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Two solo songs from Landscapes and Remembrances. Autograph manuscripts in piano-vocal score by MENOTTI, Gian Carlo 1911-2007 - 1976

by MENOTTI, Gian Carlo 1911-2007

Two solo songs from Landscapes and Remembrances. Autograph manuscripts in piano-vocal score by MENOTTI, Gian Carlo 1911-2007 - 1976

Two solo songs from Landscapes and Remembrances. Autograph manuscripts in piano-vocal score

by MENOTTI, Gian Carlo 1911-2007

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  • Signed
1976. Folio (ca. 313 x 237 mm). Unbound. Notated in pencil on 12-stave "G Schirmer Royal Brand" paper.
Signed "G. Menotti."

The Abandoned Mansion (South Carolina) for contralto: 1f. (title), 5, [i] (blank) pp.
Farewell at a Train Station in Vermont for tenor: 8 pp.

Small check mark in blue pencil to upper corner of each page of The Abandoned Mansion. First measure of Farewell with a bass drum cue. Minor erasures throughout.

Slightly worn; small rust stains from a paper clip to upper margin of outer pages, slightly affecting one letter of a tempo marking. Landscapes and Remembrances, a cantata for soloists, chorus, and orchestra to texts by Menotti, was first performed at Uihlein Hall in Milwaukee on May 14, 1976, with Judith Blegen (soprano), Ani Yervanian (contralto), Vahan Khanzadian (tenor), Gary Kendall (baritone), and the Milwaukee Symphony and Bel Canto Chorus, James Keeley, conducting.

"The nine-part Landscapes and Remembrances is a set of musical impressions drawn from the composer's life, ranging from his arrival in America as a teenager to his discovery of South Carolina, where he founded the Spoleto USA Festival in 1977 ... The structure of Landscapes consists of alternating choruses and orchestral songs, although several of the choral sections make use of solo voices as well. The titles in general reflect the geography of remembrance at the root of each ...

The Abandoned Mansion, the first song in Landscapes, is a brooding piece in E-flat minor ... infused with the past. Its constantly arcing melodic lines are supported by persistent tremolo figures that give way only briefly in the middle of the song to sustained chords--a section of quasi-recitative. The key to the song lies in these words: 'A visitor to the South is an intruder into the reigns of ghosts'.

Farewell at a Train Station in Vermont, the final song, is concerned with love, but this time with the bitterness of parting. 'In everyone's life', Menotti has commented, 'there is a farewell never forgotten, the pain of which never heals', a sentiment he had previously expressed in his libretto for Barber's opera Vanessa. It is evident that this section of Landscapes is ... rooted in actuality ... Over a solemn adagio figure, the solo voice sets the stage for this short scena: 'The train is late. It rains as it must when lovers part forever. Without a word we pace the empty platform, measuring our protracted agony with uncharted steps'." John Ardoin: The Stages of Menotti, pp. 129-131.

Menotti's autograph musical manuscripts are very rare to the market, with no examples of his manuscripts recorded sold by ABPC since at least 1975.
  • Seller J & J Lubrano Music Antiquarians LLC US (US)
  • Book Condition Used
  • Quantity Available 1
  • Date Published 1976
  • Keywords autograph musical manuscripts, composers' autographs, 20th-century American composers, 20th-century Italian composers, 20th-century Italian-American composers, cantatas, 20th-century music, 20th-century cantatas, orchestral songs, piano-vocal scores,
  • Product_type Sheet Music
[Op. 166]. Rosen ohne Dornen. Walzer fur das Pianoforte. [Piano score]

[Op. 166]. Rosen ohne Dornen. Walzer fur das Pianoforte. [Piano score]

by STRAUSS, Johann, Sr. 1804-1849

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Wien: Tobias Haslinger's Witwe u. Sohn. [PN T. H. 9651], 1844. Oblong folio. Unbound as issued. 1f. (title), 3-11 pp. Engraved. With small vignette to title. Spine reinforced. Slightly foxed and dampstained. First Edition. Weinmann p. 29.
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[Op. 66]. Emlék Pestre - Erinnerungen an Pesth

[Op. 66]. Emlék Pestre - Erinnerungen an Pesth: Walzer für das Pianoforte allein

by STRAUSS, Johann, Sr. 1804-1849

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Wien: Tobias Haslinger [PN T.H. 6706], 1834. Oblong folio. Unbound as issued. 1f. (title), 1-8 pp. Engraved. Decorative title with dedicatee's coat of arms. With Fischer overpaste. Minor dampstaining. First Edition. Weinmann, p. 15. Schonherr & Reinöhl, pp. 99-101. Composed following Strauss's visit to Hungary in 1833.
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[Op. 58]. Elektra Tragödie in einem Aufzuge von Hugo von Hofmannsthal... Klavier-Auszug mit Text...

[Op. 58]. Elektra Tragödie in einem Aufzuge von Hugo von Hofmannsthal... Klavier-Auszug mit Text von Otto Singer. [Piano-vocal score]

by STRAUSS, Richard 1864-1949

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Berlin: Adolph Fürstner [PN A.5654F.], 1908. Folio. Original publisher's full gray cloth. [i] (title), [ii] (blank), [iii] ("Dramatis Personae"), [iv] (blank), [5]-250 pp. Text in German. With illustration by Lovis Corinth to page [5]. Binding worn, rubbed and shaken. First Edition, early issue (without the additional plate numbers to foot of page [3] and also without the statement "Auffügrungsrecht vorbehalten" to foot of page [5]). Trenner 223. Mueller von Asow p. 409. First performed on January 25, 1909 at the Königlichen Opernhaus in Dresden under Ernst von Schuch. "[Elektra]... marked the beginning of [Strauss's] artistic association with Hugo von Hofmannsthal, whom he had first met in Berlin in 1899. Having seen Reinhardt's riveting production of Hofmannsthal's Elektra in the autumn of 1905, Strauss was convinced the play would make a compelling opera. Not entirely sure he should compose consecutive tragedies, he nonetheless gave in to Hofmannsthal's pleading and vigorously began… Read More
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Autograph letter signed Bellini to Count Rodolphe Apponyi

Autograph letter signed "Bellini" to Count Rodolphe Apponyi

by BELLINI, Vincenzo 1801-1835

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2 pp. of a bifolium. Octavo. Dated Monday morning. Postmarked [?]January 12, 1835. With "Weynen Superfin" blindstamped to upper portions of leaves. Integral address panel with the recipient's name and the address of the Austrian Embassy in Paris to final page. With fully intact red wax seal. In Italian and French (with translation). Bellini tries to secure the Count a place at the première of his latest opera and invites the Count's wife to one of its dress rehearsals. "... I met your cousin at Madame Graham's and I begged him to tell you that I had gone to the Bureau des Italiens to try to grant your wish ... therefore, if the day of the first performance falls on a day when the halls are occupied almost entirely by subscribers, you'll get priority ... Tell [the Countess] I am sorry I am not yet able to leave my desk, since I'm always working on the opera. I hope she will want to honor me by coming to some dress rehearsal, to give me advice with her delicate musical taste ... " Slightly worn and… Read More
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[Op. 95]. Le Petit Chaperon Rouge Double choeur pour voix de femmes et d'enfants. Avec acct de...
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Folio (ca. 360 x 273 mm). [i] (title), 20, [i] (blank) pp. Notated in black ink on music paper with 20 printed staves per page. Scored for double choir and piano. The work begins in A minor, in 3/4, Très Allant (quasi Allo). Textual incipit: "Dans la forêt où rien ne bouge ..." The engraver's copy, prepared for the publishing house Alphonse Leduc et Cie. With the composer's autograph signature ("Henri Busser") and date ("Paris, Août 15") to p. 20. Occasional erasures and corrections in black ink in the composer's hand. Lower edge of title with publisher's handstamps and manuscript date ("[19]35") and plate number ("A.L. 19,198") in an early hand. Numerous editorial markings, minor annotations, and occasional corrections in one or more early hands in pencil and red crayon. Slightly worn and soiled; minor ink smudges to three pages slightly affecting notation. A piano-vocal edition of Le Petit Chaperon, with plate number A.L. 19,198, was published by Alphonse Leduc in 1935. Not in the Grove… Read More
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[Op. 91]. Kronungs-Walzer für das Piano-Forte

[Op. 91]. Kronungs-Walzer für das Piano-Forte

by STRAUSS, Johann, Sr. 1804-1849

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Wien: Tobias Haslinger [PN] T.H. 7061, 1837. Oblong folio. Unbound as issued. 10 pp. Engraved. With decorative vignette to title. Slightly soiled. First Edition. Weinmann p. 18. Schonherr & Reinöhl pp. 140-142.
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Bluebird, a setting of Herman Melville's poem for two female voices with instrumental...
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Bluebird, a setting of Herman Melville's poem for two female voices with instrumental accompaniment. Autograph musical manuscript. Signed and dated 2007. A complete working draft

by TSONTAKIS, George b. 1951

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5 pp. Folio (355 x 280 mm.). Notated in pencil with additional markings in coloured ink. Signed and dated 2007. Tsontakis studied with Hugo Weisgall, Felix Greissle, and Roger Sessions. His honours include the Charles Ives Living Award, the Grawemeyer, two Kennedy Center Friedheim Awards (1989, 1992), a lifetime achievement award from the American Academy of Arts and Letters (1995), a Guggenheim Memorial Fellowship, (1996) and numerous commissions. "[His] early works are written in a dissonant chromatic idiom not unlike that of Sessions. His musical language soon shifted, however, towards a classically-influenced style characterized by large-scale harmonic prolongations and what he calls 'the timeless gesture', a reference to the past through evocation rather than quotation. With the String Quartet no. 3 'Carragio' (1986) he arrived at an idiosyncratic tonal language propelled by a non-minimalist, Beethovenian use of repetition. Another primary feature of his work, particularly notable in the… Read More
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Drammaturgia di Lione Allaci accresciuta e continuata fino all' anno MDCCLV
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Drammaturgia di Lione Allaci accresciuta e continuata fino all' anno MDCCLV

by ALLACCI, Leone 1586-1669

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Venezia: Pasquali, 1755. Small quarto. Quarter vellum with dark orange decorative title label gilt to spine. 4ff., 1,016 columns (= 508 pp.), including the supplement (columns 837-946), additions and corrections (947-950), and an index of authors (951-1016). With a fine woodcut device to title and occasional woodcut head- and tailpieces. A very good, wide-margined, uncut copy, with only occasional minor foxing and staining. Second edition, substantially revised and expanded. Cortot, p. 4. Hirsch I, Anh. 2. Wolffheim II, 908. Gregory-Bartlett I, 12. RISM BVI, p. 81. "A compendious and surprisingly accurate list of dramatic works of all kinds, including opera librettos, published in Italy; it also lists many unpublished works." Thomas Walker in Grove Music Online Allacci's bibliography of plays, operas, and ballets was first published in 1666 and revised by Giovanni Cendoni, Apostolo Zeno, and others for this updated edition of 1755.
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Autograph letter signed Bellini to Count Rodolphe Apponyi

Autograph letter signed "Bellini" to Count Rodolphe Apponyi

by BELLINI, Vincenzo 1801-1835

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Syosset, New York, United States
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2 pp. of a bifolium. Octavo. Dated Monday morning. Postmarked [?]January 12, 1835. With "Weynen Superfin" blindstamped to upper portions of leaves. Integral address panel with the recipient's name and the address of the Austrian Embassy in Paris to final page. With fully intact red wax seal. In Italian and French (with translation). Bellini tries to secure the Count a place at the première of his latest opera and invites the Count's wife to one of its dress rehearsals. "... I met your cousin at Madame Graham's and I begged him to tell you that I had gone to the Bureau des Italiens to try to grant your wish ... therefore, if the day of the first performance falls on a day when the halls are occupied almost entirely by subscribers, you'll get priority ... Tell [the Countess] I am sorry I am not yet able to leave my desk, since I'm always working on the opera. I hope she will want to honor me by coming to some dress rehearsal, to give me advice with her delicate musical taste ... " Slightly worn and… Read More
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Autograph letter signed to an unidentified male correspondent
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Autograph letter signed to an unidentified male correspondent

by DEBUSSY, Claude 1862-1918

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1 page. Octavo (ca. 168 x 122 mm). Dated Thursday evening. On mourning stationery. In French (with translation). "I have to attend [?Louis] Laloy's premiere; naturally that is tomorrow, on Friday ... Would you change the enclosed tickets for Saturday? Thanks again ..." Slightly worn and browned; creased at folds and upper outer corner of final blank folio; small rust stain from paper clip to inner margin of final folio, not affecting text. "One of the most important musicians of his time, [Debussy's] harmonic innovations had a profound influence on generations of composers. He made a decisive move away from Wagnerism in his only complete opera Pelléas et Mélisande, and in his works for piano and for orchestra he created new genres and revealed a range of timbre and colour which indicated a highly original musical aesthetic." François Lesure and Roy Howat in Grove Music Online. "Laloy [1874-1944] was a noted defender of contemporary French music and was a close friend of, and mediator between,… Read More
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The Medium: Tragedy in Two Acts
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The Medium: Tragedy in Two Acts

by Gian Carlo 1911-2007 Menotti

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Paperback
ISBN 10 / ISBN 13
9781014544360 / 101454436x
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Southport, Merseyside, United Kingdom
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Paperback / softback. New.
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The Old Maid and the Thief; a Grotesque Opera in 14 Scenes
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The Old Maid and the Thief; a Grotesque Opera in 14 Scenes

by Gian Carlo 1911-2007 Menotti

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Condition
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Paperback
ISBN 10 / ISBN 13
9781014833518 / 1014833515
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The Consul ... Musical Director Thomas Schippers Settings by Horace Armistead ... Costumes by...

The Consul ... Musical Director Thomas Schippers Settings by Horace Armistead ... Costumes by Grace Houston Dreams Choreography by John Butler Entire Production Staged by Mr. Menotti

by MENOTTI, Gian Carlo 1911-2007

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Small quarto. Original publisher's pictorial wrappers. 30 pp. Program for a performance at the Ethel Barrymore Theatre for the week beginning June 19, 1950 with cast including Maie Powers as the Mother, Cornell MacNeil as John Sorel, and Patricia Neway as Magda Sorel. Very slightly worn. The Consul, a musical drama in three acts by Menotti to his own libretto, was first performed in Philadelphia at the Shubert Theatre on March 1, 1950. "The Philadelphia première was a try-out for a Broadway run that began on 15 March 1950 at the Ethel Barrymore Theatre with Thomas Schippers conducting. It was enormously successful and that year won the New York Drama Critics' Circle Award for the best musical play and the Pulitzer Prize for Music. It enjoyed a run of 269 performances in New York and the following year was produced at La Scala, Milan, and in London, Zürich, Berlin and Vienna." Bruce Archibald in Grove Music Online.
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The Medium tragedy in two acts words and music by Gian-Carlo Menotti Revised Version....

The Medium tragedy in two acts words and music by Gian-Carlo Menotti Revised Version. [Piano-vocal score]

by MENOTTI, Gian Carlo 1911-2007

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New York: G. Schirmer [PN 41701], 1967. Octavo. Original publisher's wrappers illustrated by James Leong and printed in colours. [i] (title), [i] (copyright), [i] (characters and setting in English and French), [i] (blank), 121, [iii] (blank) pp. Titling in black ink to spine. "A commission by the Alice M. Ditson Fund led to his first international success: The Medium, a tragedy in two acts for five singers, a dance-mime role and a chamber orchestra of 14 players. The work is theatrically effective and the music, often quite dissonant, conveys an eerie, morbid atmosphere. Typical of the Italian operatic tradition, The Medium has memorable melodies such as the folk-like 'O, black swan'. The opera had a run of 212 performances during 1947 at the Ethel Barrymore Theatre on Broadway." "In 1951 Menotti directed a film version of The Medium, collaborating with the young conductor Thomas Schippers and with Enzo Serafin, the director of photography. It remains one of the finest examples of filmed opera."… Read More
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Gian Carlo Menotti's Help, Help, the Globolinks. Adapted by Leigh Dean from the Original Opera...

Gian Carlo Menotti's Help, Help, the Globolinks. Adapted by Leigh Dean from the Original Opera Libretto. Illustrated by Milton Glaser

by Menotti, Gian Carlo (1911-2007). Dean, Leigh & Glaser, Milton

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New York, McGraw-Hill Book Co, 1970. First Edition. Hardback. Very good copy in a good, very slightly edge-nicked and dust-dulled dw, now mylar-sleeved. Remains particularly and surprisingly well-preserved overall; tight, bright, clean and strong. ; 56 pages; Description: [56] p. Col. Illus. , music. 27 cm. Subjects: Menotti, Gian Carlo, 1911-2007. Help, help, the globolinks. Operas--Stories, plots, etc. Summary: Recounts the events following the landing of the outer-space globolinks on earth.
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The Medium: Tragedy in Two Acts
Stock Photo: Cover May Be Different

The Medium: Tragedy in Two Acts

by Gian Carlo 1911-2007 Menotti

  • New
  • Hardcover
Condition
New
Binding
Hardcover
ISBN 10 / ISBN 13
9781013908743 / 1013908740
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Southport, Merseyside, United Kingdom
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Hardback. New.
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The Old Maid and the Thief; a Grotesque Opera in 14 Scenes
Stock Photo: Cover May Be Different

The Old Maid and the Thief; a Grotesque Opera in 14 Scenes

by Gian Carlo 1911-2007 Menotti

  • New
  • Hardcover
Condition
New
Binding
Hardcover
ISBN 10 / ISBN 13
9781014109040 / 1014109043
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10
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Southport, Merseyside, United Kingdom
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Hardback. New.
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The Consul Musical Drama in Three Acts Words and Music by Gian-Carlo Menotti. [Piano-vocal score]

The Consul Musical Drama in Three Acts Words and Music by Gian-Carlo Menotti. [Piano-vocal score]

by MENOTTI, Gian Carlo 1911-2007

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Used
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Syosset, New York, United States
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New York, London: G. Schirmer [PN 42369], 1950. Folio. Original publisher's black illustrated wrappers printed in red and white. [i] (title), [i] (copyright), [i] (notes on first performance), [i] (characters and acts), 291, [i] (blank) pp. Wrappers slightly worn, creased, and stained. "Menotti's versatile dramatic skills, as director, librettist and composer, brought him a contract from Metro-Goldwyn-Mayer to write film scripts. Although his scripts were never filmed, one contained the seeds of his first full-length opera, The Consul, considered by many to be his greatest work. In keeping with Menotti's preference for contemporary subjects, the opera tells the story of a family trying to obtain a visa to leave a police state. Music and stage techniques combine to communicate strongly and directly." "The New York première at the Ethel Barrymore Theatre on 15 March 1950 was a great success and performances continued there for about eight months. The work received the Pulitzer Prize and the Drama… Read More
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the telephone or L'Amour à Trois opera buffa in one act words and music by Gian-Carlo Menotti...

the telephone or L'Amour à Trois opera buffa in one act words and music by Gian-Carlo Menotti French Version by Léon Kochnitzky. [Piano-vocal score]

by MENOTTI, Gian Carlo 1911-2007

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New York: G. Schirmer [PN 41735], 1947. Octavo. Original publisher's ivory wrappers illustrated by Steinberg and printed in black. [i] (title), [i] (copyright), [i] (introduction), [i] (characters and scene), 49, [iii] (blank) pp. Wrappers slightly worn and soiled. First Edition. "Critical appraisal of Menotti's works has ranged from sincere appreciation (Sargeant) to bitter denunciation, later retracted (Kerman). There are signs that Menotti's legacy in future will be more complex and wide-ranging than anticipated. In deftly side-stepping the Second Viennese School he has provided an alternative model, that of the rigorously trained classical musician whose prime motivation has been to communicate with his audience. To that end, he invented both the first opera for radio and for television and had hopes for composing an opera expressly for film. Like Gershwin before him and Lloyd Webber after, he fused together music and theatre. Whether we decide to define the results as opera, music theatre or… Read More
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A$108.25
Amahl and the Night Visitors Opera in One Act Words and Music by Gian-Carlo Menotti. [Piano-vocal...

Amahl and the Night Visitors Opera in One Act Words and Music by Gian-Carlo Menotti. [Piano-vocal score]

by MENOTTI, Gian Carlo 1911-2007

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New York/London: G. Schirmer [PN 42736], 1952. Folio. Original publisher's illustrated wrappers printed in colours. [I] (title), II (copyright), III (notes on first performance), IV (note), V (characters), VI (setting, costumes, and point of view), 65, [i] (blank) pp. Wrappers slightly worn, titling to spine in ink. First Edition. "Amahl and the Night Visitors, commissioned by NBC, was the first opera written expressly for American television. In writing it, Menotti was influenced by The Adoration of the Magi of Hieronymus Bosch. The work was first televised on Christmas Eve 1951 and has been broadcast annually. The roles, particularly the main part for boy soprano, are skilfully conceived so that they can be performed by amateurs. The charm and clear diatonicism of the work have helped to make it one of the most frequently performed operas of the 20th century." Bruce Archibald and Jennifer Barnes in Grove Music Online.
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A$108.25
Trial by Jury

Trial by Jury

by W. S. Gilbert, Arthur Sullivan

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  • very good
  • Paperback
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Used - Very Good
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Paperback
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Lake Huntington, New York, United States
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69 pp. + ads. Plate 17453. Vocal score, wraps, quarto 8.5 x 11 in. Front cover reattached with Japan paper, some wear to spine and edges, yet very good. Likely a printing from 1992-, given the 62 W. 45th St. address on the wraps. Printed in England. Trial by Jury is a one-act comic opera that could be considered a seminal venture in their partnership. It premiered at the Royalty Theatre in London in March, 1875.
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Nijinsky and the Last Years of Nijinsky

Nijinsky and the Last Years of Nijinsky

by Nijinsky, Romola

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  • first
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Used - Good
Jacket Condition
Very Good
Edition
First Edition
Binding
Hardcover
ISBN 10 / ISBN 13
9780671411237 / 0671411233
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Salem, Oregon, United States
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Nijinsky, Romola. Nijinsky and the Last Years of Nijinsky. The Definitive Biography Copyright 1980. Simon and Schuster stated First Impression Thus. Number line starts with 1. EXLIB. Good Condition/ VG original dust jacket. 260 pages, indexed. ISBN0671411233. PERFORMING ARTS, RUSSIA, BALLET, VASLAV NIJINSKY. Summary: "The life of Vaslav Nijinsky is not merely a record of a great dancer's artistic triumphs; it is one of the strangest stories ever written. There is madness everywhere. From the child's first appearance with a troupe of wandering Russians to that last terrible performance, his "Marriage With God" , it is a growing chaos of madness, abnormality, distortion, genius and beauty." 260 pages, indexed. 5 3/4 X 8 3/4.
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PIOBAIREACHD AND ITS INTERPRETATION: CLASSICAL MUSIC OF THE HIGHLAND BAGPIPE

by MacNEILL, SEUMAS & FRANK RICHARDSON

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  • very good
  • Paperback
  • first
Condition
Used - Very Good
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No Jacket, As Issued
Edition
1st Edition
Binding
Paperback
ISBN 10 / ISBN 13
9780859764407 / 0859764400
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Uxbridge, Ontario, Canada
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Edinburgh: John Donald Publishers, 1996. 1st Edition . Soft cover. Very Good/No Jacket, As Issued. 8vo - over 7¾ - 9¾" tall. pp: 130. FIRST PAPERBACK EDITION. The author, an acknowledged authority on the subject, describes the structure and history of Piobaireachd. A very good copy with moderate edge wear on the covers and some fading of the colour on the rear panel.
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A$45.80A$36.64
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SKIFFLE:; The Story of Folk-song with a Jazz Beat. With a Foreword by Lonnie Donegan (The King of...

SKIFFLE:; The Story of Folk-song with a Jazz Beat. With a Foreword by Lonnie Donegan (The King of Skiffle)

by Bird, Brian

  • Used
  • very good
  • Hardcover
  • first
Condition
Used - Very Good
Jacket Condition
Good +
Edition
First Edition
Binding
Hardcover
Quantity Available
1
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Roosevelt, New Jersey, United States
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A$39.22

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London: Robert Hale, 1958. First Edition. Hardcover. Very Good/Good +. 119pp, index; 13pp illus from photographs. Bound in pictorial boards, dust jacket. 8" x 5.25" This first book on the subject traces the history of skiffle from its slave and jazz roots through the 1950s. The second part of the book is a how-to for forming a skiffle band as well as a look at the "origins, progress and personalities" of Britain's most popular skiffle bands.
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A$39.22
The Pirates of Penzance in Full Score

The Pirates of Penzance in Full Score: New Edition by Carl Simpson and Ephraim Hammett Jones

by W. S. Gilbert, Sir Arthur Sullivan

  • Used
  • near fine
  • Paperback
Condition
Used - Near Fine
Binding
Paperback
Quantity Available
1
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Lake Huntington, New York, United States
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A$43.93

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272 pp. Quarto, 9 x 12 in. Illustrated wraps, near fine, only the slightest wear covers. Full score. New edition by Carl Simpson and Ephraim Hammett Jones. Official Premiere: December 31, 1879, Fifth Avenue Theater, New York, New York, USA; London Premiere: April 3, 1880, The D'Oyly Carte Opera Company, Orchestra and Chorus Opera Comique, Arthur Sullivan, conductor.
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A$43.93
Bob Dylan: From a Hard Rain to a Slow Train
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Bob Dylan: From a Hard Rain to a Slow Train

by Barry; Dowley, Tim Dunnage

  • Used
  • Hardcover
  • first
Condition
Used - Very Good+
Jacket Condition
Very Good+
Edition
First Edition
Binding
Hardcover
ISBN 10 / ISBN 13
9780859362597 / 0859362590
Quantity Available
1
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St. Paul, Minnesota, United States
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A$50.20

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Turnbridge Wells: Midas Books; New York: Hippocrene Books, [1982], First Edition, 8vo, [11] 176pp [2], photos on 2 plates. Hardcover, red cloth covered boards with dust jacket. Very Good + condition. Pages are unmarked with slight toning and slight foxing to top page edges. Slight shelf wear to dust jacket. Please see photos for specifics. A portion of all book sales from Babcock & 68th are donated to charity.
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A$50.20
The Influence Of Music On History And Morals: A Vindication Of Plato

The Influence Of Music On History And Morals: A Vindication Of Plato

by Scott, Cyril

  • Used
  • good
  • Hardcover
  • first
Condition
Used - Good
Jacket Condition
No Jacket
Edition
1st Edition 1st Printing
Binding
Hardcover
Quantity Available
1
Seller
Pasadena, California, United States
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This seller has earned a 4 of 5 Stars rating from Biblio customers.
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A$47.06

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London: The Theosophical Publishing House Ltd., 1928. 1st Edition 1st Printing. Hardcover. Good/No Jacket. X, 245 Pp. First Printing. Blue Cloth, Gilt, With Blindstamped Border On Front Cover. Lightly Used, Pinpoint Fray At Each Of Two Lower Tips, But Spine Frayed Across Top Down To Edge Of Page Block, 1/2" Fray Along Top Spine Edges And Bottom Rear Spine Edge, Hinges Tight, No Names Or Marks, Very Light Foxing To Endpapers, Title Page, And To Edges Of The Page Block. Quite Scarce In The Trade.
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A$47.06
The Sorcerer: An Original Modern Comic Opera

The Sorcerer: An Original Modern Comic Opera

by W. S. Gilbert, Arthur Sullivan

  • Used
  • very good
  • Paperback
Condition
Used - Very Good
Binding
Paperback
Quantity Available
1
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Lake Huntington, New York, United States
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A$54.91

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137 pp. Vocal score, a slight tilt to spine, light wear to wraps, else fine. Quarto, 8.5 x 11 in. "New Edition." An original modern comic opera in two acts, words by W. S. Gilbert, music by Arthur Sullivan. G&S's third production. Based on a story, The Elixir of Love, that Gilbert published in 1876 in The Graphic.
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The Music to Racine's Athalie, with an English adaptation of the lyrics, by W. Barthlomew, Esq....

The Music to Racine's Athalie, with an English adaptation of the lyrics, by W. Barthlomew, Esq. Op. 74 Posth: Work. No.2

by Mendelssohn Bartholdy, Felix, 1809-1847 / Racine, Jean, 1639-1699

  • Used
  • very good
  • Hardcover
  • first
Condition
Used - Very Good
Binding
Hardcover
Quantity Available
1
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Cranston, Rhode Island, United States
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A$156.88A$62.75
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London, Ewer & Co. [185???] Overstamped in red: Jordens & Martens. New-York 785 Broadway. Hard Cover. 1 p.l., 108 pages; 26.5 cm. Composed in 1843-1845 on commission from the King of Prussia and first performed in December of 1845, Athalie was the last production of Mendelssohn's Berlin period. The first edition was Leipzig, 1849. Jean Racine's (1639-1699) Biblical tragedy was first performed in 1691. This version, with English libretto by William Bartholomew (1793-1867), seems to be the first English edition, and, with its publisher's overstamp, the first American as well. It appears to be earlier than the editions in the NUC (cf. 375: 552-553) or in the Boston or New York Public Libraries catalogs. It certainly dates before 1867 when Ewer merged with Novello. Vg/ bound in 3/4 leather with name label on front cover of Charles F. Leonard (a bass if the pencil markings are his). Stock#OB201.
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OH BOYS, CARRY ME LONG:; A Plantation Melody. Written & Composed by Stephen C. Foster

OH BOYS, CARRY ME LONG:; A Plantation Melody. Written & Composed by Stephen C. Foster

by Oh Boys...sheet music

  • Used
  • very good
Condition
Used - Very Good
Edition
20th Edition
Quantity Available
1
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Roosevelt, New Jersey, United States
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A$62.75

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NY: Firth, Pond, 1851. 20th Edition. Decorative Wraps. Very Good. 6pp; embellished cover title; spine reinforced. Contains words and music to four verses and a chorus. 13" x 10.25" In part: "Oh! carry me 'long; Der's no more trouble for me: I's gwine to roam In a happy home Where all de niggas am free...." First published in 1851.
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A$62.75