recto table of contents with plate and page numbers for individual pieces, verso named cast list), 5-370 pp. Engraved. Each number with secondary pagination. Named cast includes singers from the premiere performance at the Paris Opéra on April 28, 1865 (Saxe, Battu, Naudin, Warot, Faure, Castelmary, Belval, David, Obin, Levielly, Grisy, Aimès, Mechelaere, Freret, Cleophas, and Koenig), and for a later performance in Bologna on November 4, 1865 (Ferni, Galli, Graziani, Boetti, Cotogni, Manfredi, Fiorini, Trivero, Manfredi, Stecchi, and Galletti). Florence music seller's handstamp to lower outer margin of title. Binding slightly worn, bumped,… Read More
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L'Ambassadrice Opéra comique en 3 actes, Paroles de MM Scribe et de St. Georges... Partition...
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L'Ambassadrice Opéra comique en 3 actes, Paroles de MM Scribe et de St. Georges... Partition Piano et Chant. Prix 12 F. net. [Piano-vocal score]

by AUBER, Daniel-François-Esprit 1782-1871

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Paris: Brandus et Cie [PN 1497], 1851. Quarto. Quarter dark green morocco with marbled boards, spine with compartments and titling gilt, marbled endpapers. 1f. (recto title within ruled border, verso blank), 1f. (recto cast list and contents, verso blank), 154 pp. Engraved. With small printed label of the French composer André Haumesser (1885-1964) to fellow-composer César Franck (1822-1890) to upper board and foot of title: "A César Franck André Haumesser...". Binding slightly worn, rubbed and bumped. Occasional minor foxing, primarily to first and last leaves; annotation to verso of free front endpaper; numerical handstamp to upper margin and facsimile signature handstamp, slightly cropped, to lower margin of title. AWV 28. Printed from first edition Troupenas plates. Auber "composed mostly opéras comiques, and was the foremost representative of this genre in 19th-century France." Herbert Schneider in Grove Music Online. "[Franck] was one of the leading figures of French musical life… Read More
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L'Amour Masqué Comédie Musicale en Trois Actes de Sacha Guitry ... Partition Piano et Chant ......
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L'Amour Masqué Comédie Musicale en Trois Actes de Sacha Guitry ... Partition Piano et Chant ... net 30 francs. [Piano-vocal score]

by MESSAGER, André 1853-1929

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Paris: Éditions Francis Salabert [PN E.A.S. 2354], 1923. Quarto. Full dark green cloth library binding, titling and shelf number gilt to spine. 1f. (dedication), 1f. (title), 1f. (notes on first performance and named cast list), 1f. (contents), 135, [i] (blank) pp. Named cast includes Yvonne Printemps, Marthe Ferrare, Marie Dubas, Reine Bernède, Duplessis, Duval, Cornet, Sacha Guitry, Louis Maurel, Urban, Pierre Darmant, L. Kerly, Henri Garat, Marin, Robert Jugain, and de Size. From the collection of noted American conductor and composer Sigmund Romberg (1887-1951), with "Library of Sigmund Romberg" gilt to lower outer corner of upper board. Binding slightly worn, with remnants of label to spine; library bookplate to front pastedown with "withdrawn" stamped in red. Outer margins trimmed, not affecting music; perforated doodles to first leaf; library handstamp to third leaf. First Edition. L'amour masqué, to a libretto by S. Guitry, was first performed on15 February 1923. "Messager's style is… Read More
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L'Angelus Un Acte de Georges Mitchell ... Partition Chant et Piano. [Piano-vocal score]
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L'Angelus Un Acte de Georges Mitchell ... Partition Chant et Piano. [Piano-vocal score]

by BAILLE, Casimir 1855-1917

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Paris: Choudens [PN A. C. 10895], 1897. Large octavo. Full textured black cloth with publisher's label to upper, titling gilt to spine, marbled endpapers. 1f. (recto title, verso blank), 1f. (recto dedication, verso blank), 1f. (recto notes on first performance, named cast list, and contents, verso blank), 81, [i] (blank) pp. Named cast includes Marguerite Dumont, Lucie Bernardi, Pierre Lupiac, Gaston Beyle, and C. Bernaert. Binding slightly worn, rubbed, and bumped; hinges split. Publisher's handstamp to lower margin of title. The second version of the work first performed in Paris at the Théâtre National de l'Opéra-Comique on 27 February 1899, under the direction of Mr. Albert Carré.
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L'Année Musicale publiée par M. Grenet, J. Chantavoine, L. Laloy, L. de la Laurencie

by BRENET, M. et al.

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Genève: Minkoff Reprint, 1972. 2 volumes. Octavo. Original publisher's white wrappers printed in green and black. Tome I: 1911. 314 pp. With occasional musical examples; Tome II: 1912. 311 pp. Wrappers slightly browned.
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L'Apollonide (Iōn) Drame Musical en 3 Actes et 5 Tableaux d'après Leconte de Lisle ......

L'Apollonide (Iōn) Drame Musical en 3 Actes et 5 Tableaux d'après Leconte de Lisle ... Partition Chant et Piano. [Piano-vocal score]

by SERVAIS, François Mathieu 1847-1901

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Paris: Choudens [Pn A.C. 11107], 1899. Large octavo. Stiff plain gray wrappers with blue cloth to spine. 1f. (recto title, verso blank), 1f. (recto dedication, verso blank), 367, [i] (blank) pp. Unopened. Minor loss of cloth to head of spine; former owner's signature in pencil and annotation in blue ink to upper margin of upper wrapper. Occasional minor soiling. First Edition, [?]later issue.
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L'Arlésienne Drame en 3 actes de Alphonse Daudet ... A mon ami Hippolyte Rodrigues ... Partition...
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L'Arlésienne Drame en 3 actes de Alphonse Daudet ... A mon ami Hippolyte Rodrigues ... Partition Chant & Piano transcrite par l'Auteur. [Piano-vocal score]

by BIZET, Georges 1838-1875

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Paris: Choudens Fils [PN A.C. 2484], 1890. Large octavo. Full dark green cloth, titling gilt to spine. 1f. (title), [1] (contents), 2-77, [i] (blank) pp. Some signatures split. Second version.
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L'Arlésienne Drame en 3 Actes de Alphonse Daudet ... Partition Chant & Piano. Pr: 5f. net ... A...

L'Arlésienne Drame en 3 Actes de Alphonse Daudet ... Partition Chant & Piano. Pr: 5f. net ... A mon Ami Hippolyte Rodrigues. [Piano-vocal score]

by BIZET, Georges 1835-1875

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Paris: Choudens Père & Fils [PN A.C. 2484], 1886. Large octavo. Original publisher's gray wrappers. 1f. (recto title, verso publisher's notes), [1] (contents), 2-77, [i] pp. Wrappers detached; spine lacking. First leaves detached; signatures separated; minor soiling and staining. First Edition, later issue. French author and playwright Alphonse Daudet (1840-1897) wrote such noted works as Letters from My Windmill (1869) and Sidonie (1874). The Letters included the short story, L'Arlésienne, which was transformed into the play for which Bizet composed his incidental music. The music was first performed on October 1, 1872. "The score ... is a triumph almost without rival of its kind, and cannot be fully appreciated apart from the play it was intended to illustrate. Of the 27 numbers, many are mélodrames only a few bars long ... and the longer movements of the suites, although they never stale as concert music, have a primary dramatic integrity." Winton Dean in The New Grove Vol. 2, pp. 758-59.
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L'Art de Toucher le Piano-forté ... Ire. Suite Prix 9f

L'Art de Toucher le Piano-forté ... Ire. Suite Prix 9f

by VIGUERIE, Bernard 1761-1819

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A$133.77
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Strasbourg, Paris: L. Pitois et S. Frost, F.G. Levrault [PN P.F. 26.], 1830. Hardcover. Good. Folio. Contemporary marbled boards. 1f. (title), 55 pp. Engraved. With a full-page illustration of the keyboard and corresponding notes and pitches. Binding worn; spine lacking; upper partially detached; endpapers slightly dampstained. Worn; pencil markings to many pages; occasional tears; several leaves frayed at margins and detached; occasional repairs. This popular method was first published in 1795 and went through numerous editions. An unusual imprint.
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L'Attaque du Moulin Drame Lyrique en Quatre Actes d'après Emile Zola par Louis Gallet ......
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L'Attaque du Moulin Drame Lyrique en Quatre Actes d'après Emile Zola par Louis Gallet ... Répertoire Choudens ... Partition Chant et Piano. [Piano-vocal score]

by BRUNEAU, Alfred 1857-1934

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A$178.88
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Paris: Choudens Fils [PN A.C. 9000], 1898. Large octavo. Quarter dark red morocco with marbled boards, raised bands on spine, titling gilt, initials "V.S." to foot, marbled endpapers. 1f. (recto title, verso blank), 1f. (recto dedication, verso blank), 1f. (recto notes on first performance, named cast list, and contents, verso blank), 273, [i] (blank) pp. Named cast includes Vergnet, Bouvet, Mondaud, Clément, Belhomme, Leblanc, Delna, Laisné, E. Thomas, Artus, and Ragneau. Binding slightly worn, rubbed, bumped, and shaken. Signature in black ink to free front endpaper. First Edition, later issue. First performed in Paris to a libretto by Louis Gallet after Emile Zola at the Théâtre National de l'Opéra Comique on November 23, 1893, under Léon Carvalho. "Bruneau's compositional approach to this opera is less imaginative than in his earlier works, if more unified .2.. The opera was widely performed throughout Europe and in the USA until the outbreak of World War I, and revived in 1922."… Read More
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L'Attaque du Moulin Drame Lyrique en Quatre Actes d'après Emile Zola par Louis Gallet ......
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L'Attaque du Moulin Drame Lyrique en Quatre Actes d'après Emile Zola par Louis Gallet ... Répertoire Choudens... Partition Chant et Piano. [Piano-vocal score]

by BRUNEAU, Alfred 1857-1934

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Paris: Choudens Fils [PN A.C. 9000], 1898. Large octavo. Quarter black morocco with marbled boards, raised bands on spine in decorative compartments gilt, titling gilt, marbled edges and endpapers. 1f. (recto title, verso blank), 1f. (recto dedication, verso blank), 1f. (recto notes on first performance, named cast list, and contents, verso blank), 273, [i] (blank) pp. Named cast includes Vergnet, Rouvet, Mondaud, Clément, Belhomme, Leblanc, Delna, Laisné, E. Thomas, Artus, and Ragneau. Binding slightly worn, rubbed, and bumped. First Edition. First performed in Paris at the Théâtre National de l'Opéra-Comique on 23 November 1893, under Léon Carvalho. "[Bruneau's] ideas in general were constantly challenging tradition and his admiration for Wagner was based on his view that Wagner was the great liberator of 19th-century music. Although he used leitmotifs and owed a great deal to Wagner's chromatic language, his music is far less Wagnerian than that of many of his contemporaries and in his… Read More
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L'Auberge du Tohu-Bohu Vaudeville-Opérette en trois Actes de Maurice Ordonneau ... Partition...

L'Auberge du Tohu-Bohu Vaudeville-Opérette en trois Actes de Maurice Ordonneau ... Partition Chant et Piano. [Piano-vocal score]

by ROGER, Victor 1853-1903

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Paris: Choudens [PN A. C. 10642], 1897. Large octavo. Full textured red cloth with titling gilt to spine. 1f. (title), 1f. (dedication), 1f. (notes on first performance, named cast list, and contents), 173, [i] (blank) pp. Named cast includes Périer, Simon-Max, Gardel, Bartel, Landrin, Vavasseur, Burguet, and Duclerc. Spine slightly worn and faded. Browned; tape to inner margins of several leaves. First Edition.
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L'Elisire[!] d'Amore [Piano-vocal score]
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L'Elisire[!] d'Amore [Piano-vocal score]: Opéra Buffa Posta in musica e Ridotta per il Piano Forte ... 5. Octobre. 1838.

by DONIZETTI, Gaetano 1797-1848

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Paris: Marquerie Frères, 1838. Octavo. Half brown morocco with matching cloth boards, raised bands on spine decorative devices and titling gilt. 1f. (title), 1f. (contents), 240 pp. Engraved. Text in Italian. With an elaborate engraved title page by Hibon and A. Lafon. Former owner's name "S.L. Norris" gilt to upper board. Binding slightly rubbed. Sligthly browned and foxed; trimmed within platemark. An early edition. Inzaghi IN. 41, p. 156. L'elisir d'amore, a melodramma giocoso in 2 acts to a libretto by Felice Romani after Scribe's Le philtre (1831), premiered in Milan at the Teatro alla Cannobiana on 12 May 1832. Donizetti arrived in Paris on 21 October 1838 and the work was first performed at the Théâtre-Italien there on 17 December 1839 to great acclaim "Donizetti's score is a study in shrewd contrasts: from the fairly florid lines of the duet 'Chiedi all'aura' - florid yet always rhetorically tidy - to the bumptious 3/8 stretta of the Act 1 finale, or from the sharply differentiated… Read More
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L'Elisire[!] d'Amore Melodramma giocoso in due Atti di F. Romani ... ridotto con accompagnamento...

L'Elisire[!] d'Amore Melodramma giocoso in due Atti di F. Romani ... ridotto con accompagnamento di Pianoforte L'Opera intera D.6 ... [Piano-vocal score]

by DONIZETTI, Gaetano 1797-1848

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Napoli: Stabilimento Musicale Partenopeo, Successore di B. Girard e Co. [PNs 10407-10420, 10422-10427, 2163-2165, 2197, 2320, 2324, 5757), 1852. Oblong folio. Vellum-backed and edged boards with burgundy cloth laid down, initials "C.G." gilt to upper, titling to spine stamped in black, original light pink publisher's printed wrappers bound in. 1f. (recto title, verso blank), 1f. (recto cast list and table of contents, verso blank), 5-226 pp. Each number with separate caption title and pagination. Engraved. Endpapers watermarked with a fleur-de-lis and "Michele Dupino Marmorato." With priced catalog, "Opere Teatrali Intere," to upper wrapper listing works by Bellini, Donizetti, Rossini, Verdi, et al. composed through 1853 and with list of pieces with individual prices and plate numbers to title. From the collection of Italian conductor, vocal coach, and close associate of Puccini and Mascagni, Luigi Ricci (1893-1981). Binding slightly worn, bumped, and scuffed. Minimal foxing throughout, primarily… Read More
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L'Estro Armonico Concerti Consacrati All' Altezza Reale Di Ferdinando III Gran Prencipe di...

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Amsterdam: Estienne Roger ... & Michel Charles Le Cene [PN 50], 1723. Folio. Sewn. Violino Primo: 1f. (title), [1] (blank), 2-23 pp. Violino Secondo: [1] (blank), 2-15 pp. Violino Terzo: [1] (blank), 2-14 pp. Violino Quatro: [1] (blank), 2-12 pp. Alto Primo: [1] (blank), 2-11 pp. Alto Secondo: 1f. (title), [1],(blank), 2-11 pp. Violoncello: [1] (blank), 2-13 pp. Violone e Cembalo: [1] (blank), 2-14 pp. Slightly worn and soiled; title slightly browned; minor browning throughout; some edges slightly soiled and frayed; occasional small stains; titles to Violino Primo and Alto Secondo only, titles to remaining parts lacking; remnants of carta rustica wrappers to Alto Secondo part. First Edition, [?]5th issue Rare. Ryom: Répertoire des Oeuvres d'Antonio Vivaldi. Les compositions instrumentales, p. 16 (5). RISM V and VV 2203. "In 1711 Etienne Roger, the Amsterdam publisher, brought out what was to become the most influential music publication of the first half of the 18th century: Vivaldi's L'estro… Read More
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[L'Estro Armonico]. Vivaldi's most Celebrated Concertos in all their parts for Violins and other...
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London: I. Walsh ... and I Hare, 1732. 8 volumes. Small folio. Sewn. Housed in a custom-made brown linen clamshell archival box with printed title label to spine. Violino Primo: 1f. (title), [1] (blank) 2-27, 1f. (title), [1] (blank) 2-7, [i] ( blank), 8-18 pp. John Young overpaste to titles of both parts, several minor edge stains. Violino Secondo: 1f. (title), [1] (blank), 2-25, [1] (blank), 26-31 pp. Violino Terzo: 1f. (title), [1] (blank) 2-12, [1] (blank), 13-17, [1] (blank), 18-28 pp. Violino Quatro: 1f. (title), [1] (blank), 2-10, [1] (blank), 11-15; [1] (blank), 2-7, [1] (blank), 8-12 pp. Alto Primo: 1f. (title), [1] (blank), 2-23 pp. Alto Secondo: [1] (title), 2-23 pp. Violoncello: 1f. (title), [1] (blank), 2-27 pp. Violino e Cembalo: 1f.(title), [1](blank) 2-10; 1f.(title) 11-16, [1](blank) 2-5, [1](blank) 6-12 pp. Engraved throughout. Early manuscript numbering to upper margins of each page of music to parts for Violino Secondo, Terzo and and Alto Primo. "No. 451" absent from the… Read More
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L'Inimico delle Donne Partitura dell'opera in facsimile Edizione del libretto Saggio introduttivo...

L'Inimico delle Donne Partitura dell'opera in facsimile Edizione del libretto Saggio introduttivo a cura di Helen Geyer-Kiefl... Istituto Italiano Antonio Vivaldi della Fondazione Giorgio Cini Venezia Dipartimento di Storia e Critica delle Arti della Università di Venezia

by GALUPPI, BALDASSARE 1706-1785

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[Milano]: Ricordi, 1986. Three volumes. Oblong folio. Original publisher's full yellow cloth with titling to upper board and spine. Volume I: 1f. (recto series title, verso blank), 1f. (recto title, verso copyright statement), 1f. (recto illustration, verso blank), 1f. (recto title for article "L'Italiana in Pechino" by Helen Geyer-Kiefl, verso blank), ix-xxxii (article), xxxiii-ccciv (appendices i-xvii), 1f. (recto title to libretto, verso blank), cccvii-cccxxvii (libretto), [i] (blank), 1f. (recto contents, verso colophon) pp. Volume II: 1f. (recto series title, verso blank), 1f. (recto title, verso copyright statement), 1f. (recto illustration, verso blank), 1f. (recto title to music, verso citation), 1f. (recto reproduction upper wrapper, verso blank), 5 (reproduction manuscript title), 6-357 (Act I), [i] (blank), 1f. (recto illustration, verso blank), 1f. (recto contents, verso colophon) pp. Volume III: 1f. (recto series title, verso blank), 1f. (recto title, verso copyright statement),… Read More
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L'Oeuvre d'Orgue de Jehan Alain ... Tome II

L'Oeuvre d'Orgue de Jehan Alain ... Tome II

by ALAIN, Jehan 1911-1940

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Paris: Alphonse Leduc [PNs A.L. 19744, 20102-20105], 1971. Folio. Original publisher's ivory wrappers with titing within ruled border to upper. Unbound as issued. 1f. (blank), 1f. (recto title and contents, verso blank), 1f. (recto small illustration by the composer, verso blank), 36, [i] (blank), [i] (publisher's catalogue "Musique pour Grand Orgue") pp. Wrappers slightly worn and soiled. Minor browning. New edition edited by Marie-Clair Alain, reissued from editions ©1939, 1943, and 1952. "Alain's musical language is a faithful reflection of his original personality. An instinctive musician, but one trained in the disciplines of counterpoint, he wrote music that has a natural fluidity, infused with the spirit of dance. It requires from the performer what Olivier Alain has called an 'active rubato'. Alain's preferred forms are the fantasy and the variation, but with an acute sense of proportion, an avoidance of exaggeration, and the absolute sincerity of a generous, passionate nature. Harmonies… Read More
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A$45.11
A$19.44 shipping to USA
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