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V Taige [In the Taiga].
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V Taige [In the Taiga].

by BOROVSKAIA, Anna.

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Moscow, Ogiz Molodaia Gvardia, 1933. . First edition, square 8vo (22.2 x 19 cm); colour illustrations throughout; original printed wrappers, a fine copy. A vividly illustrated story set in the Siberian taiga tells the story of Churaul', a brave and sharp-eyed Evenk hunter who catches foxes, sables, and squirrels. The local vodka-drinking merchant doesn't offer him a fair price for his beautiful furs but Churaul' has no choice but to accept in order to feed his daughter. He also has to pay taxes to the Tsar and so must head out in to the wilderness again in bad weather to catch more furs. The story ends positively, however, as the new people have come to the taiga - Russians. With them comes fair prices for furs and soviet meetings are convened to discuss local matters. The illustrator Anna Borovskaia was born in Konevo, a tiny village in Arkhangelsk province in 1901. Her rural and northerly upbringing no doubt inspired the beautiful illustrations for this book. Borovskaia first studied at the… Read More
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V Travke Muravke [In the Bug's Grass].
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V Travke Muravke [In the Bug's Grass].

by GURIAN, Olga Markovna; POKROVSKY, Boris (illustrator).

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Moscow, Gosudarstvennoe Izdatel'stvo, 1928. . First edition, small 8vo (19 x 15 cm); 8pp., illustrated in colour throughout after Boris Pokrovsky; original printed wrappers, spine slightly split otherwise a very good copy. A very rare Soviet children's book with wonderful illustrations of animals and nature. Olga Gurian published over 50 books for children on ancient Rus and fairytales.
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The VII United Provinces Corrected from the Observations communicated to the Royal Society at London & ye Royal Academy at Paris. Humbly dedicated to Elihu Yale Esq. of Place Grove in Denbyshire, by his Obliged Humble Servant J Senex F.R.S.

by SENEX, John.

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John Senex 1710 [-1728]. . Double-page engraved map on 2 sheets joined, with full contemporary hand-colouring, size: 640 mm by 940 mm, sheet size: 680 by 970 mm. John Senex (1678-1740) was one of the foremost mapmakers in England in the early eighteenth century. He was also a surveyor, globemaker, and geographer. As a young man, he was apprenticed to Robert Clavell, a bookseller. He worked with several mapmakers over the course of his career, including Jeremiah Seller and Charles Price. In 1728, Senex was elected as a Fellow of the Royal Society, a rarity for mapmakers. The Fellowship reflects his career-long association as engraver to the Society and publisher of maps by Edmund Halley, among other luminaries. He is best known for his English Atlas (1714), which remained in print until the 1760s. After his death in 1740 his widow, Mary, carried on the business until 1755. Thereafter, his stock was acquired by William Herbert and Robert Sayer (maps) and James Ferguson (globes).
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The VII United Provinces Corrected from the observations communicted to the Royal Society at...

The VII United Provinces Corrected from the observations communicted to the Royal Society at London and the Royal Academy at Paris.

by PRICE, Cha[rles]. SENEX, Jo[h]n. MAXWELL, Jo[h]n.

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1709. . Double-page engraved map, printed on two sheets, joined, hand-coloured in outline, extending west to east from 'Middelburgh' to 'Lingen' and north to south from Dockum to Gelde.
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Vagabond.
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Vagabond.

by HERRON, Gaylord Oscar.

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Tulsa, Penumbra Projects, 1975 . First edition, signed and dated 5/5/03 on the front free endpaper; 4to (285 x 273 mm, 11¼ x 10¾ in); black-and-white and colour photographs, reproductions of Herron's paintings, montages, and ephemeral items printed in offset, Herron and Daniel Mayo's signatures in facsimile, toning to pages; illustrated adhesive-bound wrappers, hinges starting as often, crease to bottom tip, small area of laminate pulled on front top edge, a very good copy; [132]pp. Gaylord Oscar Herron signed this copy on the front endpaper; the facsimile signatures on the title-page and below Daniel Mayo's portrait are often misdescribed as original. He begins Vagabond by quoting from Genesis and discussing the story of Cain, to whom, along with artist Bill Rabon, he dedicates the book. The photographs offer a disquieting glimpse of the life of someone sitting on the margins in Tulsa; 'America's most all-American city... the buckle in the bible-belt.' Vagabond is a semi-autobiographical work in… Read More
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Vajradhatumandala Mudras and Caryagttakosa, being an anthology of iconographic hand gestures and...
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Vajradhatumandala Mudras and Caryagttakosa, being an anthology of iconographic hand gestures and Buddhist tantric songs for worship.

by [THYASAPHU MANUSCRIPT].

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Probably Tibet, late-18th century. . Single codex in concertina form, decorated manuscript on yellow-stained paper, containing 60 leaves, text in Sanskrit and Newari (?) with over 250 illustrations of hand gestures including musical instruments and ritual practices, plus one large illustration of the Chakrasamvara tantra opening the text, complete in itself, 225 x 75 mm (depth 40 mm); text in single column, 7 lines black sanskrit, copied in a regular hand, most illustrations in columns of 5 per page, illustrations all in polychrome outlined in black, a few small smudges else very attractive condition; housed in contemporary blind-stamped and ruled leather over pasteboards with flaps, rubbed at extremities, in modern brown drop-box with black morocco label to spine, gilt. islam24 36 The Sanskrit word mudras means 'mark' or 'gesture' and in the context of Buddhism, mudras are sacred symbolic hand gestures or positions that are used to evoke a certain state of mind. Although some mudras involve the… Read More
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Vale of Calaat. No. XXII.

Vale of Calaat. No. XXII.

by SALT, Henry.

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William Miller, London, May 1st. 1809. . A magnificent original hand-coloured aquatint, excellent condition with radiant colouring and full margins. Dimensions: 480 x 650mm. (19 x 25.50 inches). from "Twenty-Four Views in St Helena, The Cape, India, Ceylon, The Red Sea, Abyssinia and Egypt". The drawings for this highly collectable work were executed when Salt accompanied Viscount Valentia (later Lord Mountnorris) on a series of diplomatic missions to the regions. The mission to Abyssinia in 1805 was the first of its kind, fearing that Napoleonic France was about to seize Egypt, the two British envoys set out to make a pact with the local Ras that would secure the control of Maggs, a port on the Red Sea.
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Valencia.

Valencia.

by LAURENT, J.

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[c.1870]. . Albumen print. Fair tonal range and in good condition, loose.
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The Valley of Siloam and Valley of Kidron.

The Valley of Siloam and Valley of Kidron.

by FRITH, Francis.

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[1866-7]. . Albumen print. Good tonal range and in good condition, pasted on original card, photographer's number on mount, printed title.
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[Valley of Gihon, Jerusalem].

by BONFILS, Felix.

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[c.1880]. . Albumen print. 217 x 278 mm. Good tonal range and in good condition, pasted on original card, photographer's credit, title and number in negative. A scenic view over the valley with a windmill on the right side and the hills of Judaean Desert in the background.The spring of Gihon considered to be part of the Kidron Valley. It was the main source of water for the Pool of Siloam in Jebus and the later City of David (ancient Jerusalem).
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Vanellus Cristatus [Northern Lapwing].

by GOULD J. & RICHTER, H.C.

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London, By the author, 1865. . Original hand-coloured lithograph, minor spotting to outer margins, otherwise good. Paper size: 56cm by 38.4cm. From 'The Birds of Great Britain'.John Gould (1804-1881) is widely considered the greatest and most ambitious of all Victorian ornithologists, combining both artistic skill and beauty and anatomical accuracy. Following in the great tradition of Natural History illustrators, such as Barraband and Audubon, Gould enlisted the services of some of the most notable ornithological artists, including Edward Lear, Joseph Wolf and his own wife Elizabeth to compile the most outstanding and comprehensive bodies of work in this field. Comprising of eighteen major works he illustrated the birds of the world, from Asia, New Guinea, Europe, and Great Britain to the Families of Toucans, Trogons and Hummingbirds.
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Varidat-i Mensure we Divan, A collection of mystical treatise in poetic form, copied for Hashim...
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Varidat-i Mensure we Divan, A collection of mystical treatise in poetic form, copied for Hashim Mustafi bin Sheikh Yusif..., by Muhammad Amin.

by AL-JALWATI, Al-Sayyid Hashim Mustafa Al-Uskudari.

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Ottoman Turkey, dated 1245 AH (1829-30 AD). . Single volume, illuminated manuscript on paper, in Arabic and Ottoman Turkish, 101 leaves plus four fly-leaves, complete, 195 x 116 mm; single column, 19 lines of black naskh with important words picked out in red, within gold and black rules, margins with occasional commentary, catchwords, headings in red naskh on illuminated panels, opening bifolium with gold stencilled floral arabesques and illuminated headpiece, the final bifolium with similar illuminated margins, clean and crisp internal condition; housed in fine contemporary gilt tooled leather binding with flap, the doublures marbled paper, an excellent copy. islam24 13 Sayyid Hashim Mustafa al-Uskudari al-Jalwati (Hashim Mustafa Uskudari), known as Hashim Baba, was a poet that spent much of his life preaching for the Sufi orders under the influences of Celvetism and Bektashism. He was born in Uskudar in 1718 AD and is responsible for compiling a vast collection of prose writings on numerous… Read More
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Variété de la Perruche omnicolore. No. 29.

Variété de la Perruche omnicolore. No. 29.

by BARRABAND, [Jacques].

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[Paris], Langlois, [1805]. . Stipple engraving, printed in colours and finished by hand, with good strong colour, some spotting. Framed and glazed, overall size: 58cm by 41cm by 4.5cm. 78 mp22pic From Levaillant's Histoire Naturelle des Perroquets, which is considered the most comprehensive and complete catalogue on the subject.This magnificent work includes some of the most lively and colourful bird illustrations ever created. They capture not only the defining characteristics of the species, but also the charming personality of the individual bird.This exquisite monograph was written by Francois Levaillant, an adventurer and natural historian, who was one of the first to record sightings of Australian parrots. Barraband's skill was greatly esteemed and his name lent cachet to the sumptuous work authored by Levaillant. Barraband's brilliantly coloured engravings of exotic birds coupled with Levaillant's precise descriptions represent the height of realistic bird art.Jacques Barraband achieved great… Read More
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Vase.

Vase.

by PIRANESI, Giovanni Battista.

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Rome, [1791]. . Etching. Overall dimensions: 73.6cm by 55cm, mounted. Best known for his representations of on the archaeological reconstructions of ruins and the documentation of contemporary Rome, Piranesi also made a fundamental contribution to the development of the decorative arts. The "Vasi" is one of the most important of his works related to his own interests as a restorer and dealer in antiquities, and which had a great influence on interior decoration, and industrial production of ceramics, etc. This was an aspect of Piranesi's work on which he relied more extensively after the death of his major patron, Clement XIII Rezzonico. Many of the plates illustrate objects made of ancient Roman marbles that could be inspected at his Museo in the Palazzo Tomati where his engraving business and his home were both located. The integration of ancient sculptural fragments into his restored objects allowed for flights of fancy that were very influential on younger architects such as Percier and… Read More
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Vase.
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Vase.

by PIRANESI, Giovanni Battista.

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Rome, [1791]. . Etching, overall dimensions 63 x 77cm., framed and glazed. Best known for his representations of on the archaeological reconstructions of ruins and the documentation of contemporary Rome, Piranesi also made a fundamental contribution to the development of the decorative arts. The 'Vasi' is one of the most important of his works related to his own interests as a restorer and dealer in antiquities, and which had a great influence on interior decoration, and industrial production of ceramics, etc. This was an aspect of Piranesi's work on which he relied more extensively after the death of his major patron, Clement XIII Rezzonico. Many of the plates illustrate objects made of ancient Roman marbles that could be inspected at his Museo in the Palazzo Tomati where his engraving business and his home were both located. The integration of ancient sculptural fragments into his restored objects allowed for flights of fancy that were very influential on younger architects such as Percier and… Read More
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Vase.

Vase.

by PIRANESI, Giovanni Battista.

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Rome, [1791]. . Etching, overall size 74cm x 55cm, mounted. Best known for his representations of on the archaeological reconstructions of ruins and the documentation of contemporary Rome, Piranesi also made a fundamental contribution to the development of the decorative arts. The "Vasi" is one of the most important of his works related to his own interests as a restorer and dealer in antiquities, and which had a great influence on interior decoration, and industrial production of ceramics, etc. This was an aspect of Piranesi's work on which he relied more extensively after the death of his major patron, Clement XIII Rezzonico. Many of the plates illustrate objects made of ancient Roman marbles that could be inspected at his Museo in the Palazzo Tomati where his engraving business and his home were both located. The integration of ancient sculptural fragments into his restored objects allowed for flights of fancy that were very influential on younger architects such as Percier and Fontaine, who… Read More
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Vase.

Vase.

by PIRANESI, Giovanni Battista.

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Rome, [1791]. . Etching, slightly browned, overall size 74cm x 55cm, mounted. Best known for his representations of on the archaeological reconstructions of ruins and the documentation of contemporary Rome, Piranesi also made a fundamental contribution to the development of the decorative arts. The "Vasi" is one of the most important of his works related to his own interests as a restorer and dealer in antiquities, and which had a great influence on interior decoration, and industrial production of ceramics, etc. This was an aspect of Piranesi's work on which he relied more extensively after the death of his major patron, Clement XIII Rezzonico. Many of the plates illustrate objects made of ancient Roman marbles that could be inspected at his Museo in the Palazzo Tomati where his engraving business and his home were both located. The integration of ancient sculptural fragments into his restored objects allowed for flights of fancy that were very influential on younger architects such as Percier and… Read More
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Vase.  Vaso Antico di Marmo con suo Piedestallo (plate no: 57), from 'Vasi Candelabri Cippi...

Vase. Vaso Antico di Marmo con suo Piedestallo (plate no: 57), from 'Vasi Candelabri Cippi Sarcofagi'.

by PIRANESI, Giovanni Battista.

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Rome, [1791]. . Etching: Overall sheet size: 70.5cm by 49.5cm. Best known for his representations of on the archaeological reconstructions of ruins and the documentation of contemporary Rome, Piranesi also made a fundamental contribution to the development of the decorative arts. The "Vasi" is one of the most important of his works related to his own interests as a restorer and dealer in antiquities, and which had a great influence on interior decoration, and industrial production of ceramics, etc. This was an aspect of Piranesi's work on which he relied more extensively after the death of his major patron, Clement XIII Rezzonico. Many of the plates illustrate objects made of ancient Roman marbles that could be inspected at his Museo in the Palazzo Tomati where his engraving business and his home were both located. The integration of ancient sculptural fragments into his restored objects allowed for flights of fancy that were very influential on younger architects such as Percier and Fontaine, who… Read More
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Vasi, Candelabri, Cippi, Sarcofagi, Tripodi, Lucerne, Ed Ornamenti Antichi Disegn (plate no: 4).

Vasi, Candelabri, Cippi, Sarcofagi, Tripodi, Lucerne, Ed Ornamenti Antichi Disegn (plate no: 4).

by PIRANESI, Giovanni Battista.

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Rome, [1791]. . Etching. Overall sheet size: 71.5cm by 49.5cm. Best known for his representations of on the archaeological reconstructions of ruins and the documentation of contemporary Rome, Piranesi also made a fundamental contribution to the development of the decorative arts. The "Vasi" is one of the most important of his works related to his own interests as a restorer and dealer in antiquities, and which had a great influence on interior decoration, and industrial production of ceramics, etc. This was an aspect of Piranesi's work on which he relied more extensively after the death of his major patron, Clement XIII Rezzonico. Many of the plates illustrate objects made of ancient Roman marbles that could be inspected at his Museo in the Palazzo Tomati where his engraving business and his home were both located. The integration of ancient sculptural fragments into his restored objects allowed for flights of fancy that were very influential on younger architects such as Percier and Fontaine,… Read More
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Vasi, Candelabri, Cippi, Sarcofagi, Tripodi, Lucerne, Ed Ornamenti Antichi Disegn.

Vasi, Candelabri, Cippi, Sarcofagi, Tripodi, Lucerne, Ed Ornamenti Antichi Disegn.

by PIRANESI, Giovanni Battista.

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Rome [1791]. . Etching. Overall sheet size: 70cm by 49.5cm. Best known for his representations of on the archaeological reconstructions of ruins and the documentation of contemporary Rome, Piranesi also made a fundamental contribution to the development of the decorative arts. The "Vasi" is one of the most important of his works related to his own interests as a restorer and dealer in antiquities, and which had a great influence on interior decoration, and industrial production of ceramics, etc. This was an aspect of Piranesi's work on which he relied more extensively after the death of his major patron, Clement XIII Rezzonico. Many of the plates illustrate objects made of ancient Roman marbles that could be inspected at his Museo in the Palazzo Tomati where his engraving business and his home were both located. The integration of ancient sculptural fragments into his restored objects allowed for flights of fancy that were very influential on younger architects such as Percier and Fontaine, who… Read More
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