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London: John W. Davies, 1863. Second edition. 16mo., vi, 135 pp., illustrations in text. Original gilt-titled cloth. A very good copy. The author introduced this process for coating dry collodion plates with a tannin solution; he discusses the problems of obtaining uniform sensitivity across coating surface and increasing speed to match that of wet plates. This edition is revised and expanded over the 80 pp. 1862 first edition, as there were several improvements in the process. Roosens and Salu No. 10305. Eder -HISTORY OF PHOTOGRAPHY p. 374 - 376. Gensheim - INCUNABULA No. 859. OCLC locates thirteen copies of this expanded edition.
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THE TANNIN PROCESS
by Russell, C., Major
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THE TANNIN PROCESS
by Russell, C.
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London: John W. Davies, 1862. First edition. 16mo., vi, 80 pp., illustrations in text. Original gilt-titled cloth. A few stains and pencil markings within text block, as well as pencil notations on endpaper; otherwise, a very good copy. The author describes in detail this process, which is based on dry-collodion coatings; he discusses the problems of obtaining uniform sensitivity across coating surfaces and increasing speed to match that of wet plates. Roosens and Salu No. 10305. Eder, J. M. HISTORY OF PHOTOGRAPHY p. 374 - 376. Gensheim - INCUNABULA No. 859.
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TAOS PUEBLO: Photographs by Ansel Adams. Woodcut decorations by Valenti Angelo.
by [ADAMS, ANSEL]. Austin, Mary
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Boston: NYGS, 1977. Facsimile of 1930 edition. Adams, Ansel. Folio, unpaged, 12 full-page duotone plates after photographs. Quarter tan leather and orange linen, blind titled in the leather on the front board. Housed in the publisher's plain orange linen slipcase. A fine copy. Limited to 950 numbered copies, SIGNED by Adams. The original edition, published in 1930 was limited to 108 copies and is the most expensive and rarest of his published works.
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TARGET: THE DEERSLAYERS
by Krims, Les
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Buffalo: Self published, 1972. First edition. Krims, Les. 6 x 5 1/2 inches, 1 p. (folded) text, with 22 of 23 loose photos, with a print mounted on front of the hinged box as issued. The slightest of rubbing at two corners. The blank reverse of the box top is signed and numbered by Krims. Near fine. The text was written by Alex Sweetman. SIGNED and numbered edition.
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TARGET: THE DEERSLAYERS
by Krims, Les
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Buffalo: Self published, 1972. First edition. Krims, Les. 6 x 5 1/2 inches, 1 p. (folded) text, with 22 of 23 loose photos, with a print mounted on front of the hinged box as issued. The box top and tray are separated, as well as three of the corners; moderate rubbing. The blank reverse of the box top is signed and numbered by Krims. Near fine. The text was written by Alex Sweetman. SIGNED and numbered edition.
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TCHAF FOTO'S
by [RIJKSUNIVERSITEIT TE LEIDEN] Corp Author
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Leiden: Technisch/ Administratieve Staf der Rijksuniversiteit, 1968. First edition. 4to., 24 pp., chiefly illustrated from b&w photographs. Printed wrappers, which are creased near the top of the spine. Near very good. Catalogue for the exhibition of the collection held by the Rijksuniversiteit, Christmas 1968. Text in Dutch with an English summary by Henri van de Waal, et al.
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TELEGRAPH POLES
by White, Clarence H.
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New York: Alfred Stieglitz, 1903. White, Clarence H.. Hand-pulled photogravure, 7 7/16 x 4 3/16 inches [18.89 x 10.50 cm] printed on tissue, tipped to the original laid paper leaf, 11 3/4 x 8 1/8 inches [29.85x 20.96 cm]. Fine. The image is a fine full-tone photogravure from CAMERA WORK 3, 1903. Clarence H. White (1871 - 1925) was born in West Carlisle, Ohio and moved to Newark, Ohio in 1887. An early interest in art was thwarted by his parents. Employed by a wholesale grocery firm, he began making photographs after a visit to the Columbian Exposition, Chicago, 1893. In 1898, he exhibited ten photographs at the First Philadelphia Photographic Salon, which brought him to the attention of Alfred Stieglitz and other Pictorialists. By 1899, he was exhibiting widely, acting as a juror for salons, and organizing exhibitions of Stieglitz, Day, Keiley, Käsebier, et al. In 1906, he moved to New York, assisting at the Photo-Secession Galleries. In 1907, he collaborated with Stieglitz on a series of portrait…
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TELEHOR: MEZINARODNI CASOPIS PRO VISUALNI KULTURU... THE INTERNATIONAL REVIEW NEW VISION... (Year) 1; (Nos.) 1-2, 1936. L. MOHOLY-NAGY
by [MOHOLY-NAGY]. Kalivoda, Fr. editor
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Brno: Telehor, 1936. First edition. Moholy-Nagy. 4to., 138 pp.,  color and b&w plates from paintings, photographs, photograms, graphics and filmstrips.  Metal spiral bound printed wrappers, with original glassine over-wrapper and the plain tan paper outer wrapper which is chipped.  There is a tiny bit of rubbing to the lower edge, less than one sixteenth of an inch wide on the front wrapper; else fine, near new, including the plain black card that was issued to protect the rear wrapper. Also issued with a color illustrated front wrapper, this is the rare variant issue with black wrappers with the artist's name on the front.  Housed in a new clamshell box of cloth with a morocco fore edge. . This multilingual (French, English, German and Czech) international review published only this single combined volume. The entire issue is devoted to the work of Lazslo Moholy-Nagy, his paintings, photographs and graphics. Edited by Frantisek Kalivoda, with texts by Moholy-Nagy, including, "From Pigment to…
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TENERIFFE, AN ASTRONOMER'S EXPERIMENT: OR, SPECIALITIES OF A RESIDENCE ABOVE THE CLOUDS.
by Smyth, C. [Charles] Piazzi
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London: Lovell Reeve, 1858. First edition. 8vo., 451 pp., 20 mounted albumen stereographs with tissue guards, engraved map, approx. 45 pp. advertisements, including the catalogue of one hundred stereoscopic views of Egypt and Nubia, published by Negretti & Zambra. Gilt-decorated textured cloth, t.e.g.; spine crown repaired with tissue; light wear, foxing to several tissue guards; blank corner of one advert lacking. A very good copy. This is the first book to contain original mounted stereographs; the exposures were made by Smyth on Teneriffe in the mid 1850s, and serves as an important astronomical report. The publisher's adverts are dated January 1858. TRUTHFUL LENS No.152. Gernsheim - INCUNABULA No. 79. Roosens and Salu No. 9814.
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TERRE D'IMAGES: JOURNAL BIMENSUEL D'INFORMATION DES ARTS ET TECHNIQUES PHOTOGRAPHIQUES. THIRTY-FOUR ISSUES.
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Paris: Éditions Michel Brient, 1966. First editions. Folios and 8vos, varying paginations from approximately 140 pp. ( Issues 1 -6), 8 pp. to 12 pp. ( Issues 7 - 30) and 50 pp. (Issues 31 - 33), illustrated from b&w photographs. 32 issues as follows:Issue No. 1, Jan/Feb. 1964 through Issue No. 23, 1 April 1966, and Issue No. 25, 6 May 1966 through Issue No. 33, November 1966. A long and nearly complete run, lacking No. 24. Issues 1 - 6 are bound in blue buckram with the original wrappers bound-in. Issues 7 - 30 are tabloid folios which were originally folded in quarters for mailing. Issues 31 - 33 are 8vos. with photo-illustrated stiff wrappers. A good set with moderate soiling to a few wrappers, a faint dampstain along the lower edge of Nos. 26 and 30, and a few creased corners. Founded as by Michel Brient in 1964 with Jean Adhémar, the Chief Curator of the Department of Prints and Photography at the Bibliotheque Nationale de France; by issue No. 7, the editorship passed to J. L. Swiners. With…
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TERRY EVANS, EARL IVERSEN: KANSAS PHOTOGRAPHS
by Evans, Terry and Earl Iversen
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Lawrence, Kansas: Spencer Museum of art, The University of Kansas, 1983. First edition. Oblong 8vo., [15] pp. and 17 pages of b&w and color plates from photographs. Stapled printed wrappers. Slightly rubbed. Very good. Catalogue for the exhibition held March 13 - June 5, 1983. Thomas W. Southall, curator and text.
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[THE SCENERY OF] THE BROADS AND RIVERS OF NORFOLK AND SUFFOLK: [cover title].
by Davies, G. [George] C. [Christopher]
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[London: Jarrold & Sons, 1883. Oblong folio, frontis portrait, 48 hand-printed photogravure plates with text leaf opposite, no title page, t.e.g. Scattered foxing to the blank margins of several of the plates, and some have short tears or abrasions in the blank margins with one plate partially loose; many of the text leaves are foxed and stained. Half morocco and cloth; the gilt title on the front cover and the upper tips are rubbed and the marbled rear endpapers have two moderate scars where they stuck together; the rear cover shows dampstaining with the cloth lifting at one corner. In all, a good copy. Davies, a prolific writer of guide books to East Anglia, illustrated this work from his own photographs, which were printed in the photogravure process by T. & R. Annan. This work predates the published books of P.H. Emerson and bears some striking similarities to Emerson, giving rise to the notion that Davies was an influence on the naturalistic style of Emerson. Initially, in 1883, Jarrold and…
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THEODORE ROSZAK: PHOTOGRAMS
by [ROSZAK]. Urdang, Beth
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NY: Zabriskie Gallery, 1984. First edition. Roszak, Theodore. 4to., 58 pp., 24 leaves of b&w photographic plates. A fine copy in a photo-illustrated dust jacket; the plain mylar over wrapper has a tiny chip and one short crease. American sculptor, painter and printmaker, Theodore Roszak (1907-1981) was born in Poland and was brought up in Chicago. He attended the Chicago Institute of Design, National Academy of Design and Columbia University. During his lifetime he received awards, had numerous solo exhibitions and participated in many group shows. Limited to 1000 copies printed at the Stamperia Valdonega, Verona Italy.
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THEORIE DER FOTOGRAFIE II, 1912-1945
by Kemp, Wolfgang
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München: Schirmer-Mosel, 1980. First edition. Hardcover. Small 4to., 268 pp. Fine in dust jacket. This is the second volume of three that draws together theoretical writings on photography. Authors include; Marius de Zayas, Alvin Langdon Coburn, Paul Strand, Edward Weston, Laszlo Moholoy-Nagy, Alexander Rodtschenko, Man Ray, et al. Text in German.
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THEY SHALL CAST OUT DEMONS: Words by St. Mark and Richard Selzer
by Burke, Bill
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[Atlanta]: Nexus Press, 1983. First edition. Burke, Bill. 4to., 29 pp., chiefly illustrated in b&w, some in color. Illustrated stiff wrappers. A fine copy. Spiritual healing, snake-handling, surgery; an artist's book. This is the photographer's scarce first book, a fusion of text, photographs in color and b&w, and appropriated images and symbols - all of which he used in later works. Although not stated, this edition was limited to 750 copies.
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THOMAS EAKINS: WHO PAINTED
by McHenry, Margaret
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Privately Printed for the Author, 1946. First ed. Paperback. Eakins, Thomas. 8vo., 162 pp., frontispiece. Stiff wrappers. Fine. Largely based upon interviews with Eakin's students and other unpublished sources. Includes material on his photographic work with Eadweard Muybridge.
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THOMAS EAKINS: HIS PHOTOGRAPHIC WORKS
by Eakins, Thomas
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Philadelphia: Pennsylvania Academy of the Fine Arts, 1969. First edition. Eakins, Thomas. Small 4to., 78 pp., 82 b&w plates from photographs. Illustrated stiff wrappers. Very good. The catalogue published in conjunction with the exhibition held in January 1970 at the Pennsylvania Academy of the Fine Arts. Includes a preface and lengthy essay by Gordon Hendricks; checklist of 215 exhibited works, and an index.
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THOMAS KEITH, 1827-1895: SURGEON AND PHOTOGRAPHER. THE HURD BEQUEST OF PHOTOGRAPHIC PAPER NEGATIVES: Libraries and Museums Department Occasional Publications, No. 6.
by Keith, Thomas
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Edinburgh: Libraries and Museums, Committee, 1966. First edition. Keith, Thomas. 8vo., 16 pp., plus 32 b&w photo-illustrations. Pictorial wrappers. Very good. An amateur photographer, born at St Cyrus, Kincardineshire, in 1827; he earned his M.D. degree in 1848, and took up photography in 1853. He first used the calotype and waxed-paper processes of W.H. Fox Talbot and Gustave Le Gray. Though the wet collodion glass negative process was developed and well established by 1853, Keith preferred the paper negative process for its advantages in landscape work. Notes by C. S. Minto.
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THREE VINTAGE SILVER GELATIN PHOTOGRAPHS FROM THE SERIES, INDIAN EDUCATION
by Beaton, Cecil Walter Hardy, Sir
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Each photograph measures 9 5/8 in. (24.4 cm.) width x 7 11/16 in. (19.5 cm.) height. Each has a printed paper label from the Ministry of Information affixed to the blank verso; beneath it is stamped "Cecil Beaton Photograph." Slight silvering to each at the bottom right corner; one print is slightly soiled on the blank verso; else near fine. The captions read: "2. INDIAN EDUCATION. Next comes the village school where in addition to the 'three R's' handicrafts are taught." "4. INDIAN EDUCATION. A young girl having an English lesson." "10. INDIAN EDUCATION. Osmania University students listening to a lecture on mathematics..." Sir Cecil Walter Hardy Beaton (1904-1980) was an English fashion, portrait and war photographer, diarist, painter, interior designer and an Academy Award-winning stage and costume designer for films and the theater. During WW II, he was sent to India and China by the Ministry of Information to take photographs, of which only a few of the approximately 7000 were ever published.
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TILL MINNET AV MIG SJÄLV
by Strömholm, Christer
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[Stockholm: Nordisk rotogravyr, 1965. First edition. Strömholm, Christer. Small 8vo., (8) pp., (36) pp. of b&w photographs. Illustrated stiff paper wrappers. A fine copy, with just the slightest signs of use. Award-winning Swedish photographer, Christer Strömholm, was born in 1918 in Stockholm; he was a major force in Swedish photography. As the director of Fotoskolan in Stockholm, he trained over 1200 students; many who became leading Scandinavian photographers. He died in 2002 after a prolonged illness. The title translates: To the Memory of Myself. This is his first monograph. Text in Swedish.
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