Search Results: Titles starting with T from Howard Karno Books Inc

Perú: Pontificia Universidad Católica del Perú, 1999. 2 vols., xvi, 428;xiv, 22p., b/w and color plates, maps (1fldg.), tbls., diags., draws., illus., appens., indices, bibls., color fldg. pict. wrps. Work at Peruvian site between 1958-1989 provides, in this study, important data on 422 tombs and the ceramics and other offerings. Emphasis is on ceramics.

México: Instituto Nacional de Antropología e Historia, 2001. (As new). b/w plates, maps, draw., plans, appens., bibl., plus fldg. maps, plans, color pict. wrps. LIMITED EDITION OF 1,000. Photographic and documentary look at the urban development and the colonial patrimonial architecture of the city of Tacámbaro, Michoacán. Monograph includes several fold-out maps and plans of the city.

Lima: Universidad San Martín de Porres, Facultad de Ciencias de la Comunicación, Turismo y Psicología, 2022. b/w and color plates, tbls., recipes, illus., bibliographical references (pages 366-371), fldg. wrps. This book is a major tribute to the history and memory of the traditional cuisine of the department of Tacna, Peru through the recognition of its culinary culture highlighting its real value and historical dimension. The book includes 80 traditional recipes from the four provinces of Tacna (Jorge Basadre, Candarave, Tarata and Tacna), where each one is a synthesis of its own geographical configuration, historical evolution and collective cultural development. CONTENTS: Presentación / Amybel Sánchez de Walther -- Preámbulo / Southern Perú -- Prólogo / Dr. Luis Cavagnaro Orellana -- Introducción -- Capítulo I. Historia y orígenes de Tacna -- 1.1. Historia -- 1.2. Tacneñas -- Capítulo II. Biodiversidad -- 2.1. Territorio -- 2.2. Ríos -- 2.3. Mar -- 2.4. Sal -- 2.5. Cultivos --… Read More

Washington, U.S.: Government Printing Office, 1952. 33 plates, 69 figures, 18 maps (some fldg.), 21 tbls., ind., wrps.

México: Grupo Financiero Comermex, 1973. (first 12 pages detached, o/w clean good copy). plus 26 color plates, cat., bibl., color pict. wrps. Good reference on famous colonial pottery. Text by Alejandra Peón Soler and Leonor Cortina Ortega. Full page color plates. Printed outside of commerce. Scarce.

Buenos Aires: Museo de Arte Moderno de Buenos Aires, MAMBA, 2018. b/w and color plates, bios., cat., green cloth boards. Exhibition and catalogue for the exhibition in Buenos Aires. CONTENTS: Preliminary words by the Kulturstiftung des Bundes = Palabras preliminares de la Kulturstiftung des Bundes -- A tale of two worlds = Historia de dos mundos / Klaus Görner, Victoria Noorthoorn & Javier Villa -- A bridge between two worlds: Lucio Fontana = Un puente entre dos mundos: Lucio Fontana -- A contrast between two worlds: the post-war years in Latin America and Europe = Un contraste entre dos mundos: los años de posguerra en Latinoamérica y Europa -- Tearing both worlds apart: strategies of destruction in Europe and Latin America = Destrozar ambos mundos: estrategias de destrucción en Europa y América Latina -- The social body: exploring the limits of society in the midst of social turmoil = El cuerpo social: la exploración de límites en tiempos turbulentos -- The body in action: Participation and… Read More

São Paulo, SP: Univesidade deEdusp, 2010. color and b/w plates, color frontis., tbls., bibliographical references (p. 216-219), color pict. d.j. OCLC: 690686376. The city of Salvador, the capital of the state of Bahia (in the 18th century the capital of the vice-reign of Brazil) contains diverse monuments of baroque style; the church of the convent of San Francis of Assisi is its most extraordinary example. This amazing Franciscan temple and convent located in the Terreiro de Jesus, mixes a sober and grandiose architecture with the refined blue and golden tile decorations and the protuberant golden and polychrome ornamental carving that features the glorious reign of dom Joao V in Portugal. Sculptor end researcher Mozart Alberto Bonazzi Da Costa presents a study of the "archaeology of past trades that should be conserved" (p. 17). In a first section the author reviews the historical aspects, the carving techniques and instruments used, the different styles and the aesthetic and symbolic aspects of… Read More

Lima: Instituto Cultural Peruano Norteamericano, ICPNA, Galería Germán Krüger Espantoso, 2008. frontis, b/w and color plates, ports., facs., bibl., pict. fldg. wrps. Catalogue of exhibition that rediscovers the art of the legendary Peruvian workshop "Taller 72" founded by Eulalia Orsero (Chincha Alta, 1933) and Jorge Ara (Tacna, 1946) in 1972 and that included the participation of such artists as: Tilsa Tsuchiya, Cristina Gálvez, Víctor Humareda, Fernando de Szyszlo, David Herskovitz, Milner Cajahuaringa, Enrique Galdós Rivas, Ramiro Llona, Emilio Hernández, José Tola and Eduardo Moll. Exhibition opened within the framework of the II Bienal de Grabado ICPNA 2008. Muestra antologica que recorre la actividad de mas de tres decadas del Taller 72, el cual ha realizado una fructifera labor dedicado a la creacion y produccion de grabados en el pais. Se incluye la obra plastica de artistas como Cristina Dueñas, Gabriela De Bernardi, Tilsa Tsuchiya, Victor Humareda, Fernando de Szyszlo, Enrique… Read More

Santiago de Chile: Instituto Cultural de Providencia, 1995. (Cover with slight shelf wear). color and b/w plates loose in folder, b/w ports., bios., printed paper portfolio. Retrospective of the Taller 99 graphic workshop founded in Chile in 1956 founded by Nemesio Antúñez. A short history is included. Each leave with work of one of 24 artists with portrait and biographical information for each artist on verso.

México: Universidad Nacional Autónoma de México, 2004. color and b/w plates (some fldg), red embossed cloth boards, d.j. in cardboard slipcase. OCLC: 61168512. A MASSIVE selected, and critical anthology of the 15 years of existence of the "Taller de Documentación Visual". The workshop is devoted to visual experimentation, exhibitions and development of fundamental concepts related to the arts. The investigation was lead by Antonio Salazar Bañuelos. A large portion of the book is devoted to the AIDS project and related art and publicity to educate. This was one of the first and foremost group efforts to educate and bring AIDS related issues visually to the public in Mexico.

México, D.F.: El Dia, 2000. b/w plates, newspaper. Newspaper special edition devoted to the 63rd anniversary of the Taller de Gráfica Popular.

Santiago de Chile: Universidad d Santiago de Chile, Archivo Patrimonial, 2021. b/w and color plates, facs., endpapers, color pict. borads. The Graphic Workshop of the State Technical University had the mission of communicating the milestones and achievements of the University Reform, a process aligned with the political project, economic, social and cultural of the Popular Unity government. This book presents an important set of graphic pieces produced by the Graphic Workshop that relate the university memory of the Reformation, give an account of the aesthetic currents that influenced them, and show us interesting aspects of the creation and production of the printed matter, the result of the work set of designers and technicians who made up the UTE Graphic Workshop. CONTENTS: Presentación -- Introducción -- CAPITULO UNO: La exitención en el contexto de la Reforma Universitaria / Francisco Rivera Tobar -- Testimonios -- CAPITULO DOS: El Taller Gráfico Universidad técnica del estado: comunicar… Read More

Universidad de los Andes, Facultad de Arquitectura y Diseño Departamento de Arquitectura, 2011. illus., plans., color pict. wrps. OCLC: 822216193. Contents: Presentación. De arquitecturas y otros demonios. Capítulo 1. Antecedentes del Taller de Cartagena: aproximación. Algunos antecedentes de la conservación histórica. La Universidad de los Andes y Cartagena: contactos iniciales. Capítulo 2. Desarrollo histórico del Taller Internacional de Cartagena. Primer período (1987-1993). Segundo período (1994-1998). Tercer período (1999-2010). Seguimiento del desarrollo del Taller. Primera semana: ver. El encargo. La deriva. Segunda semana: proponer. Bioclimática. Concepción estructural. Acuarela, dibujo y fotografía. Tercera semana: oír. Testimonios de profesores. Cuarta semana: decidir. Testimonios de estudiantes. Entrega final. Premio Rafael Gutiérrez. Capítulo 4. El encargo: los proyectos del Taller y sus autores. Propuesta académica y su base pedagógica. La base pedagógica: el sustento… Read More

Caracas: Museo Jacobo Borges, 1997. b/w and color plates (some facs.), ports., sigs., cat., plus 2p. rice paper w/signtures, pict. spiral wrps. IMPORTANT EXHIBIT documents the Taller Libre de Arte in Venezuela. The Taller coincided with political democratization during the period of Rómulo Gallegos and was a fundamental part of contemporary art in Venezuela. Some artists include: Jacobo Borges, Oramas, Trejo, Lourdes Armas. LIMITED EDITION OF 500 COPIES.

La Plata, Argentina: Museo de Arte Contemporáneo Latinoamericano, Centro Cultural Pasaje Dardo Rocha, 2002. color plates, ports., bio./chrons., color pict. d.j. over wrps. Group exhibition of 24 current artists working in the Taller Sur, under maestro Alberto Delmonte.

Concepcion, Chile: Universidad del Bío-Bío, Facultad de Arquitectura, Construcción y DiseÒo, 1997. maps, b/w plates, draws., meas. draw., plans, ind., color fldg. pict. wrps. Award winning projects from the school of architecture for 1996.

Monterrey: Museo de Monterrey, 1986. color and b/w tipped-in plates, bio., bibl., cat., fldg. wrps. with tipped-in color plate on frt. wrp. A creative catalogue with good essays by Teresa del Conde and Juan Acha. ENGLISH AND SPANISH TEXT.

México: Museo de Arte Contemporáneo Internacional Rufino Tamayo, 2001. color plates, port., cat., chron., color pict. wrps. Exhibition of 33 years of small format works on paper by Mexican master (b.1899-1991). Tamayo created during three decades a series of gouaches and watercolors with a clear Mexican iconography without affecting the demand of his larger works in the art market. LIMITED EDITION OF 1100.

São Paulo: n.p., 1982. b/w and color plates, wrps.

México, D.F.: Tapetes Mexicanos, N.d.. color plates, 1 fldg. (plate), map, wrps. History and information about this well known Otomí hand-made rug production center in the Mexican mountains of the State of Mexico.