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Bonxville: Meriden Gravure Co, Nd. First edition. Wraps. Orig. dark gray decorated wrappers. Fine. Angelo, Valenti. Unpaginated. 25 x 16 cm. Title page printed in red and black, a career in his own words he calls "a most wonderful adventure.
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Valenti Angelo Author + Illustrator + Printer An Autobiographical Story
by Angelo, Valenti
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Valeska Soares Ponto de fuga, desaparecimento -- Vanishing point
by Soares, Valeska
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Sao Paulo: Galeria Camargo Vilaca, 1999. First edition. Paperback. Orig. illustrated wrappers. Fine. 40 pages. 25 x 19 cm. Illustrated in color and black and white. Text in Portuguese and English.
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Van Gogh In Saint-Remy And Auvers
by Pickvance, Ronald
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New York: Abrams, 1986. First edition. Hardcover. Orig. navy cloth. Fine in fine dust wrapper. Gogh, Vincent Van. 325 pages. 28.5 x 22.5 cm. 304 illustrations, ninety colorplates. Works in the Catalogue. Selected Bibliography. Foreword by Phillipi de Montebello. Paintings executed by van Gogh'sduring his last fifteen months, a turbulent, highly productive period.
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Van Gogh
by Estienne, Charles
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Geneva: Skira, 1953. Hardcover. Orig. beige linen cloth. Fine in fine dust wrapper in fine slipcase. Gogh, Vincent van. 127 pages. Plethora of tipped-in color plates. Translated by S.J.C. Harrison. Chronological Survey. Bibliography. Index. "The Taste of Our Time" series, No. 2.
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Van Gogh a self-portrait Letters revealing his life as a painter
by Auden, W.H.
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London: Thames and Hudson, 1961. First edition. Hardcover. Eight tipped-in color plates and twenty-four drawings. Orig. mustard cloth. Near fine in very good dust wrapper. Gogh, Vincent van. 398 pages.
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Variae ac Multiformes Florum Species; Designees et Gravees d'apres le naturel par Nicholas Robert
by Robert, Nicholas
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London: Scolar Press, 1975. Reprint. Cloth. Orig. brown cloth lettered in gilt. Fine in fine slipcase. Unpaginated. 30 1/2 x 22 cm. Orig. published ca. 1660. Thirty-one plates as per the original from a copy in the Lindley Library at the Royal Horticultural Society. Limited edition, copy 128 of 500 printed on hand-made paper by F. Amatruda, Amalfi. Full-page color engraved plates with tissue guards and printed recto only. The plates notable for their color and reproductive clarity. Marbled endpapers.
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Varie Lectiones Veteris Testamenti Ex Immensa Mss. Editorumq. Codicum Congerie Haustae Et Ad Samar. Textum, Ad Vetustiss. Versiones, Ad Accuratiores Sacrae Criticae Fontes Ac Leges Examinatae; With Supplement: Scholia Critica In V.T. Libros Seu Supplementa Ad Varias Sacri Textus Lectiones
by De-Rossi, Johannes Bern
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Parma: Ex Regio Typographeo, 1798. First edition. Boards. Modern, uniform light brown boards with paper spine labels. Fine. 5 vols. 29 x 21 cm. Bodoni Press production; bibliographic and critical commentaries concerning the Old Testament, textual studies from sources hitherto unknown. De Rossi devoted himself to three chief lines of investigation—-typographical, bibliographical, and text-critical -- on the collection of the variant readings of the Old Testament, To determine their bibliographical position he undertook a critical study of the annals of Hebrew typography. Exceedingly clean and bright set, exquisitely printed with a hint of occasional minor age-toning. BROOKS BODONI, 279 & 731. BRUNET Vol. IV, 1406-1407. OCLC: 71451148.
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Vasarely
by Vasarely, Victor
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Neuchatel: Editions du Griffon, 1965. First edition. Hardcover. Orig. charcoal gray cloth. Near fine in fine dust wrapper. Vasarely, Victor. 194 pages. 29 1/2 x 23 cm. 197 plates in color and black and white with an host of stunning overlay designs, exquisitely printed on glossy stock. Introduction by Marcel Joray. Text and Dummy by Vasarely. Translated into English by Haakon Chevalier. Series: Plastic Arts of the 20th Century.
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Vasily Kandinsky 1866-1944
by Messer, Thomas M. (Introduction)
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New York: Solomon R. Guggenheim Museum, 1972. First edition. Paperback. Orig. yellow stiff wrappers. Fine. Kandinsky, Vasily. Unpaginated. Profusely Illustrated in color and black and white. Selected Bibliography. Printed by Lund Humphries.
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Vega and other poems
by Durrell, Lawrence
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Woodstock: Overlook Press, 1973. First edition. Hardcover. Orig. black cloth. Fine in nicked dust wrapper. 54 pages. 21 x 13 cm.
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Velazquez
by Ortiz, Antionio Dominguez, et al.
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New York: Abrams, 1989. First edition. Hardcover. Orig. brick cloth. Fine in fine dust wrapper. Velazquez. 296 pages. 4to, 225 illustrations, 210in color. Bibliography. Index. Exhibition catalog in conjunction with Metropolitan Museum of Art exhibit.
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Venetian Architecture Of The Early Renaissance
by McAndrew, John
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Cambridge: MIT Press, 1980. First edition. Hardcover. Orig. brown cloth. Fine in fine dust wrapper. 599 pages. 28.5 x 18.5 cm. Approximately 450 halftones. Glossary. Bibliography. Index.
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Venetian Palaces
by Zorzi, Alvise & Paolo Marton
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New York: Rizzoli, 1989. First American edition. Hardcover. Orig. red cloth, marbled endpapers, front cover lettered in gilt. Fine in fine dust wrapper. 537 pages. 33 x 27.5 cm. 500 color illustrations. Presents Gothic Palaces, and those from the Renaissance & 16th Century through Palaces from the 17hj century to the Twentieth Century. Map of Venice. Sources and Bibliography. Index of Names and Places.
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Venetian Palaces
by Zorzi, Alvise & Paolo Marton
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Udine, Italy: Magnus, 1989. First American edition. Hardcover. Orig. red cloth, marbled endpapers, front cover lettered in gilt. Fine in fine dust wrapper. 537 pages. 33 x 27.5 cm. 500 color illustrations. Presents Gothic Palaces, and those from the Renaissance & 16th Century through Palaces from the 17hj century to the Twentieth Century. Map of Venice. Sources and Bibliography. Index of Names and Places. Text in English.
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Venetian Villas
by Muraro, Michelangelo & Paolo Marton
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Koln: Konneman, 1986. First edition. Hardcover. Orig. tan cloth. Fine in fine dust wrapper. 497 pages. Folio, 463 illustrations, 438 in color. Index of Names, Places and Subjects. A meticulously detailed survey of nearly eighty villas in the province of the Veneto -- many are Palladian. The arrangement is chronological. The color photographs, excellent. English text.
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The Ventian Glass Nephew
by Wylie, Elinor
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New York: George H. Doran, 1925. First edition. Hardcover. Orig. vellum spine and boards. Teg. Very good. 182 pages. Large paper, Limited edition, copy 235 of 250 signed by Elinor Wylie. Erskine Caldwell's copy with his signature on free endpaper. Vellum spine darkened, leather spine label chipped.
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Venus And Adonis, Passionate Pilgrim, Lucrece, Sonnets, Pericles; Being reproductions in facsimile of the first editions, dating respectively as per the above titles: 1593, 1594, 1609, 1609, 1599 from the unique copy in the Malone collection in the Bodleian library and the Christie Miller Library in Britwell
by Shakespeare, William [Sidney Lee, Editor]
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Oxford: Clarendon Press, 1905. leather_bound. Orig. full vellum, gilt front cover panel with arabesques at the corners. Very good. 5 vols. Uniformly 26 x 21 cm. Limited edition, copy 118 of 1000 signed by Sidney Lee in the Venus And Adonis volume. Pagination's respectively reflect Lee's Introduction and Bibliography as per titles noted: 75, 57, 55, 71, 48 with 6 page list of Subscribers. The collotype facsimile leaves of the first editions "which found no place in the first folio" [JAGGARD] of the original Shakespeare text appear following the pagination's noted previously. With half-titles, all five volumes the provenance of William Andrews Clark, Jr. together with his red leather gilt decorated and lettered bookplates on the inside front covers. The Library at UCLA bears his name. Lacks original ties, boards are splayed, endpapers toned, but all covers are bright and clean.
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Venus To the Venus of Melos
by Rodin, Auguste
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New York: B.W. Huebsch, 1912. 1st American edition. Hardcover. Orig. boards and cloth. Very good. 26 pages. Frontispiece illustration of Rodin by Gertrude Huebsch. Authorised translation from the French by Dorothy Dudley. Spine extremities and corners rubbed. Modest cover soiling.
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Verrocchio's Christ And St. Thomas A Masterpiece of Sculpture From Renaissance Florence
by Dolcini, Loretta
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New York: Abrams, 1992. First edition. Hardcover. Orig. red cloth. Fine in fine dust wrapper. Verrocchio, Andrea del. 125 pages. Square 4to, profusely illustrated in color and black and white. The painter-sculptor-goldsmith Andrea del Verrocchio of Florence.
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Verve The French Review Of Art No. 8; September-November 1940
by Paris. Verve
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Paris: Verve, 1940. First edition. Hardcover. Orig. cover by Matisse in color with original glassine lacking a small portion front cover at lower spine. Near fine. 35 x 27 cm. No. 8 completed a few days before the occupation of Paris: original front cover colored lithography by Henri Matisse, and double-paged color lithograph by Pierre Bonnard [Sunset Over The Mediterranean], plus eleven color drawings in red by Andre Derain. "Matisse (finished) the covers of this number a say before the war broke out." Text in English.
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