Search Results: Titles starting with L from Les Enluminures

BOOK DESCRIPTION: the best known and most widely read medieval work on veterinary science for horses. In Italian, manuscript on paper, Italy (Pavia?), c. 1530-1560. Dimensions: 360 x 250 mm.,52 folios on paper, complete, written in an Italic script (cancelleresca italica) in brown ink, red rubrics, decorated 5-line initial on f. 1 styled as a tree trunk and 2- to 3-line red pen initials at the beginning of each chapter. CONTEMPORARY VELLUM BINDING, title written on the spine, enclosed in a modern half calf cover within a half calf slipcase, both with marbled sides. TEXT: Lorenzo Rusio's state-of-the-art treatise on veterinary science for horses is the best known and most widely read medieval work on the subject. It appears here in a rare fifteenth-century Italian translation, known only in four other manuscripts. Its large size and long lines suggest a reference copy, not something suitable for practical use in the stables. The text adds forty chapters on the preparation and application of medicines… Read More

BOOK DESCRIPTION: FIFTEENTH-CENTURY COPY OF GUIDO DA PISA'S HISTORY OF ROME, IN ITALIAN. In Italian, decorated manuscript on parchment, Italy, Tuscany, Florence(?), c. 1440-1460. Dimensions 260 x 182 mm., 83 folios, lacking nine leaves, horizontal catchwords, written in brown ink by two different scribes in Italian cursive mercantesca script in single column on 38 lines, penwork initials. BINDING: ORIGINAL dark brown calf over wooden boards blind-tooled with fillets, twisted rope and x-form motifs, fitted purple buckram case c. 1900. TEXT: Guido da Pisa is best-known for his commentary on Dante, and Dante is cited often in this work, a history of Rome composed within the format of a universal chronicle. This text is now remarkably rare; in fact this is the first copy to appear on the open market in over 140 years, and one of only a few copies on parchment. PROVENANCE: script and decoration suggest that the manuscript was written in Tuscany in the middle of the fifteenth century. The binding,… Read More

MANUSCRIPT COMBINING A LATIN NEW TESTAMENT AND COMMENTARIES BY NICHOLAS OF LYRA. In Latin, decorated manuscript on paper, Northeastern Netherlands or Northwestern Germany, c. 1450-1475. Dimensions 275 x 198 mm., 383 folios, apparently complete, written in a formal cursive gothic bookhand without loops in two columns of 38 lines, red initials, nine- to fifteen-line blue or parted red and blue initials, added running titles, which continue to part two of the volume; ff. 146-end, copied in a very neat controlled hybrida script, red initials 3- to-10 line (occasionally blue), a few with pen decoration,10-line red initial, six 10-line parted red and blue initials. BINDING: seventeenth century(?) plain vellum over pasteboard with yap edges. TEXT: This sizeable volume combines a copy of the New Testament, lacking only the Gospels, with the Commentaries by Nicholas of Lyra on the same books of the New Testament. Although possibly of independent origin, these two sections are contemporary and were united very… Read More

RARE MEDIEVAL MANUSCRIPT ON THE HEALTH OF HORSES. In Italian and Latin, illustrated manuscript on paper, Northern Italy (perhaps Ferrara), dated 1434. Dimensions 283 x 217 mm, 82 folios, complete, watermark of three mountains, phrases in decorative cartouches, written in in a gothic bookhand influenced by humanistic script in two columns of 29-35 lines, large painted initials in red throughout, large divided initial in red and brown on f. 1, five marginal drawings in red or in brown with yellow wash. BINDING: CONTEMPORARY BINDING of limp vellum with spine sewn in account-book style in a cloth clamshell case. TEXT: Rare signed and dated manuscript of the Italian translation of one of the principal treatises on veterinary medicine for horses. PROVENANCE: Copied for the use of Chalavereso, who very likely was the ducal farrier at the court of Niccolo III d'Este in Ferrara. The manuscript is dated 1434 (lower margin of f. 33), and the colophon on f. 69v records that it was copied by the scribe Guido de… Read More

BOOK OF PRAYERS WOVEN IN SILK ON A JACQUARD LOOM. In Latin and French, woven prayer book on silk, R. P. J. Hervier, designer; J. A. Henry, fabricator, for A. Roux, France, Lyon, c. 1886-1887. Dimensions 178 x 145 mm., 50 silk pages, complete, text in one or two columns, one half-page and three full-page illustrations and various styles of decorative borders and initials throughout on every page, woven entirely in silver-gray and black silk, with a greyish-silver texture to the cast, fore edges gilt. BINDING: Bound in dark blue panel gilt morocco by Marcelin Lortic of Paris, the covers with elaborate foliates, strapwork, fleurons, and friezes, inside with crimson morocco doublures, edges gilt with a knotted cord design, fold-ins gilt and stamped "M. Lortic" at front, with five raised bands, spine gilt stamped "Prières" in Gothic blackletter. ILLUSTRATION: Every page of this book is surrounded by border decorations of a wide variety. The half- and full-page illustrations are designed after paintings by… Read More

CAREFULLY WRITTEN AND DECORATED UNPUBLISHED MANUSCRIPT FROM AN ITALIAN CONFRATERNITY. In Italian and Latin, decorated manuscript on parchment, Italy (Rome), c. 1736-1745. Dimensions 231 x 167 mm., 27 folios, complete, written in black ink in italic and in an upright script modelled on Roman font in 25 long lines, red rubrics, full decorative borders in black ink throughout, five 3-line and one 4-line initials in red ink with acanthus, one 6-line initial in black ink with acanthus, decorative tail pieces throughout. BINDING: original quarter leather binding with decorative paper covered boards. TEXT: This manuscript contains the statues for a confraternity in Rome, recording its regulations including the election of its chief officers, maintenance of the archives, care for the sick, funerary arrangements for deceased members, and so forth. Carefully written and decorated, this manuscript illustrates the interesting continuation of manuscript culture (in this case clearly influenced by the aesthetics… Read More