Description:
Wien: Tobias Haslinger [PN T.H. 6706], 1834. Oblong folio. Unbound as issued. 1f. (title), 1-8 pp. Engraved. Decorative title with dedicatee's coat of arms. With Fischer overpaste. Minor dampstaining. First Edition. Weinmann, p. 15. Schonherr & Reinöhl, pp. 99-101. Composed following Strauss's visit to Hungary in 1833.
Fancy on a Bach Air for solo cello. Autograph musical manuscript of the complete work by this award-winning American composer by CORIGLIANO, John b. 1938
by CORIGLIANO, John b. 1938
Fancy on a Bach Air for solo cello. Autograph musical manuscript of the complete work by this award-winning American composer
by CORIGLIANO, John b. 1938
- Used
- Signed
Oblong folio (28 x 42 cms). 1 page. Notated in pencil on 16-stave Aztec brand paper. Undated, but 1996.
For solo cello, with music encompassing both bass and soprano clefs, mostly unbarred.
Signed at upper right, with autograph titling "Fancy on a Bach Aria" at head. Fancy on a Bach Air was commissioned by Judy and Robert Goldberg and first performed by Yo-Yo Ma at the New England Conservatory of Music in Boston, 24 August 1997.
From the composer's website:
"Fancy on a Bach Air began in celebration and ended in memoriam. My cousin introduced me to his colleague Robert Goldberg and his wife Judy, avid music lovers both. We became fast friends. When, later, they asked me to compose a piece for their 25th wedding anniversary, I suggested that instead of a single writer they ask a group of composers to write variations. And what better theme to choose than the venerable melody of the variations that bore their name? Bach would surely approve. Their close friends Yo-Yo Ma and Emanuel Ax agreed to play the variations. Then tragedy struck. Robert succumbed to a virulent cancer and died all too soon. Judy's spirit and love led her to transform what might have been a requiem into a celebration of her husbands' life, and Ma and Ax performed the set of Variations preceded by the Bach theme in Boston where the Goldberg's live. My 'Goldberg Variation,' Fancy on a Bach Air, is for unaccompanied cello. It transforms the gentle arches of Bach's theme into slowly soaring arpeggi of almost unending phrase-lengths. Its dual inspiration was the love of two extraordinary people and the solo cello suites of a great composer - both of them strong, long-lined, passionate, eternal, and for me, definitive of all that is beautiful in life."
"John is easily one of the great composers of the 20th and 21st Century. Besides being beautifully constructed and incredibly well written for the players and listeners, John's music achieves that consummate goal of changing people's live, moving them beyond their normal realms and enabling them to exist in an enhanced space. This, for me, is what great art is meant to do." - Marin Alsop
"I am deeply honored to have worked with Mr. Corigliano on two of his pieces - he is one of our generation's truly distinguished composers, and his music has already entered the repertoire. I believe it will be played as long as musicians make music, and I am proud to have played a small part in his creative process." - Emanuel Ax
"John Corigliano is one of the most talented composers I know of today." - Leonard Bernstein
"One of the most talented composers on the scene today - the real thing. His music is individual, imaginative, expertly crafted, and aurally quite stunning." - Aaron Copland
"John Corigliano is simply one of our great American composers. He has both a vision for his music and the craft to back it up. As a teacher he is passionate about transmitting knowledge of his art form to students as well as to the general audience. I feel fortunate to have had John write "Phantasmagoria" and "Etude on a Bach Aria" for me. Most of all, though, I feel lucky that John and I are living in the same era." - Yo-Yo Ma
"The American John Corigliano continues to add to one of the richest, most unusual, and most widely celebrated bodies of work any composer has created over the last forty years. Corigliano's scores, now numbering over one hundred ... have been performed and recorded by many of the most prominent orchestras, soloists, and chamber musicians in the world." Naxos website
John Corigliano's music has been commissioned, performed, and recorded by many of the most prominent orchestras, soloists, and chamber musicians in the world. His honors include the Pulitzer Prize for Symphony No. 2, the Grawemeyer Award for his Symphony No. 1 (given over 300 performances worldwide), the Academy Award (Oscar) for Best Original Score (The Red Violin), and, of his five Grammy Awards, three for Best Contemporary Composition (Symphony No. 1, String Quartet, and Mr. Tambourine Man.).
For solo cello, with music encompassing both bass and soprano clefs, mostly unbarred.
Signed at upper right, with autograph titling "Fancy on a Bach Aria" at head. Fancy on a Bach Air was commissioned by Judy and Robert Goldberg and first performed by Yo-Yo Ma at the New England Conservatory of Music in Boston, 24 August 1997.
From the composer's website:
"Fancy on a Bach Air began in celebration and ended in memoriam. My cousin introduced me to his colleague Robert Goldberg and his wife Judy, avid music lovers both. We became fast friends. When, later, they asked me to compose a piece for their 25th wedding anniversary, I suggested that instead of a single writer they ask a group of composers to write variations. And what better theme to choose than the venerable melody of the variations that bore their name? Bach would surely approve. Their close friends Yo-Yo Ma and Emanuel Ax agreed to play the variations. Then tragedy struck. Robert succumbed to a virulent cancer and died all too soon. Judy's spirit and love led her to transform what might have been a requiem into a celebration of her husbands' life, and Ma and Ax performed the set of Variations preceded by the Bach theme in Boston where the Goldberg's live. My 'Goldberg Variation,' Fancy on a Bach Air, is for unaccompanied cello. It transforms the gentle arches of Bach's theme into slowly soaring arpeggi of almost unending phrase-lengths. Its dual inspiration was the love of two extraordinary people and the solo cello suites of a great composer - both of them strong, long-lined, passionate, eternal, and for me, definitive of all that is beautiful in life."
"John is easily one of the great composers of the 20th and 21st Century. Besides being beautifully constructed and incredibly well written for the players and listeners, John's music achieves that consummate goal of changing people's live, moving them beyond their normal realms and enabling them to exist in an enhanced space. This, for me, is what great art is meant to do." - Marin Alsop
"I am deeply honored to have worked with Mr. Corigliano on two of his pieces - he is one of our generation's truly distinguished composers, and his music has already entered the repertoire. I believe it will be played as long as musicians make music, and I am proud to have played a small part in his creative process." - Emanuel Ax
"John Corigliano is one of the most talented composers I know of today." - Leonard Bernstein
"One of the most talented composers on the scene today - the real thing. His music is individual, imaginative, expertly crafted, and aurally quite stunning." - Aaron Copland
"John Corigliano is simply one of our great American composers. He has both a vision for his music and the craft to back it up. As a teacher he is passionate about transmitting knowledge of his art form to students as well as to the general audience. I feel fortunate to have had John write "Phantasmagoria" and "Etude on a Bach Aria" for me. Most of all, though, I feel lucky that John and I are living in the same era." - Yo-Yo Ma
"The American John Corigliano continues to add to one of the richest, most unusual, and most widely celebrated bodies of work any composer has created over the last forty years. Corigliano's scores, now numbering over one hundred ... have been performed and recorded by many of the most prominent orchestras, soloists, and chamber musicians in the world." Naxos website
John Corigliano's music has been commissioned, performed, and recorded by many of the most prominent orchestras, soloists, and chamber musicians in the world. His honors include the Pulitzer Prize for Symphony No. 2, the Grawemeyer Award for his Symphony No. 1 (given over 300 performances worldwide), the Academy Award (Oscar) for Best Original Score (The Red Violin), and, of his five Grammy Awards, three for Best Contemporary Composition (Symphony No. 1, String Quartet, and Mr. Tambourine Man.).
- Seller J & J Lubrano Music Antiquarians LLC (US)
- Book Condition Used
- Quantity Available 1
- Keywords autograph musical manuscripts of 20th century American composers, American 20th century music, cello
- Product_type Sheet Music
[Op. 66]. Emlék Pestre - Erinnerungen an Pesth: Walzer für das Pianoforte allein
by STRAUSS, Johann, Sr. 1804-1849
- Used
- Condition
- Used
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- Unknown
- Quantity Available
- 1
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Syosset, New York, United States
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A$271.40
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A$271.40
[Op. 59]. Die vier Temperamente. Walzer für das Piano Forte
by STRAUSS, Johann, Sr. 1804-1849
- Used
- Condition
- Used
- Binding
- Unknown
- Quantity Available
- 1
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-
Syosset, New York, United States
- Item Price
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A$252.58
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Description:
Wien: Tobias Haslinger [PN] T.H. 6079, 1833. Oblong folio. Unbound as issued. 15 pp. Engraved. With decorative title within ruled border. Includes publisher's catalogue. Contains Der Sanguiniker, Der Melancholiker, Der Choleriker and Der Phlegmatiker. Slightly browned. With Fischer overpaste. First Edition. Weinmann p. 12. Schonherr & Reinohl pp. 89-90.
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A$252.58
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Autograph musical manuscript from the composer's opera bouffe La femme à barbe
by DELVINCOURT, Claude 1888-1954
- Used
- Condition
- Used
- Binding
- Unknown
- Quantity Available
- 1
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Syosset, New York, United States
- Item Price
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A$1,082.47
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2 pp. Folio (ca. 348 x 268 mm.). 56 measures scored for both spoken and sung voices, including sections for chorus with instrumental accompaniment. Apparently complete. Marked "Scène IX les mêmes: puis les trois emissaires du Sultan - puis Croquendot ..." Notated in black and red ink with some markings in blue crayon. Unsigned. Slightly worn; creased at central fold. La femme à barbe, in two acts to a libretto by A. de la Tourrasse, was first performed at Versailles on 2 June 1938. Delvincourt, a French composer, was appointed director of the Versailles Conservatory in 1931 and of the Paris Conservatoire in 1941, a position he held until his death in 1954; he received the Prix de Rome in 1913 for his cantata Faust et Helene. "His most important decisions were the founding of the Orchestre des Cadets and a chorus (so avoiding the evacuation of his pupils to Germany), and his invitation to Messiaen, despite much comment, to teach the philosophy of music ... After Debussy and Ravel, he was one…
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[K. 621]. La Clemenza di Tito [Piano-vocal score]: Opera seria ... Ernsthafte Oper in Zwey Akten ... Klavierauszug von A.E. Müller.
by MOZART, Wolfgang Amadeus 1756-1791
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- Used
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- Unknown
- Quantity Available
- 1
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Syosset, New York, United States
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A$387.49
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Leipzig: Breitkopf & Härtel [PN 3610], 1824. Oblong folio. Contemporary paper boards. 1f. (title), 88 pp. Lithographed. With label of the late 19th century lending library of Fritz Möller of Hamburg, Germany to upper board and advertising to front pastedown. Binding worn and rubbed; partially detached; spine chipped; joints split; endpapers lacking. Moderately foxed throughout; title browned. Köchel 8, p. 720. Hirsch IV, 1227. RISM M5105. La Clemenza di Tito, an opera seria in two acts to a libretto by Pietro Metastasio adapted by Caterino Mazzolà, was first performed in Prague at the National Theatre on September 6, 1791, approximately 3 months before Mozart died on December 5, 1791. He had arrived in Prague on August 28 and, despite his illness, finished work on the opera on the eve of the performance. "Although mostly composed after Die Zauberflöte, La clemenza di Tito was performed first... The reception was modest until a triumphant last night was reported to Mozart (who had left…
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Thurber's Dogs. Suite for Orchestra after Drawings by James Thurber. Movement VI: Hunting Hounds. Autograph musical manuscript sketches in condensed score of almost the entire final movement of the work, consisting of music for sections B-N, i.e., pp. 111-137 of the published full score
by SCHICKELE, Peter b. 1935
- Used
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- Used
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- Quantity Available
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Syosset, New York, United States
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A$5,051.54
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Folio (ca. 356 x 278 mm.). Unbound. 9 leaves notated in pencil on one side of each leaf of 18-stave AZTEC C-18 music manuscript paper. A working manuscript, with erasures, alterations and cancellations. Together with: A copy of the published full score of the movement, i.e., pp. 107-138, and a 1-1/2 page printed commentary by the composer discussing the background of the work and briefly describing the music: "I should say, however, that as I was working on the last movement, I found myself thinking as much about the fox as about the hunting hounds. This, coupled with the fact that I recently acquired a recording of background music from the old movie serials that I used to go to as a kid, probably accounts for the quite ungentlemanly, almost lurid quality of the chase music." "Thurber's Dogs was commissioned for the ProMusica Chamber Orchestra of Columbus and the Thurber House to commemorate the 100th birthday anniversary of author James Thurber. It was completed on August 13, 1994. The first…
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[Op. 91]. Kronungs-Walzer für das Piano-Forte
by STRAUSS, Johann, Sr. 1804-1849
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- Condition
- Used
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- Unknown
- Quantity Available
- 1
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Syosset, New York, United States
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A$252.58
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Description:
Wien: Tobias Haslinger [PN] T.H. 7061, 1837. Oblong folio. Unbound as issued. 10 pp. Engraved. With decorative vignette to title. Slightly soiled. First Edition. Weinmann p. 18. Schonherr & Reinöhl pp. 140-142.
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Bluebird, a setting of Herman Melville's poem for two female voices with instrumental accompaniment. Autograph musical manuscript. Signed and dated 2007. A complete working draft
by TSONTAKIS, George b. 1951
- Used
- Signed
- Condition
- Used
- Binding
- Unknown
- Quantity Available
- 1
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Syosset, New York, United States
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A$2,436.35
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5 pp. Folio (355 x 280 mm.). Notated in pencil with additional markings in coloured ink. Signed and dated 2007. Tsontakis studied with Hugo Weisgall, Felix Greissle, and Roger Sessions. His honours include the Charles Ives Living Award, the Grawemeyer, two Kennedy Center Friedheim Awards (1989, 1992), a lifetime achievement award from the American Academy of Arts and Letters (1995), a Guggenheim Memorial Fellowship, (1996) and numerous commissions. "[His] early works are written in a dissonant chromatic idiom not unlike that of Sessions. His musical language soon shifted, however, towards a classically-influenced style characterized by large-scale harmonic prolongations and what he calls 'the timeless gesture', a reference to the past through evocation rather than quotation. With the String Quartet no. 3 'Carragio' (1986) he arrived at an idiosyncratic tonal language propelled by a non-minimalist, Beethovenian use of repetition. Another primary feature of his work, particularly notable in the…
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Drammaturgia di Lione Allaci accresciuta e continuata fino all' anno MDCCLV
by ALLACCI, Leone 1586-1669
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- Condition
- Used
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- Unknown
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Syosset, New York, United States
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A$1,082.47
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Venezia: Pasquali, 1755. Small quarto. Quarter vellum with dark orange decorative title label gilt to spine. 4ff., 1,016 columns (= 508 pp.), including the supplement (columns 837-946), additions and corrections (947-950), and an index of authors (951-1016). With a fine woodcut device to title and occasional woodcut head- and tailpieces. A very good, wide-margined, uncut copy, with only occasional minor foxing and staining. Second edition, substantially revised and expanded. Cortot, p. 4. Hirsch I, Anh. 2. Wolffheim II, 908. Gregory-Bartlett I, 12. RISM BVI, p. 81. "A compendious and surprisingly accurate list of dramatic works of all kinds, including opera librettos, published in Italy; it also lists many unpublished works." Thomas Walker in Grove Music Online Allacci's bibliography of plays, operas, and ballets was first published in 1666 and revised by Giovanni Cendoni, Apostolo Zeno, and others for this updated edition of 1755.
Item Price
A$1,082.47
Autograph letter signed "Bellini" to Count Rodolphe Apponyi
by BELLINI, Vincenzo 1801-1835
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- Condition
- Used
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- Unknown
- Quantity Available
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Syosset, New York, United States
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A$6,855.66
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2 pp. of a bifolium. Octavo. Dated Monday morning. Postmarked [?]January 12, 1835. With "Weynen Superfin" blindstamped to upper portions of leaves. Integral address panel with the recipient's name and the address of the Austrian Embassy in Paris to final page. With fully intact red wax seal. In Italian and French (with translation). Bellini tries to secure the Count a place at the première of his latest opera and invites the Count's wife to one of its dress rehearsals. "... I met your cousin at Madame Graham's and I begged him to tell you that I had gone to the Bureau des Italiens to try to grant your wish ... therefore, if the day of the first performance falls on a day when the halls are occupied almost entirely by subscribers, you'll get priority ... Tell [the Countess] I am sorry I am not yet able to leave my desk, since I'm always working on the opera. I hope she will want to honor me by coming to some dress rehearsal, to give me advice with her delicate musical taste ... " Slightly worn and…
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Autograph letter signed to an unidentified male correspondent
by DEBUSSY, Claude 1862-1918
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- Used
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Syosset, New York, United States
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A$3,608.24
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1 page. Octavo (ca. 168 x 122 mm). Dated Thursday evening. On mourning stationery. In French (with translation). "I have to attend [?Louis] Laloy's premiere; naturally that is tomorrow, on Friday ... Would you change the enclosed tickets for Saturday? Thanks again ..." Slightly worn and browned; creased at folds and upper outer corner of final blank folio; small rust stain from paper clip to inner margin of final folio, not affecting text. "One of the most important musicians of his time, [Debussy's] harmonic innovations had a profound influence on generations of composers. He made a decisive move away from Wagnerism in his only complete opera Pelléas et Mélisande, and in his works for piano and for orchestra he created new genres and revealed a range of timbre and colour which indicated a highly original musical aesthetic." François Lesure and Roy Howat in Grove Music Online. "Laloy [1874-1944] was a noted defender of contemporary French music and was a close friend of, and mediator between,…
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Trial by Jury
by W. S. Gilbert, Arthur Sullivan
- Used
- very good
- Paperback
- Condition
- Used - Very Good
- Binding
- Paperback
- Quantity Available
- 1
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Lake Huntington, New York, United States
- Item Price
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A$34.51
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69 pp. + ads. Plate 17453. Vocal score, wraps, quarto 8.5 x 11 in. Front cover reattached with Japan paper, some wear to spine and edges, yet very good. Likely a printing from 1992-, given the 62 W. 45th St. address on the wraps. Printed in England. Trial by Jury is a one-act comic opera that could be considered a seminal venture in their partnership. It premiered at the Royalty Theatre in London in March, 1875.
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A$34.51
Nijinsky and the Last Years of Nijinsky
by Nijinsky, Romola
- Used
- good
- Hardcover
- first
- Condition
- Used - Good
- Jacket Condition
- Very Good
- Edition
- First Edition
- Binding
- Hardcover
- ISBN 10 / ISBN 13
- 9780671411237 / 0671411233
- Quantity Available
- 1
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Salem, Oregon, United States
- Item Price
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A$62.75A$37.65Save A$16.00!
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Nijinsky, Romola. Nijinsky and the Last Years of Nijinsky. The Definitive Biography Copyright 1980. Simon and Schuster stated First Impression Thus. Number line starts with 1. EXLIB. Good Condition/ VG original dust jacket. 260 pages, indexed. ISBN0671411233. PERFORMING ARTS, RUSSIA, BALLET, VASLAV NIJINSKY. Summary: "The life of Vaslav Nijinsky is not merely a record of a great dancer's artistic triumphs; it is one of the strangest stories ever written. There is madness everywhere. From the child's first appearance with a troupe of wandering Russians to that last terrible performance, his "Marriage With God" , it is a growing chaos of madness, abnormality, distortion, genius and beauty." 260 pages, indexed. 5 3/4 X 8 3/4.
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PIOBAIREACHD AND ITS INTERPRETATION: CLASSICAL MUSIC OF THE HIGHLAND BAGPIPE
by MacNEILL, SEUMAS & FRANK RICHARDSON
- Used
- very good
- Paperback
- first
- Condition
- Used - Very Good
- Jacket Condition
- No Jacket, As Issued
- Edition
- 1st Edition
- Binding
- Paperback
- ISBN 10 / ISBN 13
- 9780859764407 / 0859764400
- Quantity Available
- 1
- Seller
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Uxbridge, Ontario, Canada
- Item Price
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A$45.80A$36.64Save A$8.00!
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Edinburgh: John Donald Publishers, 1996. 1st Edition . Soft cover. Very Good/No Jacket, As Issued. 8vo - over 7¾ - 9¾" tall. pp: 130. FIRST PAPERBACK EDITION. The author, an acknowledged authority on the subject, describes the structure and history of Piobaireachd. A very good copy with moderate edge wear on the covers and some fading of the colour on the rear panel.
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SKIFFLE:; The Story of Folk-song with a Jazz Beat. With a Foreword by Lonnie Donegan (The King of Skiffle)
by Bird, Brian
- Used
- very good
- Hardcover
- first
- Condition
- Used - Very Good
- Jacket Condition
- Good +
- Edition
- First Edition
- Binding
- Hardcover
- Quantity Available
- 1
- Seller
-
Roosevelt, New Jersey, United States
- Item Price
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A$39.22
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London: Robert Hale, 1958. First Edition. Hardcover. Very Good/Good +. 119pp, index; 13pp illus from photographs. Bound in pictorial boards, dust jacket. 8" x 5.25" This first book on the subject traces the history of skiffle from its slave and jazz roots through the 1950s. The second part of the book is a how-to for forming a skiffle band as well as a look at the "origins, progress and personalities" of Britain's most popular skiffle bands.
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A$39.22
The Pirates of Penzance in Full Score: New Edition by Carl Simpson and Ephraim Hammett Jones
by W. S. Gilbert, Sir Arthur Sullivan
- Used
- near fine
- Paperback
- Condition
- Used - Near Fine
- Binding
- Paperback
- Quantity Available
- 1
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Lake Huntington, New York, United States
- Item Price
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A$43.93
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272 pp. Quarto, 9 x 12 in. Illustrated wraps, near fine, only the slightest wear covers. Full score. New edition by Carl Simpson and Ephraim Hammett Jones. Official Premiere: December 31, 1879, Fifth Avenue Theater, New York, New York, USA; London Premiere: April 3, 1880, The D'Oyly Carte Opera Company, Orchestra and Chorus Opera Comique, Arthur Sullivan, conductor.
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Bob Dylan: From a Hard Rain to a Slow Train
by Barry; Dowley, Tim Dunnage
- Used
- Hardcover
- first
- Condition
- Used - Very Good+
- Jacket Condition
- Very Good+
- Edition
- First Edition
- Binding
- Hardcover
- ISBN 10 / ISBN 13
- 9780859362597 / 0859362590
- Quantity Available
- 1
- Seller
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St. Paul, Minnesota, United States
- Item Price
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A$50.20
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Turnbridge Wells: Midas Books; New York: Hippocrene Books, [1982], First Edition, 8vo, [11] 176pp [2], photos on 2 plates. Hardcover, red cloth covered boards with dust jacket. Very Good + condition. Pages are unmarked with slight toning and slight foxing to top page edges. Slight shelf wear to dust jacket. Please see photos for specifics. A portion of all book sales from Babcock & 68th are donated to charity.
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A$50.20
The Influence Of Music On History And Morals: A Vindication Of Plato
by Scott, Cyril
- Used
- good
- Hardcover
- first
- Condition
- Used - Good
- Jacket Condition
- No Jacket
- Edition
- 1st Edition 1st Printing
- Binding
- Hardcover
- Quantity Available
- 1
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Pasadena, California, United States
- Item Price
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A$47.06
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London: The Theosophical Publishing House Ltd., 1928. 1st Edition 1st Printing. Hardcover. Good/No Jacket. X, 245 Pp. First Printing. Blue Cloth, Gilt, With Blindstamped Border On Front Cover. Lightly Used, Pinpoint Fray At Each Of Two Lower Tips, But Spine Frayed Across Top Down To Edge Of Page Block, 1/2" Fray Along Top Spine Edges And Bottom Rear Spine Edge, Hinges Tight, No Names Or Marks, Very Light Foxing To Endpapers, Title Page, And To Edges Of The Page Block. Quite Scarce In The Trade.
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A$47.06
The Sorcerer: An Original Modern Comic Opera
by W. S. Gilbert, Arthur Sullivan
- Used
- very good
- Paperback
- Condition
- Used - Very Good
- Binding
- Paperback
- Quantity Available
- 1
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Lake Huntington, New York, United States
- Item Price
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A$54.91
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137 pp. Vocal score, a slight tilt to spine, light wear to wraps, else fine. Quarto, 8.5 x 11 in. "New Edition." An original modern comic opera in two acts, words by W. S. Gilbert, music by Arthur Sullivan. G&S's third production. Based on a story, The Elixir of Love, that Gilbert published in 1876 in The Graphic.
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A$54.91
The Music to Racine's Athalie, with an English adaptation of the lyrics, by W. Barthlomew, Esq. Op. 74 Posth: Work. No.2
by Mendelssohn Bartholdy, Felix, 1809-1847 / Racine, Jean, 1639-1699
- Used
- very good
- Hardcover
- first
- Condition
- Used - Very Good
- Binding
- Hardcover
- Quantity Available
- 1
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Cranston, Rhode Island, United States
- Item Price
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A$156.88A$62.75Save A$60.00!
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London, Ewer & Co. [185???] Overstamped in red: Jordens & Martens. New-York 785 Broadway. Hard Cover. 1 p.l., 108 pages; 26.5 cm. Composed in 1843-1845 on commission from the King of Prussia and first performed in December of 1845, Athalie was the last production of Mendelssohn's Berlin period. The first edition was Leipzig, 1849. Jean Racine's (1639-1699) Biblical tragedy was first performed in 1691. This version, with English libretto by William Bartholomew (1793-1867), seems to be the first English edition, and, with its publisher's overstamp, the first American as well. It appears to be earlier than the editions in the NUC (cf. 375: 552-553) or in the Boston or New York Public Libraries catalogs. It certainly dates before 1867 when Ewer merged with Novello. Vg/ bound in 3/4 leather with name label on front cover of Charles F. Leonard (a bass if the pencil markings are his). Stock#OB201.
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OH BOYS, CARRY ME LONG:; A Plantation Melody. Written & Composed by Stephen C. Foster
by Oh Boys...sheet music
- Used
- very good
- Condition
- Used - Very Good
- Edition
- 20th Edition
- Quantity Available
- 1
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Roosevelt, New Jersey, United States
- Item Price
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A$62.75
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NY: Firth, Pond, 1851. 20th Edition. Decorative Wraps. Very Good. 6pp; embellished cover title; spine reinforced. Contains words and music to four verses and a chorus. 13" x 10.25" In part: "Oh! carry me 'long; Der's no more trouble for me: I's gwine to roam In a happy home Where all de niggas am free...." First published in 1851.
Item Price
A$62.75