Search Results: Titles starting with M from Bagatelle Books, IOBA

New York: MAD Books, 2015. First Edition, First Printing. Paperback. Fine. Large octavo. 6.5 x 9.5 in. 166 pp. Profusely illustrated with color reproductions of comic art. Fine in original pictorial paper-covered slipcase and fine pictorial wrappers of all three volumes.

Cambridge, MA: MIT, 2012. Fifth Printing. Hardcover. Near fine. Thick octavo. 8 x 9.5 in.1070 pp. Near fine in original pictorial paper-covered boards, no dust jacket and a previous owner signature to front paste-down endpaper.

New York: Random House, 1960. First Edition, First Printing. Hardcover. Very Good/Good. Octavo. 5.75 x 8.75 in. 148 pp. Very good in the original black boards and a good illustrated dust jacket that has been price-clipped, has a small tear on the upper front edge and smudging typical of white jackets.

Bath, England: Gunsmoke Western / Firecrest Publishing, 1988. First UK Edition, First Printing. Hardcover. Very Good. Duodecimo. 5 x 8 in. 182 pp. Very good in original pictorial paper-covered boards, some sunning to spine. Inscribed by Lansdale on the title page with a "cameo by Billy Bob the Skeeter.

New York: Atheneum, 1980. First American Edition, First Printing. Hardcover. Very good/Very good. Thin oblong quarto. 10.75 x 9.75 in. Unpaginated. Profusely illustrated with color reproductions of drawings cut horizontally to create various combinations. Very good in original boards with a touch of toning to edges and very good, price-clipped, pictorial dust jacket with foxing to interior with wear to corners.

New York: Allen Publishing Co, 1930. Later Printing. Paperback. Very Good. Duocdecimo. 3.5 x 6 in. 195 pp. Very good in the original navy leatherette boards that have minimal wear and signs of a smoothed-out crease on the front cover. The rear end paper has been excised. Otherwise, the text is clean and bright.

Brooklyn: Autonomedia, 1992. First Edition, First Printing. Paperback. Near fine. Quarto. 9 x 12 in. Unpaginated. Profusely illustrated with black & white reproductions of artworks by Koehnline. Near fine in original pictorial wrappers.

New York: Cape Goliard Press, 1969. First Edition, First Printing. Hardcover. Fine/Near fine. Large octavo. 7 x 10 in. Unpaginated. Fine in original cloth boards and near fine pictorial dust jacket. Signed by Williams on title page.

New York: Viking Press, 1942. First Edition, Third Printing. Hardcover. Good. Quarto. 9 x 12 in. Unpaginated. Fully illustrated with sepia reproductions of artworks. Good in original brick-colored cloth boards that have a bump on the top right corner and mild edgewear and rubbing on the bottom edge, previous ownership signature in pencil on the front free endpaper. The interior pages are well-read but clean. Signed by McCloskey on the title page, just beneath the duck.

Athens: University of Georgia, 2010. 2010 Printing. Hardcover. Very good/Fine. Octavo. 6 x 9.25 in. xx, 297 pp. Very good in original cloth with sparse black pen underlining for the first 47 pages and some notes on page 94, with map taped to rear endpaper. Fine in original pictorial dust jacket. Inscribed on front free endpaper by Strom, dated Feb. 2010.

Chicago: University of Chicago, 2014. First Paperback Edition, First Printing. Paperback. Very good. Octavo. 6 x 9 in. xxiii, 295 pp. Very good in original pictorial wrappers, occasional underlining in light pencil.

Boston: Northeastern University, 2004. First Paperback Edition, First Printing. Paperback. Near fine. Octavo. 6.25 x 9.25 in. xii, 415 pp. Near fine in original pictorial wrappers.

Chapel Hill: University of North Carolina, 2012. First Edition, First Printing. Hardcover. Near fine/Near fine. Octavo. 6.5 x 9.25 in. 343 pp. Near fine in original cloth boards and near fine pictorial dust jacket.

Detroit, MI: Wayne State University Press, 2004. Second Printing. Paperback. Fine in original pictorial wrappers.. Octavo. 6 x 9.25 in. 297 pp. Occasionally illustrated in black & white.

Mexico City: Museo Nacional de Arte, 2014. First Edition, First Printing. Hardcover. Fine. Quarto. 9 x 10.25 in. 281 pp. Profusely illustrated with black & white and color reproductions of art. Fine in original paper-covered boards, as new. Published in conjunction with the exhibition of the same name at the Instituto Nacional de Bellas Artes from 6 March-17 June, 2014.

Hamburg, Germany: Limes Verlag, 1988. First Edition, First Printing. Hardcover. Very good/Very good. Quarto. 9.5 x 11.5 in. 143 pp. Translated from the English by Rainer Schmidt. Fully illustrated with color reproductions of paintings by Henry Miller. Some foxing to end pages and interior of dust jacket, otherwise very good in original grey cloth and very good pictorial dust jacket. Text in German. Original title in English is "The Paintings of Henry Miller: Paint as you like and die happy" (1981) by Chronicle Books, San Francisco. Four essays by Henry Miller and a foreword by Lawrence Durrell. Inscribed by Ernst Richter for poet and publisher Jonathan Williams of Black Mountain College.

San Diego: Harcourt, 1999. First Edition, First Printing. Hardcover. Fine/Fine. Quarto. 8.75 x 11.25 in. Profusely illustrated with color reproductions of drawings by Menchin. Fine in original pictorial paper-covered boards and fine in original pictorial dust jacket. Man Gave Names to All the Animals is the text of a song that first appeared on his 1979 album, Slow Train Coming.

New York: Panther, 2004. First Edition, First Printing. Paperback. Near fine. Octavo. 5.5 x 8.5 in. 110 pp. Near fine pictorial wrappers.

London: Jonathan Cape, 1965. First Edition, Second State. Hardcover. Near Fine. Duodecimo. 5.25 x 7.5 in. v, 221 pp. Near fine in the original black cloth boards that lack the gun, but have bright gilt titling and clean pages, and with a good illustrated dust jacket that has a tear on the front cover and a lengthy tear along the back spine. These tears are nearly invisible due to the jacket's design.

Richmond: Gates of Heck, 1993. First Edition, First Printing. Hardcover. Fine. Oblong quarto. 11.25 x 8.75 in. 32 pp. Profusely illustrated with 18-full color die-cut tip-ins and gold ink on black paper. Fine in original gold embossed black cloth. #1,564/2,000 limited numbered editions.