Description:
Oblong quarto (278 x 208 mm). Unbound, folded. 29 pp. + 2 pp. of additional manuscript apparently not included in the final version. Notated in pencil on 16-stave paper. Signed and dated New York, Jan-April 1997. Supreme Virtue was commissioned by the Dale Warland Singers with the support of the Jerome Foundation and the Alice M. Ditson Fund of Columbia University. The Dale Warland Singers premiered the work in Minneapolis in June 2000. The text consists of an English translation by Stephen Mitchell of verses from the "Tao te Ching." It was first recorded by the Seattle-based chamber choir Esoterics on the Terpsichore label in the winter of 2008. "For a few years I was the tenor section leader of a choir in Washington, and in singing with and composing for them I'd become more and more interested in the quasi-instrumental vocal gesture. Stephen Mitchell's pellucid translation of this verse of the Tao te ching - a series of moral challenges all beginning with the words "Can you?" - spurred me to…
Read More L'Heure Espagnole Comédie Musicale en Un Acte, Poème de Franc-Nohain ... Partition pour Chant et Piano Transcrite par l'Auteur. [Piano-vocal score] by RAVEL, Maurice 1875-1937 - 1908
by RAVEL, Maurice 1875-1937
L'Heure Espagnole Comédie Musicale en Un Acte, Poème de Franc-Nohain ... Partition pour Chant et Piano Transcrite par l'Auteur. [Piano-vocal score]
by RAVEL, Maurice 1875-1937
- Used
- Signed
Paris: A. Durand & Fils [PN D. & F. 7073], 1908. Small folio. Half mid-tan calf with marbled boards, original publisher's wrappers printed in black and red bound in. 1f. (blank), 1f. (title printed in red and black), 1f. (printed dedication "À Madame Jean Cruppi Hommage de respectueuse amitié Maurice Ravel"), 1f. (cast list), [i] (index), [ii] (performance notes), 114 pp.
With an autograph inscription signed by Ravel to dedication leaf: "et à G - Jean - Aubry (en moins respectueuse amitié) Maurice Ravel."
Wrappers browned and very slightly defective. Slightly worn and browned; small tear to head of dedication repaired; small publisher's monogramatic handstamp to lower edge of verso of last page; contemporary newspaper clippings to recto of blank leaf preceding title, with synopsis and review of the work by Gabriel Fauré. First Edition. Orenstein: Ravel Man and Musician, p. 228.
L'Heure Espagnole was first performed in Paris at the Opéra Comique on 19 May 1911 to a libretto closely based on the play by Franc-Nohain.
Madame Jean Cruppi (the dedicatee) convinced the director of the Opéra-Comique, Albert Carré, to stage the work in spite of its risqué story line. "In a letter of 17 May 1911, two days before the première, Ravel wrote: 'What I've tried to do is fairly ambitious: to breathe new life into the Italian opera buffa: following only the principle ... the French language, like any other, has its own accents and inflections of pitch.' At the same time he referred to Musorgsky's Zhenit'ba ('The Marriage') as the work's only real ancestor. It also forms part of a larger group of Spanish works that spanned Ravel's whole career, and the necessary Spanish colouring provided him with a reason for a virtuoso use of the modern orchestra, which he felt was 'perfectly designed for underlining and exaggerating comic effects'." Roger Nichols in Grove Music Online. Indeed, composer-writer Reynaldo Hahn somewhat critically referred to Ravel's technique as "a sort of transcendent jujitsu."
Noted music critic Georges Jean-Aubry (1882-1949) "belonged to a circle of avant-garde musicians and littérateurs and was a frequent contributor to periodicals. Encouraged by his 20-year friendship with Debussy, he wrote enthusiastically in support of contemporary French composers, noting similarities between their music and that of the 18th century (Couperin, Rameau). He wrote perceptively in praise of Spanish composers (Falla, Granados, Albéniz), but rejected German Romanticism as expressed in the works of Wagner and Strauss." Grove Music Online.
With an autograph inscription signed by Ravel to dedication leaf: "et à G - Jean - Aubry (en moins respectueuse amitié) Maurice Ravel."
Wrappers browned and very slightly defective. Slightly worn and browned; small tear to head of dedication repaired; small publisher's monogramatic handstamp to lower edge of verso of last page; contemporary newspaper clippings to recto of blank leaf preceding title, with synopsis and review of the work by Gabriel Fauré. First Edition. Orenstein: Ravel Man and Musician, p. 228.
L'Heure Espagnole was first performed in Paris at the Opéra Comique on 19 May 1911 to a libretto closely based on the play by Franc-Nohain.
Madame Jean Cruppi (the dedicatee) convinced the director of the Opéra-Comique, Albert Carré, to stage the work in spite of its risqué story line. "In a letter of 17 May 1911, two days before the première, Ravel wrote: 'What I've tried to do is fairly ambitious: to breathe new life into the Italian opera buffa: following only the principle ... the French language, like any other, has its own accents and inflections of pitch.' At the same time he referred to Musorgsky's Zhenit'ba ('The Marriage') as the work's only real ancestor. It also forms part of a larger group of Spanish works that spanned Ravel's whole career, and the necessary Spanish colouring provided him with a reason for a virtuoso use of the modern orchestra, which he felt was 'perfectly designed for underlining and exaggerating comic effects'." Roger Nichols in Grove Music Online. Indeed, composer-writer Reynaldo Hahn somewhat critically referred to Ravel's technique as "a sort of transcendent jujitsu."
Noted music critic Georges Jean-Aubry (1882-1949) "belonged to a circle of avant-garde musicians and littérateurs and was a frequent contributor to periodicals. Encouraged by his 20-year friendship with Debussy, he wrote enthusiastically in support of contemporary French composers, noting similarities between their music and that of the 18th century (Couperin, Rameau). He wrote perceptively in praise of Spanish composers (Falla, Granados, Albéniz), but rejected German Romanticism as expressed in the works of Wagner and Strauss." Grove Music Online.
- Seller J & J Lubrano Music Antiquarians LLC (US)
- Book Condition Used
- Quantity Available 1
- Publisher A. Durand & Fils [PN D. & F. 7073]
- Place of Publication Paris
- Date Published 1908
- Keywords Twentieth-century French music; twentieth-century French opera; comédie musicale; opera buffa; Opéra-Comique; piano-vocal scores; composer autographs; autograph inscriptions; first editions; French music critics; Spain; Spanish music; e
- Product_type Autograph
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No. 10: Supreme Virtue [Autograph manuscript]: Double SATB choir
by ADAMO, Mark b. 1962
- Used
- Signed
- Condition
- Used
- Binding
- Unknown
- Quantity Available
- 1
- Seller
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Syosset, New York, United States
- Item Price
-
A$5,004.20
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Item Price
A$5,004.20
Thurber's Dogs. Suite for Orchestra after Drawings by James Thurber. Movement VI: Hunting Hounds. Autograph musical manuscript sketches in condensed score of almost the entire final movement of the work, consisting of music for sections B-N, i.e., pp. 111-137 of the published full score
by SCHICKELE, Peter b. 1935
- Used
- Condition
- Used
- Binding
- Unknown
- Quantity Available
- 1
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Syosset, New York, United States
- Item Price
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A$5,004.20
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Description:
Folio (ca. 356 x 278 mm.). Unbound. 9 leaves notated in pencil on one side of each leaf of 18-stave AZTEC C-18 music manuscript paper. A working manuscript, with erasures, alterations and cancellations. Together with: A copy of the published full score of the movement, i.e., pp. 107-138, and a 1-1/2 page printed commentary by the composer discussing the background of the work and briefly describing the music: "I should say, however, that as I was working on the last movement, I found myself thinking as much about the fox as about the hunting hounds. This, coupled with the fact that I recently acquired a recording of background music from the old movie serials that I used to go to as a kid, probably accounts for the quite ungentlemanly, almost lurid quality of the chase music." "Thurber's Dogs was commissioned for the ProMusica Chamber Orchestra of Columbus and the Thurber House to commemorate the 100th birthday anniversary of author James Thurber. It was completed on August 13, 1994. The first…
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A$5,004.20
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[Op. 95]. Le Petit Chaperon Rouge Double choeur pour voix de femmes et d'enfants. Avec acct de piano ou d'orchestre Pour le chorale des lycées de jeunes filles de Paris Poème de Guy de Teramond ... op. 95. Chez Alphonse Leduc: Paris. Autograph musical manuscript signed
by BUSSER, Henri 1872-1973
- Used
- Signed
- Condition
- Used
- Binding
- Unknown
- Quantity Available
- 1
- Seller
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Syosset, New York, United States
- Item Price
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A$3,216.99
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Description:
Folio (ca. 360 x 273 mm). [i] (title), 20, [i] (blank) pp. Notated in black ink on music paper with 20 printed staves per page. Scored for double choir and piano. The work begins in A minor, in 3/4, Très Allant (quasi Allo). Textual incipit: "Dans la forêt où rien ne bouge ..." The engraver's copy, prepared for the publishing house Alphonse Leduc et Cie. With the composer's autograph signature ("Henri Busser") and date ("Paris, Août 15") to p. 20. Occasional erasures and corrections in black ink in the composer's hand. Lower edge of title with publisher's handstamps and manuscript date ("[19]35") and plate number ("A.L. 19,198") in an early hand. Numerous editorial markings, minor annotations, and occasional corrections in one or more early hands in pencil and red crayon. Slightly worn and soiled; minor ink smudges to three pages slightly affecting notation. A piano-vocal edition of Le Petit Chaperon, with plate number A.L. 19,198, was published by Alphonse Leduc in 1935. Not in the Grove…
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A$3,216.99
[Op. 22]. Quartett für Geige, Klarinette, Tenorsaxophon und Klavier. [Full score]
by WEBERN, Anton 1883-1945
- Used
- Signed
- Condition
- Used
- Binding
- Unknown
- Quantity Available
- 1
- Seller
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Syosset, New York, United States
- Item Price
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A$5,004.20
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Description:
Wien-Leipzig: Universal-Edition [PN U.E. 10.050], 1932. Small folio. Original publisher's wrappers. 1f., 13 pp. Publisher's catalogue dated July 1932 to verso of lower wrapper. Autograph inscription from the composer to title in black ink: "Dr. David Bach herzlichs überreicht von seinem Webern Nov. 1932." From the collection of the pianist and teacher Jacob Lateiner (1928-2010), with a note laid in from the distinguished music antiquarian Albi Rosenthal (1914-2004): "for Jacob - as a souvenir of his first (and frustrating) visit to Otto Haas - Albi, London, 12 May 1967." Wrappers slightly worn and soiled. First Edition. Moldenhauer pp. 714-15. "Alban Berg repeatedly assured the composer of his special admiration for this work. On 19 August 1932 he wrote: 'This Quartet is a miracle. What amazes me above all is its originality...' Schoenberg was equally impressed. On receipt of the printed score he thanked Webern for the 'fabulous piece.' Today theorists recognize the Quartet as a masterpiece…
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A$5,004.20
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Autograph letter signed to an unidentified male correspondent
by DEBUSSY, Claude 1862-1918
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- Signed
- Condition
- Used
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- Unknown
- Quantity Available
- 1
- Seller
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Syosset, New York, United States
- Item Price
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A$3,574.43
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1 page. Octavo (ca. 168 x 122 mm). Dated Thursday evening. On mourning stationery. In French (with translation). "I have to attend [?Louis] Laloy's premiere; naturally that is tomorrow, on Friday ... Would you change the enclosed tickets for Saturday? Thanks again ..." Slightly worn and browned; creased at folds and upper outer corner of final blank folio; small rust stain from paper clip to inner margin of final folio, not affecting text. "One of the most important musicians of his time, [Debussy's] harmonic innovations had a profound influence on generations of composers. He made a decisive move away from Wagnerism in his only complete opera Pelléas et Mélisande, and in his works for piano and for orchestra he created new genres and revealed a range of timbre and colour which indicated a highly original musical aesthetic." François Lesure and Roy Howat in Grove Music Online. "Laloy [1874-1944] was a noted defender of contemporary French music and was a close friend of, and mediator between,…
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A$3,574.43
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No. 10: Supreme Virtue [Autograph manuscript]: Double SATB choir
by ADAMO, Mark b. 1962
- Used
- Signed
- Condition
- Used
- Binding
- Unknown
- Quantity Available
- 1
- Seller
-
Syosset, New York, United States
- Item Price
-
A$5,004.20
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Description:
Oblong quarto (278 x 208 mm). Unbound, folded. 29 pp. + 2 pp. of additional manuscript apparently not included in the final version. Notated in pencil on 16-stave paper. Signed and dated New York, Jan-April 1997. Supreme Virtue was commissioned by the Dale Warland Singers with the support of the Jerome Foundation and the Alice M. Ditson Fund of Columbia University. The Dale Warland Singers premiered the work in Minneapolis in June 2000. The text consists of an English translation by Stephen Mitchell of verses from the "Tao te Ching." It was first recorded by the Seattle-based chamber choir Esoterics on the Terpsichore label in the winter of 2008. "For a few years I was the tenor section leader of a choir in Washington, and in singing with and composing for them I'd become more and more interested in the quasi-instrumental vocal gesture. Stephen Mitchell's pellucid translation of this verse of the Tao te ching - a series of moral challenges all beginning with the words "Can you?" - spurred me to…
Read More Item Price
A$5,004.20
Thurber's Dogs. Suite for Orchestra after Drawings by James Thurber. Movement VI: Hunting Hounds. Autograph musical manuscript sketches in condensed score of almost the entire final movement of the work, consisting of music for sections B-N, i.e., pp. 111-137 of the published full score
by SCHICKELE, Peter b. 1935
- Used
- Condition
- Used
- Binding
- Unknown
- Quantity Available
- 1
- Seller
-
Syosset, New York, United States
- Item Price
-
A$5,004.20
Show Details
Description:
Folio (ca. 356 x 278 mm.). Unbound. 9 leaves notated in pencil on one side of each leaf of 18-stave AZTEC C-18 music manuscript paper. A working manuscript, with erasures, alterations and cancellations. Together with: A copy of the published full score of the movement, i.e., pp. 107-138, and a 1-1/2 page printed commentary by the composer discussing the background of the work and briefly describing the music: "I should say, however, that as I was working on the last movement, I found myself thinking as much about the fox as about the hunting hounds. This, coupled with the fact that I recently acquired a recording of background music from the old movie serials that I used to go to as a kid, probably accounts for the quite ungentlemanly, almost lurid quality of the chase music." "Thurber's Dogs was commissioned for the ProMusica Chamber Orchestra of Columbus and the Thurber House to commemorate the 100th birthday anniversary of author James Thurber. It was completed on August 13, 1994. The first…
Read More Item Price
A$5,004.20
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[Op. 95]. Le Petit Chaperon Rouge Double choeur pour voix de femmes et d'enfants. Avec acct de piano ou d'orchestre Pour le chorale des lycées de jeunes filles de Paris Poème de Guy de Teramond ... op. 95. Chez Alphonse Leduc: Paris. Autograph musical manuscript signed
by BUSSER, Henri 1872-1973
- Used
- Signed
- Condition
- Used
- Binding
- Unknown
- Quantity Available
- 1
- Seller
-
Syosset, New York, United States
- Item Price
-
A$3,216.99
Show Details
Description:
Folio (ca. 360 x 273 mm). [i] (title), 20, [i] (blank) pp. Notated in black ink on music paper with 20 printed staves per page. Scored for double choir and piano. The work begins in A minor, in 3/4, Très Allant (quasi Allo). Textual incipit: "Dans la forêt où rien ne bouge ..." The engraver's copy, prepared for the publishing house Alphonse Leduc et Cie. With the composer's autograph signature ("Henri Busser") and date ("Paris, Août 15") to p. 20. Occasional erasures and corrections in black ink in the composer's hand. Lower edge of title with publisher's handstamps and manuscript date ("[19]35") and plate number ("A.L. 19,198") in an early hand. Numerous editorial markings, minor annotations, and occasional corrections in one or more early hands in pencil and red crayon. Slightly worn and soiled; minor ink smudges to three pages slightly affecting notation. A piano-vocal edition of Le Petit Chaperon, with plate number A.L. 19,198, was published by Alphonse Leduc in 1935. Not in the Grove…
Read More Item Price
A$3,216.99
[Op. 22]. Quartett für Geige, Klarinette, Tenorsaxophon und Klavier. [Full score]
by WEBERN, Anton 1883-1945
- Used
- Signed
- Condition
- Used
- Binding
- Unknown
- Quantity Available
- 1
- Seller
-
Syosset, New York, United States
- Item Price
-
A$5,004.20
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Description:
Wien-Leipzig: Universal-Edition [PN U.E. 10.050], 1932. Small folio. Original publisher's wrappers. 1f., 13 pp. Publisher's catalogue dated July 1932 to verso of lower wrapper. Autograph inscription from the composer to title in black ink: "Dr. David Bach herzlichs überreicht von seinem Webern Nov. 1932." From the collection of the pianist and teacher Jacob Lateiner (1928-2010), with a note laid in from the distinguished music antiquarian Albi Rosenthal (1914-2004): "for Jacob - as a souvenir of his first (and frustrating) visit to Otto Haas - Albi, London, 12 May 1967." Wrappers slightly worn and soiled. First Edition. Moldenhauer pp. 714-15. "Alban Berg repeatedly assured the composer of his special admiration for this work. On 19 August 1932 he wrote: 'This Quartet is a miracle. What amazes me above all is its originality...' Schoenberg was equally impressed. On receipt of the printed score he thanked Webern for the 'fabulous piece.' Today theorists recognize the Quartet as a masterpiece…
Read More Item Price
A$5,004.20
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Autograph letter signed to an unidentified male correspondent
by DEBUSSY, Claude 1862-1918
- Used
- Signed
- Condition
- Used
- Binding
- Unknown
- Quantity Available
- 1
- Seller
-
Syosset, New York, United States
- Item Price
-
A$3,574.43
Show Details
Description:
1 page. Octavo (ca. 168 x 122 mm). Dated Thursday evening. On mourning stationery. In French (with translation). "I have to attend [?Louis] Laloy's premiere; naturally that is tomorrow, on Friday ... Would you change the enclosed tickets for Saturday? Thanks again ..." Slightly worn and browned; creased at folds and upper outer corner of final blank folio; small rust stain from paper clip to inner margin of final folio, not affecting text. "One of the most important musicians of his time, [Debussy's] harmonic innovations had a profound influence on generations of composers. He made a decisive move away from Wagnerism in his only complete opera Pelléas et Mélisande, and in his works for piano and for orchestra he created new genres and revealed a range of timbre and colour which indicated a highly original musical aesthetic." François Lesure and Roy Howat in Grove Music Online. "Laloy [1874-1944] was a noted defender of contemporary French music and was a close friend of, and mediator between,…
Read More Item Price
A$3,574.43
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A New History of Japanese Cinema: A Century of Narrative Film
by Standish, Isolde
- Used
- good
- Paperback
- Condition
- Used - Good
- Jacket Condition
- No Jacket
- Binding
- Paperback
- ISBN 13
- 9780826417909
- ISBN 10
- 0826417906
- Quantity Available
- 1
- Seller
-
Newton, Massachusetts, United States
- Item Price
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A$15.54
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New York: Continuum, 2006. 8vo size trade paperback with black and white photo illustrated cover; 414 pages From back: "Cinema, which first arrived in Japan in 1896 with the Kinetoscope prototype, came at the very time that Japan was transforming its economic base and society into that of a major international power. The first cinema, the Asakusa Denikikan, was opened in Tokyo in 1903 and within 13 years 300 cinemas had sprung up throughout the country... (The author) focuses on the historical development of Japanese film, illustrated by a series of typical Japanese film posters. She details an industry and an art form shaped by the competing and merging forces of traditional culture and of economic and technological innovation." Edgewear, creases to bottom and bottom and top corners of front cover, soil on bottom and light soil to outside pages. We note pencilled underlining on at least 29 pages and pencilled marginalia on at least three pages and four creased page corners. Quotes…
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A$15.54
Stock Photo: Cover May Be Different
Old Bones
by Elkins, Aaron J
- Used
- Fine
- Hardcover
- Signed
- first
- Condition
- Used - Fine
- Jacket Condition
- Near Fine
- Edition
- 1st Edition
- Binding
- Hardcover
- ISBN 13
- 9780892962624
- ISBN 10
- 0892962623
- Quantity Available
- 1
- Seller
-
Ellensburg, Washington, United States
- Item Price
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A$18.65
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Description:
New York, NY, U. S. A.: Mysterious Press, 1987. 1st Edition . Hardcover. Fine/Near Fine. New York, NY, U. S. A.: Mysterious Press, 1987. Fine in Near Fine jacket Signed by Author A Gideon Oliver Mystery, SIGNED on title pg. Edgar Award winner best mystery npc 197pp. Signed by Author. First Edition. Hard Cover. Fine/Near Fine. First Edition
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A$18.65
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Starting With Flags : Forty-Three Drawings
by Parker, Kingsley
- Used
- Paperback
- Signed
- Condition
- Used - Fine with no dust jacket
- Edition
- Limited Signed Edition
- Binding
- Paperback
- Quantity Available
- 1
- Seller
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Williamsville, New York, United States
- Item Price
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A$23.31
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Description:
New York: Private Printing. Fine with no dust jacket. 1976. Limited Signed Edition. Softcover. The artist's abstract and quite varied series of 43 drawings of flags, all printed monochrome on the recto of pages. Kingsley Parker has been exhibiting and represented by galleries since the mid-1970s and has a work in the collection of the Museum Of Modern Art in New York, NY. The artist is quite active with new works. Signed in ink "K. Parker/1976 ©" in the front matter where Parker explains his motivation for drawing the series of abstract flags. Copy 158 of a limited edition of 600, numbered in the colophon. Approximately 44 pages, unpaginated. Printed on fine, machine-made paper in brown wraps. The title and a flag drawing are framed on the front cover. In absolutely clean, Fine condition. ; Drawings; Square 24mo 5" - 6" tall; 44 pages; Signed by Artist .
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A$23.31
Dead in Dixie
by Charlaine Harris
- Used
- as new
- Hardcover
- Signed
- Condition
- As New
- Jacket Condition
- As New
- Binding
- Hardcover
- ISBN 13
- 9780739434710
- ISBN 10
- 0739434713
- Quantity Available
- 1
- Seller
-
La Porte, Texas, United States
- Item Price
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A$31.07
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New York: Science Fiction Book Club, 2003. Z2 - A Science Fiction Book Club Omnibus Edition hardcover book SIGNED by the Charlaine Harris in as new condition in as new dust jacket that is mylar protected. Dead Until Dark, Living Dead in Dallas, Club Dead. 8.5"x5.75", 612 pages. Satisfaction Guaranteed.. Signed by Author. Hardcover. As New/As New. 8vo - over 7¾" - 9¾" tall. Book Club (BCE/BOMC).
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A$31.07
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Songs From Appledore
by Oscar Laighton
- Used
- Hardcover
- Signed
- Condition
- Used - Very Good+
- Binding
- Hardcover
- Quantity Available
- 1
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Garland, Texas, United States
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A$31.07
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RARE. Collectible: 1916. Signed by the author. Cambridge MA: University Press. Very Good. Hardcover. Light soil to green cloth covered boards with gilt stamped title, author's name, and design. A bright solid, book - 27 pages; Inside covers are sunned. Pages clean and bright. Frontspiece. "View from Mrs. Thaxter's Garden Gate. 29 illustrations. Small book: 7" x 5"
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A$31.07
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Religion In A World At War
by George Hodges
- Used
- very good
- Hardcover
- first
- Condition
- Used - Very Good
- Jacket Condition
- None
- Edition
- First
- Binding
- Hardcover
- Quantity Available
- 1
- Seller
-
Lubbock, Texas, United States
- Item Price
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A$163.18A$40.80Save A$78.75!
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To be a hundred year old book, it is in very good condition. Minimal wear to the cover. Pages are beginning to tan. Religion In A World At War deals with, very specifically, religions role, place, and cause in war history. it is a justification for all that is good about man, even though, we continue to fight, Another miracle, that this book was published during Word War I.
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A$163.18A$40.80
Save A$78.75
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Maybe Tomorrow
by Roberta Fleetwood O'Keefe
- Used
- very good
- Hardcover
- Signed
- Condition
- Used - Very Good
- Jacket Condition
- No Jacket
- Binding
- Hardcover
- Quantity Available
- 1
- Seller
-
La Porte, Texas, United States
- Item Price
-
A$38.84
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Burnet, Texas: Nortex Press, 1978. CL5 - A hardcover book SIGNED by author on the front free endpaper in very good condition that is cocked, some scattered light scratches and rubbing, light tanning and shelf wear with no dust jacket. Brown covered boards with gilt lettering. 8.5"x5.5", 84 pages. Satisfaction Guaranteed.. Signed by Author. Hardcover. Very Good/No Jacket. 8vo - over 7¾" - 9¾" tall.
Item Price
A$38.84
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The DOs and DON'Ts of Yesterday: Little Book of Early American Know-How
by Eric Sloane
- Used
- Hardcover
- Signed
- Condition
- Like New
- Jacket Condition
- Very Good
- Binding
- Hardcover
- Quantity Available
- 1
- Seller
-
Orange, Virginia, United States
- Item Price
-
A$38.85
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Description:
Illustrated with pen/ink images Sloane is known for. (2) books,a yellow and an orange (18x12cm) with gilt title on covers and spines. Paper title on dark red slipcase with signature of author. Slipcase has very minor wear to bottom fore edge.
Item Price
A$38.85