Search Results: Titles starting with V from J & J Lubrano Music Antiquarians LLC

London: Printed: and Sold by Iohn Walsh, at the Harp and Hoboy in Catherine Street, in the Strand. Where may be had the following Pieces of Musick. Compos'd by Mr. Handel .., 1733. Three volumes. Folio. Modern paper wrappers with part names printed to upper outer corners. Traversa/Violino Primo: 1f. (recto title, verso blank), [i] (blank), 2-25, [i] (blank) pp. Violino Secondo: [i] (blank), 2-16, [i] (blank), 17-19 pp. Violoncello e Cimbalo: 1f. (recto title, verso blank), [i] (blank), 2-6, [i] (blank), 8-11, [i] (blank). 13-22 Occasional early minor annotations in both pencil and ink; ownership inscription to titles. Wrappers slightly soiled. Some light browning; a number of outer margins trimmed, just touching staff lines; most leaves discreetly reinforced with narrow strip of tape to gutter; paper repair to lower margin of final leaf of first violin part; loss to upper outer corner of title to bass part, not affecting text. First Edition, third (or possibly second) issue. Smith p. 244, no. 3… Read More

London: J. Walsh, 1748. Oblong folio. Modern carta rustica. 1f. (recto title, verso blank), [i] (blank), 2-18, [i] (blank), 20-27, [i] (blank) pp. Engraved throughout. Ownership inscription in ink of late Romantic priest, church musician, and writer on music Henry Aston Walker (1834-1906), Vicar of Chattisham, Ipswich and choirmaster at St. Alban's, Holborn from 1862-1899. First and last leaves slightly worn and soiled; minor repair to outer margin of final leaf. First authorized edition. Smith and Humphries 15. BUC p. 16. RISM A653. Alberti was an Italian composer, harpsichordist, and singer. "[His] claim to historical recognition rests traditionally on his harpsichord sonatas, in which the arpeggiated bass that lent his name a posthumous notoriety is a prominent feature (see Alberti bass). In his lifetime, however, Alberti was equally famous as a singer and as a performer (sometimes as self-accompanist) on the harpsichord. ... Of his non-musical career little is recorded except that he served… Read More

Paris: Max Eschig [PN M.E. 4045], 1975. Folio. Illustrated wrappers. 1f. (recto title, verso blank), 1f. (blank), 1f. (recto contents, verso blank), 1f. (recto cast list from the first performance at the Théâtre de la Porte St. Martin on 21 December 1933, verso blank). 119, [i] (blank) pp. Reprint of the 1933 edition.

1984. Quarto. Stapled at left margin. 41 pp. Photocopy of the autograph manuscript. With autograph inscription in brown ink by the composer to Dr. Andrew J. Werner, signed in full and dated 21 August 1986. No other copies located. The composer's archive is held at Columbia University. Turkish composer İlhan Mimaroğlu came to the United States to study at Columbia under Paul Henry Lang and Douglas Moore. He went on to study with Vladimir Ussachevsky as well as collaborating with Edgard Varèse and Stefan Wolpe. In connection with his electronic compositions, Mimaroğlu worked as a producer for Atlantic Records before forming his own label, Finnadar, in 1971.

Budapest: Rózsavölgyi et cie [PN R. & Co. 4348], 1922. TELMÁNYI, Emil 1892-1988 (arr.). Folio. Original publisher's dark ivory wrappers printed in dark blue. 4 pp. + 1f. violin part laid in. Wrappers slightly worn and foxed. Somewhat browned throughout, with occasional fraying to edges. First Edition of this arrangement. The Valsette was first published as part of Kodály's Opus 3 works for piano, but was later published separately and not included in future editions. Emil Telmányi was a Hungarian violinist well-known for performing and promoting the works of Carl Nielsen, as well as his recordings of Bach using a special curved bow.

Pesten: Treichlinger J. [PN J. T. 220], 1852. Folio. Modern full black cloth with titling gilt to upper. [1] (title), 2-25, [1] (blank) pp. Engraved. Bound with: DOPPLER. Ilka és A' Huszár-Toborzó. [Excerpts for solo piano]. Nagy eredeti opera 2. felvonásban szerzé és zongorára alkalmaza. Pesten: Rózsavölgyi és Társa [PN R & C. No. 302], 1857. Occasional light foxing and offsetting; trimmed; several leaves repaired and reinforced; occasional fingering in pencil. Early editions. Mona 1285 and 624. Doppler had a successful career as both a flautist and a composer but is perhaps best known for his orchestrations of Liszt's Hungarian Rhapsodies (1875). He also served as conductor of the Vienna Hofopera Ballet and taught flute at the Vienna Conservatory. Ilka és a huszártoborzó [Ilka and the Recruiting of the Hussars], to a libretto by Johann Janotyckh von Adlerstein, premiered in Pest at the National Theatre on December 29, 1849. Vanda was composed to a libretto by Tivadar Bakody,… Read More

London: Boosey & Co [PN V. 1 S.], 1893. Large octavo. Heavy black leather-backed gray paper printed boards, titling to spine gilt. [i] (title), [ii] (blank), [iii] (dramatis personae), [iv] (blank), 219, [i] (blank) pp. Boards slightly worn and rubbed; paper label to verso of upper. Publisher's label to title; occasional library handstamps and annotations in pencil. First Edition.

London, New York: J.M. Dent, E.P. Dutton, 1940. Hardcover. Very Good. Small quarto. Full ivory cloth with titling to spine, decorative endpapers. 355 pp. With several illustrative plates and musical examples. Slightly browned; some edges slightly stained. In dustjacket.

New York: Dodd, Mead, 1963. Hardcover. Very Good. Octavo. Boards. xvii, 633 pp. Illustrated with drawings by Everett Raymond Kinstler, photographs, maps, and Delfico cartoons. In dustjacket.

Tunbridge Wells: Midas, 1978. Softcover. Very Good. Large octavo. Wrappers. 160 pp.

Roma: Istituto Grafico Tiberino, 1941. Hardcover. Very Good. Folio. Quarter red cloth with matching decorative paper boards. 6 ff., 532 pp. Illustrated with photographs, facsimiles, etc. On coated stock. Minor paper repair to final 4ff., not affecting printed area. First Edition, limited to 874 copies. A memorial volume published to commemorate the fortieth anniversary of Verdi's death. Contains articles relative to Verdi and his works by many of the leading Italian musicologists of the time, including Giuseppe Mulè, Andrea Della Corte, Fernando Lunghi, Giovanni Tebaldini, Giuseppe Adami, Adriano Lualdi, Federico Mompello, etc.

Berlin: Karl Ernst Henrici & Leo Liepmannssohn Antiquariat, 1926. Softcover. Very Good. Quarto. Original wrappers. 128; 114; 67 pp. Plates. Separately printed estimated prices laid in. Some wear and soiling to wrappers. Tear to frontispiece, Part I. With extensive descriptions and commentary on musical manuscripts, letters, documents, and rare music books and scores in the legendary collection of Wilhelm Heyer.

Frankfurt an der Oder: Anton Gottfried Braun, 1773. 3 volumes. Octavo. Full dark brown leather with raised bands on spine in decorative compartments gilt with red leather title labels and volume numbers gilt, all edges red. With decorative device to title and decorative head- and tailpieces throughout. Vol. I 1f. (recto title, verso blank), 2ff. (dedication to rectos, versos blank), 2ff. (dedicatory letter), 1f. ("Vorbericht"), 1f. (recto volume title, verso blank), [3]-368 pp., 8ff. ("Register"), 1f. (errata). Vol. II 1f. (recto title, verso blank), 2ff. (dedication to rectos, versos blank), [iii] (dedicatory letter), [vii] ("Vorbericht), 1f. (recto volume title, verso blank), [3]-558 pp., 8ff. ("Register"), 1f. (errata) Vol. III 1f. (recto title, verso blank), [iii]-xlviii, 1f. (recto volume title, verso blank), [3]-538, 6ff. ("Register"), 1f. (recto errata, verso blank) Occasional contemporary manuscript corrections. Bindings somewhat worn, rubbed, and bumped; title label to Vol. I… Read More

Regensburg: Gustav Bosse, 1968. Hardcover. Very Good. Large thick octavo. Original publisher's full mid-blue cloth with titling gilt to spine. 557 pp. + 1f. Studien zur Musikgeschichte des 19. Jahrhunderts Band 10. In dustjacket.

Kassel: Bärenreiter, 1963. Softcover. Very Good. Octavo. Wrappers. 167 pp. Annotations in manuscript to wrapper.

Brixen: Thomas Weger, 1789. Quarto. Marbled wrappers and edges. 1f. (recto title, verso blank), 1f. ("Vorerinnerung an den verehrtesten Leser" and errata), 269, [iv] ("Alphabetisches Verzeichniss der Typographen"), [vii] ("Alphabetisches Verzeichniss der Schriftsteller, und anonymischen Bücher) + 6 folding plates illustrating various typefaces "Gravée par Fr. Gras Chan. Reg. Bibliotequaire." With entries arranged chronologically from 1460 to 1499 followed by an alphabetical list of 15th century books printed without year of publication. Wrappers worn, browned, and slightly creased. Browning to textblock; slightly foxed; gutter between title and following leaf with short horizontal splits; occasional very minor defects. Quite a good copy overall. A scarce directory of incunabula in the library of the monastery of St. Augustine in Neustift in Tyrol by this Austrian monk and librarian.

Kassel: Barenreiter, 1974. Softcover. Very Good. Octavo. Wrappers. 91 pp. Manuscript annotations to wrapper.

Paris: Colombier [PN C. 3571], 1873. Large octavo. Quarter mid-brown leather with marbled boards with light orange Rouart-Lerolle subscription label laid down to upper, titling gilt to spine. 1f. (recto title illustrated by Barbizet, verso blank), 1f. (recto named cast list and contents, verso blank), 181, [i] (blank) pp. Named cast includes dupuis, Berthelier, Léonce, Christian, Daniel-Bac, Mussay, Coste, Bordier, Théodore, Schneider, Heilbron, J. Grandville, L. Baron, E. Gilberrt, Bl. Mery, E. Lavigne, J. Eyre, Milia, Julia, Debryat, Madeleine, and Marry. Binding worn, rubbed, and bumped; spine lacking. Minor to moderate foxing; front joint split; some signatures separated; occasional light dampstaining to lower margin, not affecting music; rectangular subscription handstamp to front free endpaper and first three leaves. First Edition. La veuve du Malabar, to a libretto by Crémieux and A. Delacour), was first performed in Paris at the Théâtre des Variétés on 26 April 1873. "For his… Read More

Pest: Rozsavölgyi & Comp. [PN R & C. No 215], 1856. Folio. 1f. (decorative title), 3-5, [1] (blank) pp. Engraved. With printed dedication to title: "Sr Durchlaucht dem Fürsten Emerich Thurn Taxis Obrist des k.k. Uhlanen Regimentes Erzherzog Carl Ludwig." Slightly worn and soiled; minor offsetting; outer leaves nearly detached. First Edition. Mona 1194. Rare (no copies located outside Hungary). Zapf was a composer and pianist who taught at the National Conservatory in Pest. He composed a number of works for solo piano, but is virtually unknown today. The most frequent mentions of his name are in reference to his unauthorized arrangement of Berlioz's version of the Rákoczy March (Treichlinger, 1847).

Vidit suum dulcem natum" 11ff. of various sizes (the solo part being 237 x 185 mm). Notated in brown ink on 5-7 stave rastrum-ruled paper, including one "Solo" part; four "Dessus" parts; three "2e. Dessu ou hatue contre pour l'Enfant" parts; two "Haute contre pour l'Enfant" parts; and one bass part with text ("[?]In tribulatione mea") in the same meter and key as the other parts. "Quid tibi feci" 4ff. of various sizes. Notated in black ink on 8-9 stave rastrum-ruled paper, being several copies of the bass part of a choral piece for larger forces. Some small stains and soiling to a few leaves, but otherwise in very good condition. Unlocated in RISM. Two unrecorded early 19th century choral pieces. The carol-like composition "Vidit suum dulcem natum" contains a full solo part and enough of its inner parts to lend itself to a satisfactory reconstruction and performance.