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International Edition
Intl. Ed.

U. S. CAMERA

by Maloney, T. J., editor

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NY: William Morrow & Company, 1969. First editions. 4tos. Variable paginations, largely illustrated from b&w and occasionally color photographs. The first four issues, 1935 - 1939, are spiral bound with printed wrappers. Issues from 1940 to 1964 are bound in the publisher's cloth. From 1965 to 1970, the issues have photo-illustrated wrappers. Several years have the original dust jackets. Some soiling or wear to edges of wrappers. A good to very good set. A complete run in 36 volumes of this annual publication; there was no issue published in 1938. The title became U.S. CAMERA ANNUAL beginning in 1949, and again changed to U.S. CAMERA WORLD ANNUAL in 1966. Some volumes have distinctive titles, such as: "International Edition" 1950, "American-International," 1951, "Pictures that Talk..." 1959. Edited by Tom Maloney. The publisher changed in 1950 to U.S. Camera Pub. Corp. An outstanding annual, which included critical, technical and historical articles by the leading writers, with individual images and… Read More
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UMELECKA FOTOGRAFIE A JEJI TVORBA

UMELECKA FOTOGRAFIE A JEJI TVORBA

by Padouk, Rudolf

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V Olomouci: Nakladatelstvi R. Prombergra, 1930. First edition. Padouk, Rudolf. 4to., 91 pp., plus 32 full-page b&w plates. Printed paper wrappers. A slight bump to the crown and tip, else a very good copy. Anthology of Pictorial photography; contains photographs by the following: Rudolf Padouk, Léonard Misonne, Charles Job, Dr. Max Thorek, Drummond Young, Jene (sic) Reece, William Mortensen, Dr. Ruzicka, and others. Text in Czech.
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AN UNCERTAIN GRACE

AN UNCERTAIN GRACE: Essays by Eduardo Galeano and Fred Ritchin.

by Salgado, Sebastião

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(NY): Aperture, 1990. Salgado, Sebastiao. First ed. Folio, 156 pp., b&w photographs. A fine, as new copy in the illustrated dust jacket, still sealed in the publisher's shrinkwrap. "From a Brazilian mine where 50,000 mud-covered men haul heavy bags of dirt up and down slippery ladders in search of a stray nugget of gold, to a former lake in western Africa now swallowed by the encroaching desert, where emaciated, starving people walk over its surface of sand, photographer Sebastião Salgado explores the lives of the planet's often ignored people with a critical eye and an empathetic heart." (jacket).
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UNCOMMON PLACES

UNCOMMON PLACES

by Shore, Stephen

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Millerton, NY: Aperture, 1982. First edition. Hardcover. Shore, Stephen. Oblong 4to., 63 pp., 49 full-page color photographs. A fine copy in the color illustrated dust jacket. These large format color photos from 1973 through 1981 were responsible for placing the photographer in the vanguard of the "new color photography.
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UNCOMMON PLACES

UNCOMMON PLACES

by Shore, Stephen

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Millerton, NY: Aperture, 1982. First edition. Hardcover. Shore, Stephen. Oblong 4to., 63 pp., 49 full-page color photographs. A fine copy in the color illustrated dust jacket that has a mild wrinkel along the top edge of the front panel. These large format color photos from 1973 through 1981 were responsible for placing the photographer in the vanguard of the "new color photography.
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UNCOMMON PLACES
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UNCOMMON PLACES

by Shore, Stephen

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Millerton, NY: Aperture, 1982. First edition. Shore, Stephen. Oblong 4to., 63 pp., 49 full-page color photographs. A fine copy in the color illustrated dust jacket. These large format color photos from 1973 through 1981 were responsible for placing the photographer in the vanguard of the "new color photography." SIGNED by the photographer on the half-title page. Review information laid-in.
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UNDER THE PINES

UNDER THE PINES

by Cadby, Will

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New York: Alfred Stieglitz, 1904. .. High quality halftone, 7 5/16 x 5 1/8 inches [18.57 x 13.02 cm] printed on a thin stock and tipped on tissue, which is tipped to the original laid paper leaf, 11 3/4 x 8 1/8 inches [29.85x 20.96 cm]. The image is a fine full-range halftone from CAMERA WORK 6, 1904. William A. Cadby (1866 - 1937) began making photographs in 1891. By 1893 he exhibited at the London Photographic Salon, the Photographic Society, the Bristol International, and other British salons, joining The Linked Ring a year later. Both Will and his wife, Carine exhibited works in the 1894 London Salon - they later would collaborate on a series of children's books which Will illustrated with photographs. From 1912 through 1932, Will and Carine contribute "London Letter" a column for the popular magazine, Photo-Era.
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UNE FAENA DE CURRO ROMERO
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UNE FAENA DE CURRO ROMERO

by [CLERGUE] Magnan, Jean-Marie and Lucien Clergue

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[Paris]: Marval, 1992. First edition. 4to., 117 pp., [48] pages of plates from color photographs. Fine in the photo-illustrated dust jacket. Inscribed by Lucien Clergue on the half-title page. An hommage to the legendary Spanish bullfighter, Francisco Romero López. The photographs, in vibrant color, follow the entire fight to the dramatic end. Text in Spanish.
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UNE INVENTION DU XIXe SIÈCLE, EXPRESSION ET TECHNIQUE, LA PHOTOGRAPHIE: COLLECTIONS DE LA...

UNE INVENTION DU XIXe SIÈCLE, EXPRESSION ET TECHNIQUE, LA PHOTOGRAPHIE: COLLECTIONS DE LA SOCIÉTÉ FRANÇAISE DE PHOTOGRAPHIE: COLLECTIONS DE LA SOCIÉTÉ FRANÇAISE DE PHOTOGRAPHIE.

by [SOCIÉTÉ FRANÇAISE]. Marbot, Bernard

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A$77.70
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Paris: Bibliothèque Nationale, 1976. First edition. 4to., viii, 153 pp., numerous b&w photos in text, 49 full-page b&w plates. Illustrated stiff wrappers. Near fine. Catalogue for an exhibition held at the Bibliothèque Nationale, 12 June to 14 August, 1976. Includes extensive notes on the plates, and for numerous photographers who were members in the Société Française de Photographie: Bayard, Bisson, Davanne, Demachy, Emerson, Fenton, Marville, Nadar, Puyo, Rejlander, Robinson, Tournachon, et al.
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THE UNION SKETCH-BOOK: A RELIABLE GUIDE, EXHIBITING THE HISTORY AND BUSINESS RESOURCES OF THE...

THE UNION SKETCH-BOOK: A RELIABLE GUIDE, EXHIBITING THE HISTORY AND BUSINESS RESOURCES OF THE LEADING MERCANTILE AND MANUFACTURING FIRMS OF NEW YORK. INTERSPERSED WITH MANY IMPORTANT, VALUABLE, AND INTERESTING FACTS RELATING TO THE VARIOUS BRANCHES OF TRADE, MANUFACTURE, AND THE MECHANIC ARTS. TO WHICH IS ADDED, A HAND BOOK, FOR THE USE OF VISITING MERCHANTS

by [NEW YORK CITY] Gobright, [John Christopher], and Pratt

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NY: Published by Pudney & Russell, 1860. First edition. 8vo., xii, 168 pp.; [with] [A Directory to the Principal Objects of Interest in New-York] 7-42 pp., illustrated plates from wood engravings, 1 folding plate, a color advertisement. Gilt-decorated cloth, a.e.g. Extremities moderately rubbed. Lacking the terminal blank free endpaper. Very good. Includes a description of the American and Foreign Stereoscopic Emporium and Depot of Photographic Materials, E. Anthony, with a full-page illustration of their storefront. Tiffany & Co. is listed under Clocks, Diamonds and Jewelry, and Fancy Goods, Rich, etc.
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UNTITLED GELATIN SILVER PRINT
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UNTITLED GELATIN SILVER PRINT

by Chappell, Walter

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Vintage gelatin silver photograph 7 9/16 x 9 5/16 inches [18.98 x 23.65 cm.], printed prior to 1960. The verso is signed in pencil by the photographer in his distinctive hand, " Walter Chappell, Reproproof." A fine print. Walter Chappell (1925 - 2000) was affiliated with a long list of noted American photographers: Edward Weston, Alfred Stieglitz, Ansel Adams, Imogen Cunningham, Paul Caponigro, Carl Chiarenza, et al. His association with Minor White, as a student, coworker at the George Eastman House, and with Aperture Magazine was one of his most enduring. He was represented by the Carl Siembab Gallery, one of the first galleries devoted solely to photography. In the early 1960s, the home he shared with his wife, the painter, Nancy Barrett Dickinson, was destroyed by fire, taking most of his negatives and prints. Photographs made prior to the fire are rare. This photograph was reproduced as plate XXXIII, in, UNDER THE SUN: The Abstract Art of Camera Vision, By Nathan Lyons, Syl Labrot, Walter… Read More
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UNTITLED GELATIN SILVER PRINT
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UNTITLED GELATIN SILVER PRINT

by Chappell, Walter

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Vintage gelatin silver photograph 7 3/8 x 9 3/16 inches [18.54 x 23.34 cm.] The verso bears the printed label of the Carl Siembab Gallery, Boston, Massachusetts, which reads, " Walter Chapel Photograph/ Please return the Print to Gallery." Written in the photographer's distinctive hand, " Return to Walter Chappell, For one-time Repro only, 1958." A fine print. Walter Chappell (1925 - 2000) was affiliated with a long list of noted American photographers: Edward Weston, Alfred Stieglitz, Ansel Adams, Imogen Cunningham, Paul Caponigro, Carl Chiarenza, et al. His association with Minor White, as a student, coworker at the George Eastman House, and with Aperture Magazine was one of his most enduring. He was represented by the Carl Siembab Gallery, one of the first galleries devoted solely to photography. In the early 1960s, the home he shared with his wife, the painter, Nancy Barrett Dickinson, was destroyed by fire, taking most of his negatives and prints. Photographs made prior to the fire are rare.… Read More
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UNTITLED. #1 - #58
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UNTITLED. #1 - #58: WITH SEVERAL ISSUES SIGNED.

by Friends of Photography

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Carmel/San Francisco: Friends of Photography, 1994. First editions. Varying sizes from oblong 8vo. to folio; varying paginations. Largely illustrated from b&w and color photographs. Illustrated wrappers. 55 numbers in 53 issues, lacking No. 11 and 21. Number 6 shows moderate cockling and staining; mild toning to the wrappers of numbers 7 - 9. Very good to fine condition. This series of monographs and topical anthologies began publishing irregularly in 1972 and ceased with Number 58 in 1994. Most issues are devoted to a single topic or a monograph devoted to a photographer. Issues No. 20, Ruth Bernhard; No. 22, Edmund Teske; No. 26, John Pfahl; and, No. 27, Roy Decarava, are all signed and dated. Additional shipping charges may apply given the weight of this magazine. Duplicates of No. 1, 2/3, 9-10, 12, 14, 17 - 20, 22 - 26, 28 - 32, 34 - 41, 43 - 46, 48 - 50, 53 - 55 are available, condition varies. Please inquire.
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UNTITLED VINTAGE PHOTOGRAPH

UNTITLED VINTAGE PHOTOGRAPH

by Prince, Doug

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Original gelatin silver photograph, 9 3/8 x 7 1/2 inches, dry-mounted to archival board, 13 x 15 inches, signed and dated by the photographer in pencil on the mount beneath the lower right corner. Fine. Doug Prince was born in Des Moines, Iowa, 1943. He earned both his BA and MFA from the University of Iowa, and in 1968 he was appointed as an assistant professor in the department of photography, headed by Jerry Uelsmann. From 1976 through 2017, he taught at the Rhode Island School of Design, Northern Kentucky University, Syracuse University, University of New Hampshire, Tufts University, and the New Hampshire Institute of Art. His work is in the permanent collections of: Addison Gallery of American Art, Art Institute of Chicago, International Center of Photography, Museum of Fine Arts-Houston, Museum of Modern Art, etc.
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UNTITLED VINTAGE GELATIN SILVER PHOTOGRAPH
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UNTITLED VINTAGE GELATIN SILVER PHOTOGRAPH

by Brook, John

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Brook, John. An original b&w gelatin silver photograph, approximately 13 x 6 1/4 inches, with linen covered window mat, framed and glazed in a simple walnut frame, which is sealed on the reverse and bears the Carl Siembab Gallery label, which dates this photograph as 1962, from the collection of B. A. King. The image appears to be in fine condition but has not been examined outside of the sealed frame. Accompanying the photograph is the photographers first book, A LONG THE RIVERRUN. San Francisco: Scrimshaw Press, 1970. First ed. Oblong small 4to., 80 pp., numerous b&w photos. A near fine copy in a moderately edgeworn dust jacket. Signed by the photographer on the blank leaf opposite the title page. "Born in 1924 in Woonsocket, Rhode Island, John Brook began photographing when he was just twelve years old. After graduating from Harvard, Brook officially started his photographic career, opening a portrait studio on Newbury Street in 1946. This was a significant step for photography in Boston, a… Read More
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UNTITLED # 1

UNTITLED # 1

by [UNTITLED] Parker, Fred R., editor

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Carmel, California: The Friends of Photography, 1972. First edition. Weston, Edward. 4to., 24 pp., b&w plates from photographs. Photo-illustrated stiff wrappers. Fine. The entire issue is a memoir of Edward Weston by Dody Thompson.
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UNTITLED 5: FOUR EXHIBITIONS

UNTITLED 5: FOUR EXHIBITIONS

by [UNTITLED] Thompson, Peter, guest editor

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Carmel, Californisa: The Friends of Photography, 1973. First edition. Heinecken, R. 4to., [20] pp., color & b&w plates from photographs. Illustrated wrappers, which are toned; tips creased. A good copy. The exhibitions were André Kertész, Robert Rauschenberg, Robert Heinecken, Wynn Bullock. Issued as UNTITLED 5.
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UNTITLED

UNTITLED

by [ARBUS]. Arbus, Doon and Yolanda Cuomo

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New York: Aperture, 1995. First edition. Arbus, Diane. Folio, (112 pp.), chiefly b&w photographs with an essay by the artist's daughter. A fine, as new copy in illustrated dw, still sealed in the publisher's shrinkwrap. A beautifully printed edition of Diane Arbus' final series of work, it is entitled "Untitled," as Arbus left it at the time of her death. The images of patients at mental and adult care facilites are tinged with irony; adults dressed as children, abnormal bodies appearing beautiful to convey the honest connection between photographer and subject.
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UNTITLED: [DRESS, ROCKS AND CRASHING WATER]

UNTITLED: [DRESS, ROCKS AND CRASHING WATER]

by Underhill, Linn

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[Rochester], 1977. Underhill, Linn. A richly toned photogravure, image size 7 1/2 x 6 1/16 in. [19 x 15.4 cm.] printed with plate marks on a thick woven cold-rolled art paper, 15 x 10 1/2in. This editioned print is numbered 4 /25 and SIGNED by the photographer in pencil beneath the image on the right. Linn Underhill received her BFA from Alfred University and her MFA at SUNY Buffalo and the Visual Studies Workshop, where she produced several small artist's books. She is widely published in anthologies and exhibition catalogues and has work in major photography collections. She is an associate professor of art, emerita, at Colgate University and lists her research interests as feminism, and gay and lesbian issues in the arts.
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UNTITLED
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UNTITLED

by Fink, Larry

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[NY, 1970. Original silver gelatin photograph, 9 x 9 inches, printed on double weight photographic stock 11 x 14 inches. Tipped-on to museum board with window over mat 14 x 18 inches. Fine. Stamped in ink on the blank reverse of the photograph" Laurence Fink / 55 Chrystie Street / New York, N.Y. 10002 / 212-477-6228.
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