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Buenos Aires: CommTools, 2005. b/w plates, facs., draws, illus., color pict. fldg. wrps. A compilation of essays by 50 international designers who present their position on the question of "What is design?" while illustrating it with their most representative works. Included are the opinions of scholars, experts, professionals like: Takashi Akayama (Japan), Felipe Covarrubias (México), Milton Glaser (England), Niklaus Troxler (Switzerland), Wang Xu (China), Chaz Maviyane (Zimbawe), Carlos Palleiro (Uruguay), Karl Pippo (Italy), Héctor Villaverde (Cuba) and many others.
Search Results: Titles starting with Q from Howard Karno Books Inc
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QUÉ ES EL DISEÑO?: UNA VISIÓN GLOBAL DEL DISEÑO GRÁFICO.; Biblioteca CommTOOLS, Diseño
by Kunst, Pablo (Comp)
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QUADRAGESIMO QUINTO E QUADRAGESIMO SEXTO SALÕES DE ARTES PLASTICAS DE PERNAMBUCO
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(Recife): Museu de Arte Contemporaneo de Pernambuco, 2005. b/w and color plates, cat., chron., draws, facs., color pict. d.j. Catalogue of the 2 editions (45th and 46th) of the annual fine arts salon of Pernambuco, presenting the artworks of the prize winners: Juliana Notari, Lourival Batista, Oriana Duarte (PB), Renata Pinheiro (PE), Rodrigo Braga (AM), Alexandre Vogler (RJ), Bruno Vieira (PE), Canal Contemporâneo, Carlos Mélo (PE), Chiara Banfi (SP), Lucas Bambozzi (SP), Marcelo Cidade (SP), Marepe (BA), Mário Simões (PB), Paulo Bruscky (PE), Re:combo (PE) and others. Each event lasted one year (consecutive) and presented the most contemporary fine art of the region, including photography, video and digital art . Essays accompany each.
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QUADRIVIUM: AD USUM DELPHINI.; Este via crucis de gabinete queda dedicado a la memoria de Adolfo Couve
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- 9789562880756 / 9562880753
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Santiago de Chile: Galería Gabriela Mistral, 1998. frontis, b/w and color plates, bio/chron., cat., color pict. wrps. Exhibition artist Díaz (b. Chile 1947) presents his installation project using again the format of the Catholic Vía Crucis, 14 stations or "room installations" of apparently repetitive scenes with minor differences and light words reflected on the walls in an homage to the late painter Adolfo Couve (b. Chile 1940-1998). Texts by Pablo Oyarzún. LIMITED EDITION OF 1000.
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QUANDO O BRASIL ERA MODERNO: ARTES PLASTICAS NO RIO DE JANEIRO 1905-1960; Márcio Doctors, et al.
by Cavalcanti, Lauro (Org.)
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- 9788586579226 / 858657922X
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Rio de Janeiro: Aeroplano Editora, 2001. ind., b/w and color plates, color frontis., bios., color fldg. pict. wrps. Based on exhibition at the Paço Imperial in December of 2000 that looks as the manifestations of visual modernism in Rio de Janeiro. Excellent study with historical and biographical material on the artists, tendencies and artistic environment of Rio from 1905-1960. AN ESSENTIAL REFERENCE TO THE SUBJECT.
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QUANDO O BRASIL ERA MODERNO: GUIA DE ARQUITETURA 1928-1960
by Cavalcanti, Lauro (Org)
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- 9788586579219 / 8586579211
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Rio de Janeiro: Aeroplano Editora, 2001. (New). illus. frontis., bios., b/w and color plates, illus., draws., ports., plans, chrons., bibl., color fldg. pict. wrps. Architectural inventory and guide to Brazil from 1928-1960. Presented by architect and time period with extensive texts. ESSENTIAL REFERENCE.
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QUE E FLUXUS? O QUE NÃO E! O PORQUE = WHAT'S FLUXUS? WHAT'S NOT! WHY.; Coordenação Geral e Programação Visual/General Coordination and Graphic Design: Evandro Salles. Ensaios por = Essays by: Arthur C. Danto, et al. Textos Históricos de Artistas do Fluxus/Historical Texts by Fluxus Artists: George Brecht, et al. The Gilbert and Lila Silverman Fluxus Collection Foundation - Detroit
by Hendricks, Jon
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Rio de Janeiro: Centro Cultural Banco do Brasil; Gilbert and Lila Fluxus Collection Foundation, 2002. b/w and color plates, facs., draw., tbls., black cloth boards, d.j. in b/w pict. slipcase. Handsome catalogue of the exhibition presented in Brazil of the Fluxus art movement, an avant-garde multimedia art movement that flourished in Europe, the United States and Japan during the 1960s and 70s until the death of its creator George Maciunas, a Lithuanian artist trained in New York. Fluxus artists like Joe Jones, George Maciunas, Shigeko Kubota, Dick Higgins, Lette Eisenhauer, Ay-O, Alison Knowles and Daniel Spoerri among others were known for their environments, performance art and mass-producible objects and were pioneers of Conceptual and Minimalism Art. Great reference study on Flexus art. ENGLISH AND PORTUGUESE TEXT.
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QUE NO ME QUITEN LO PINTAO : LOS CÓDIGOS VISUALES DEL MERENGUE
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Santiago de los Caballeros; Santo Domingo, República Dominicana: Santiago de los Caballeros, Centro León Jiménes, del 6 de abril al 5 de junio de 2005; Santo Domingo, Museo Bellaport del 11 de julio al 17 de agosto de 2005, 2005. b/w and color plates, cat., bibls., color pict. fldg. wrps. Ehibition that explores the significant influence of the music "merengue" throughout the visual arts of Dominican Republic, where renowned as well as new generation painters create a unique iconography to express the country's national music and dance style. Artists include: Yoryi Morel, José Vela Zanetti, Dionisio Pichardo, Jose Morillo, Plutarco Andujar, Raúl Recio, Quisqueya Henríquez, and Chiqui Mendoza, amongst others. Texts by Sara Hermann and Dario Tejeda.
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QUEBRANDING: DIEGO GIACCONE.; Biblioteca CommTOOLS, Diseño
by Spina, Mario (Ed)
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Buenos Aires: CommTools, 1999. color plates, port., facs., bio/chron., color pict. fldg. wrps. Designer Giaccone (b. Argentina 1969) presents a different and humorous photographic vision of the international and more popular commercial brands, victims of the effects of time, climate and human destruction and present them in unwanted situations that have become classics of the urban landscape.
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QUERETARO EN LA CULTURA Y LAS ARTES MEMORIA 1985-1989.; Crónica de gobierno, Vol. I.
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Querétaro: Gobierno del Edo. de Querétaro, Secretaría de Cultura y Bienestar Social, 1990. frontis, b/w plates, ports., plus ind., pic. wrps. General artistic survey. Includes dance and music as well as plastic art. Limited edition of 1,500.
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A QUESTÃO METROPOLITANA NO BRASIL
by Gouvêa, Ronaldo Guimarães
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Rio de Janeiro: FGV Editora, 2005. tbls., bibl., color pict. fldg. wrps. The book analyses the nature of the problems of metropolitan management, suggesting ways to overcome the existing obstacles for the formulation of institutional plans, efficient and democratic that allows the implementation of public policies for all the municipalities, essential for the life of all citizens.
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QUETZALCOATL. ORGANO DE LA SOCIEDAD DE ANTROPOLOGIA Y ETNOGRAFIA DE MEXICO. TOMO I, AÑO II, NO. 3
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México: Talleres Gráficos, 1930. wrps. La Sociedad de Antropología y Etnografía de México was founded in Mexico city in 1928 and issued this magazine in 1929. Some highlights: Pueblos Nuevos; El tipo nacional mexicano del porvenir, Algunas consideraciones sobre antropologia criminal, Tepoztlán (tierra de promisión), Los indios otomíes y la misión cultural de Actopan....Scarce periodical.
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QUETZALCOATL. ORGANO DE LA SOCIEDAD DE ANTROPOLOGIA Y ETNOGRAFIA DE MEXICO. TOMO I, AÑO I, NO. 1
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México: Talleres Gráficos, 1929. wrps. La Sociedad de Antropología y Etnografía de México was founded in Mexico city in 1928 and issued this magazine in 1929. Some highlights: Quetzalcoatl, La redención del indio desde un nuevo punto de vista, Metodología lingüística, Verdaderos nombres propios Aztecas de los puntos cardinales, El matrimonio zapoteca. Scarce early periodical.
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QUIBDO. SUEÑO Y REALIDAD ARQUITECTÓNICA.; Fernando Orozco M. y Luis Fernando González E., Arquitectos. Exposición, Area Cultura
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Quibdó, Colombia: Banco de la República, 1994. b/w plates (1 color), plans, map, pict. wrps. Presents in a sequence of images and texts the most significant moments of the architectural heritage of this city. (...) The twentieth century is when a large part of the aspirations of the population and of the Chocoan region were realized and disappeared. The exhibition and this catalog are therefore intended, by accounting for the most notable architectural and urban events of this period, to trace a history of this region. The inhabitants of other cities will discover in this particular relationship, how their regional history is expressed and preserved in their own heritage, which is important to preserve. Taken from the presentation of this publication.
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QUICK CROSSWORD Nº 13,692, VOL. 11. ; Includes: 10 small postcards One folded sheet 10 pieces of printed paper 3 cards 1 red piece of paper with pen drawings 2 small sheets of wax translucent papers 2 facsimiles of mail stamps from Portugal 2 color slide transparent photos 1 small color glossy plate
by La Roche, Martin
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Santiago de Chile: Naranja Publicaciones, 2020. b/w illus., b/w pict. wrps., staple bound with metal holders (omega staples), plus 32 pieces, loose as issued, all inside yellow printed letter-size envelope with black sticker as cosure. LIMITED EDITON OF 100. Quick Crossword Nº13,692 is a crossword book by Chilean artist Martín La Roche (1988). This publication is part of the homonymous project in which the artist proposes different resolution strategies to the fast crossword # 13,692, originally published by the English newspaper The Guardian, freely taking it to editorial, graphic and installation spaces. This version -Nº 11 of the project- edited and designed by Naranja Publicaciones, is composed of three elements: a book with the clues that arises as an invitation for intervention by readers; a set of images/contents that act as possible solutions to the tracks, which come from the Naranja Collection and the personal memory of the artist and editors; and finally, an envelope with a printed text…
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QUIEN ES CARLOS VALENZUELA; Colección Exposiciones Temporales: Arte, Historia, Ciencia. Nuevos Nombres del Pasado
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Bogotá: Museo Nacional de Colombia, 1999. b/w and color plates, ports., bibl., cat., bio/chron., wrps. Art catalogue part of a series dedicated to reviving important artistic figures in Colombia's heritage. The works featured are by this Colombian painter (b. 1876) who lived and worked mostly in his native country, but also received training in the fine arts in Italy in 1890.
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QUIETO PELO. COLLECTIVE CONSTRUCTION PROJECT ON THE HAIRSTYLE AND HAIR CARE TRADITION IN AFRO-DESCENDANT COMMUNITIES.; Collection of 4 postcard books Quieto Pelo Tumaco 2017
by Angulo, Liliana, (1974- Colombia)
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Bogotá: Ministerio de Cultura, 2017. Individual size: 10.5 x 16 cm. 10 postcards per individual postcard book 40 postcards per collection of 4 postcard books Inks: 4 x 1 Material: Propalcote 300 gr and 115 gr. Artist project by Liliana Angulo. During the time of slavery in Colombia the fugitive enslaved used the hairstyles as escape maps. The braids and designs made on the head were used as secret codes. The braided style called troops was used to indicate that the escape route was by land and the style called "herringbone" indicated a leak in the water. Some styles meant hazardous or dangerous routes. While the "happened" (something that happened) was being woven, the people of the community learned about the events in the mine or the plantation and the actions to take during the escape. Seeds and gold were kept in the head to survive in freedom. "Quieto Pelo" is a collective creation project that aims to document oral traditions and practices associated with hairstyle, hair care and political…
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QUIMERA DE LOS MURALES DEL PALACIO DE BELLAS ARTES.; Mercedes Iturbe, et al.
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México: Museo del Palacio de Bellas Artes; Consejo Nacional para la Cultura y las Artes, CONACULTA; Instituto Nacional de Bellas Artes, INBA, DGE/Equilibrista, 2004. (as new). b/w and color plates, ports., facs., appen., bios., chron., cat., color pict. fldg. wrps. An exhibition that commemorates the 70th anniversary of the inauguration of the Palacio de Bellas Artes. The catalogue includes history of the murals done especially for the building by Diego Rivera, David Alfaro Siqueiros, José Clemente Orozco and Rufino Tamayo, as well as the murals originally conceived for other precincts by Roberto Montenegro, Jorge González Camarena and Manuel Rodriguez Lozano (now part of the museum) and the historical context of each mural, presenting sketches, documents and hemerographic material related to their creation. En esta exposición nos muestra un movimiento de suma importancia en Mexico: El Muralismo en todas sus etapas y estilos, revela el desarrollo de 50 años en la plástica mexicana. La…
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QUINTANA ROO.; Estados Unidos Mexicanos, Secretaría de Agricultura y Fomento, Dirección de Geografía, Meteorología e Hidrología, Departamento Geográfico, Oficina de Cartografía y Cálculo
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México: Zincorafia de la Dirección de Geog. Met e Hidr, 1937. 1 color fldg. map, 56 x 48 cm., folded to 22x15.5 cm, tipped in covers. Proyección Policónica, Escala 1:1000.000. 4 copies in OCLC.
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QUINTO SALÓN SUR NACIONAL DE ARTE. PINTURA GRABADO
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(Concepción, Chile): Diario El Sur de Concepción, ENAP, Univ. de Concepción, 2002. color plates, color pict. wrps. 2002 award winning paintings and prints in the Quinto Salon Sur Nacional de Arte. Prizes were given to: Ciro Beltran (oil painting over carpet), Victor Manuel Pavez (painting), Eduardo Garreaud (printmaking). Names of jurors and sponsors are included.
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QUIRIGUA REPORTS. VOLUME I. PAPERS 1-5. SITE MAP. UNIVERSITY MUSEUM MONOGRAPH 37
by Sharer, Robert J. and Wendy Ashmore (Eds.)
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- 9780934718264 / 0934718261
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Philadelphia: University Museum, University of Pennsylvania, 1979. b/w plates, illus., tbls., maps, plans, plus fldg. map, wrps.
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