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The Blue Door
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The Blue Door Hardcover - 2008 - 1st Edition

by David Fulmer


Summary

As welterweight boxer Eddie Cero makes his way home through a dark Philadelphia alley, he steps in on two punks beating up an older man. It’s a favor that’s going to turn Eddie’s life upside down. Sal Giambroni buys Eddie a round and offers him a part-time gig helping with his private-detective work. Despite Eddie’s reluctance, a few days on the job reveal that he has a knack for snooping—and then he stumbles onto a cold case involving a missing soul singer. A music lover with a budding interest in the singer’s attractive, talented sister, Eddie finds himself involved in a violent, twisted story of betrayal and intrigue, power and passion—all set to the beat of rock and roll.

David Fulmer’s acclaimed Storyville series brought us a New Orleans teeming with jazz. The Dying Crapshooter’s Blues took fans to Atlanta and the blues. The Blue Door now brings us the vibrant city of Philadelphia and the early days of its famous soul.

From the publisher

As welterweight boxer Eddie Cero makes his way home through a dark Philadelphia alley, he steps in on two punks beating up an older man. It s a favor that s going to turn Eddie s life upside down. Sal Giambroni buys Eddie a round and offers him a part-time gig helping with his private-detective work. Despite Eddie s reluctance, a few days on the job reveal that he has a knack for snooping and then he stumbles onto a cold case involving a missing soul singer. A music lover with a budding interest in the singer s attractive, talented sister, Eddie finds himself involved in a violent, twisted story of betrayal and intrigue, power and passion all set to the beat of rock and roll. David Fulmer s acclaimed Storyville series brought us a New Orleans teeming with jazz. The Dying Crapshooter s Blues took fans to Atlanta and the blues. The Blue Door now brings us the vibrant city of Philadelphia and the early days of its famous soul."

Details

  • Title The Blue Door
  • Author David Fulmer
  • Binding Hardcover
  • Edition number 1st
  • Edition 1
  • Pages 325
  • Volumes 1
  • Language ENG
  • Publisher Houghton Mifflin, Orlando
  • Date 2008
  • ISBN 9780151011810 / 0151011818
  • Weight 1.27 lbs (0.58 kg)
  • Dimensions 9.08 x 6.38 x 1.09 in (23.06 x 16.21 x 2.77 cm)
  • Library of Congress subjects Mystery fiction, Historical fiction
  • Library of Congress Catalog Number 2007019423
  • Dewey Decimal Code FIC

Excerpt

 One

At ten thirty on the night of March 24, 1962, Eddie Cero walked out the back door of the Southside Boxing Club in Philadelphia with a bloody bandage over his eyebrow and forty dollars cash in his pocket.
          The cut hadn’t hurt when it opened. Now it was throbbing, and all he wanted was to go somewhere and have a drink to kill the pain and another one to toast what looked like the end of his life as a welterweight.
          He didn’t want to see anybody and he didn’t want anyone seeing him, so he cut down the alley behind the club, zipping his jacket against the night’s chill. Fifty feet away from the East Allen traffic, he heard someone grunt and another voice curse, and he glanced into a doorway to see two punks roughing up a third man, who looked to be getting the better of it. He walked by with no intention of meddling in their business. Then one of the punks turned around and said, “What the fuck are you lookin’ at?” in the wrong tone. Eddie stopped.
           A face as thin and pitted as a crescent moon glared from the shadows. “I said, motherfucker, what the fuck are you lookin’ at?”
           The partner, a chubby greaseball in a motorcycle jacket that was two sizes too small, turned like a fat lizard to put his two cents in. “Take a hike, asshole.”
           The poor chump in the middle let out a strangled gasp. Eddie stayed where he was.
           “Whaddya, fuckin’ deaf?” The moon-faced punk came stalking out in a rude ballet set to the click and flash of a blade. He had taken three steps when it dawned on him that the interloper hadn’t cut and run. By then it was too late, because Eddie had one coming, a quick right to the jaw. The punk went down as if a trapdoor had opened under his shoes. The switchblade skittered across the bricks.
           “Whoa, fuckin’ A,” said the fat boy.
           Staring up at the night sky with glazed eyes, the pimpled punk moaned and twitched a couple times.
           Eddie rubbed his knuckles. “You better get him out of here.”
           The fat boy let go of their prey and edged into the alley. He bent down, wrestled his partner under the arms, and dragged him off in the direction of Ninth Street. Once he got a little distance, he looked back over his shoulder and said, “We’ll see ya ’round, Sal.”
           The guy named Sal slumped against the doorframe. “Yeah, yeah, same to ya.” His voice was a weary croak.
           Eddie walked over to have a look at the victim, a middle-aged guy, Italian. His lower lip was swollen, his left eye was puffing up all purple, and there was fresh blood dribbling out of one nostril. He looked like an empty sack of nothing, as if the beating in an alley was just the last insult in what had been a bad day all around. He weaved on his feet, trying to straighten his tie with one hand and brush the dirt from his sport coat with the other.
           “Jesus Christ,” he said. “That was a hell of a smack you gave him.” He peered at Eddie with his good eye, then pointed a stubby finger. “Hey, I know you. You’re a fighter, right?”
           “Yeah, that’s right,” Eddie said shortly. “You going to be okay?” He started moving away.
           “Hey, wait a minute.” Sal ambled woozily after him. “Hey, let me buy you a drink. How about it?”
           “That’s all right.”
           “C’mon, you saved my ass here.”
           Eddie said, “It was nothin’. You were doing okay.”
           “I wanna buy you a drink, goddamnit!”
           Eddie sighed. He didn’t feel up to arguing. “All right. One drink. But you don’t owe me, okay?”
           “Yeah, yeah, okay,” Sal said. “I don’t owe you. God forbid. So what’s that name again, tough guy?”
           “Eddie Cero.”
           “That’s right. I remember. Like zero with a C, right?”
           “Yeah, that’s right.”
           “Salvatore Giambroni.” He offered a thick meatball of a hand. “Sal.”

 On a good night, Eddie would have gone to Barney’s on Frankford Avenue, but he didn’t want to meet up with that crowd, so he headed two blocks up to the Corner Bar & Grill on Richmond, where hardly anyone knew him. Plus they had a better jukebox. Sal shuffled along, one hand dabbing his bloody nose with a handkerchief, while he probed his battered eye with the fingers of the other and muttered under his breath.
           Eddie held the door for him, and they stepped into a long, narrow room of black and gray shadows punctuated by rainbow-colored beer signs and, at the far end, the amber glow of the jukebox. Shapes huddled against the bar and around the tables. The few people who were talking kept their voices low. It was that kind of joint.
           Eddie headed directly for the booth in the far corner. Sal stopped at the bar and ordered two shots and two bottles of Schmidt’s. He brought the drinks to the table, sat down, and let out a noisy sigh.
           “Here’s to ya, kid.” He clinked Eddie’s glass and downed his whiskey in one gulp. Piece by piece, he pulled himself together. His back straightened, his good eye widened, and he flexed his sore jaw.
           “Yeah, that’s more like it.” He grinned. “Hey, how about me and you? You got a bad eye; I got a bad eye—how about it, eh?”
           In the dim, dirty light, Eddie got his first good look at Sal and saw a dago who had obviously been around the block and then some. They were about the same height, but Sal had at least forty pounds on him. His round face was pockmarked bronze and boasted an angled hunk of a Calabrese nose, all under a mat of dark brown hair that swept this way and that in Brylcreemed waves. The eyes—actually, the eye Eddie could see—was as black as an olive and had a merry glint to it, despite the condition of the rest of the face. All in all, Eddie thought he looked like Louis Prima minus a couple inches and plus a couple pounds.
           “So what happened to you?” Sal Giambroni asked, as if he had a right to know. “You have a fight tonight?”
           “Yeah.”
           “Who won?”
           “The other guy.”
           “What other guy?”
           “T-Bone Mieux.”
           “Oh, yeah, I’ve seen him,” Sal said. “He’s decent.”
           “He’s a fucking cheap-shot punk,” Eddie said.
           Sal gave him a quizzical look and leaned over the table as if divulging a secret. “So, you wanna know what that was about? I mean in the alley there.”
           Eddie said, “It’s none of—”
           “I poked my nose into the wrong hole.”
           Eddie took a tiny sip of his whiskey, then a small sip of his beer. He was going to hear about it whether he wanted to or not.
           “I’m a private detective,” Sal said. “An investigator. Of private matters, all right? This one particular party doesn’t care for my modus operandi and sent those punks to teach me a lesson.”
           “Did they?”
           Sal sat back. “Nah, that was nothing. Once I had this cafone try to run me over with his car. Another time a guy tried to push me out a window. Twelfth floor. I saw the gates of heaven, it was that close.” He spread his hands, palms upward. “These things happen. What you call your occupational hazards.”
           “Maybe you should get another occupation.”
           “Yeah, look who’s talkin’,” Sal retorted. Eddie shot him a hard glance, and Sal said, “Hey, that’ll heal, right? So when’s your next fight? Maybe I’ll come, y’know, see you in action.”
           “I don’t have one.”
           Sal gestured at the bandage. “’Cause of that?”
           Eddie drummed absent fingers. “I think I might stop for a little while. Do something else.”
           “Yeah? Like what?”
           “Like, I don’t know right now.”
           The older man drank off his beer and placed the empty bottle on the table, along with a five-dollar bill. “Hey, how about you go get us another round,” he said. “I got something I want to talk to you about.”
           Though Eddie couldn’t imagine what Sal Giambroni wanted to talk to him about and was sure he didn’t care, he got up to fetch the drinks. He asked the bartender to wrap some ice, too. While he waited, he stepped over to the jukebox, dropped in a quarter, and picked out five plays. An oily Dean Martin gave way to a gritty Irma Thomas. It never failed; right away he felt better.
           Sal accepted the balled towel with a grateful nod, planted it over his swollen eye, and waited for Eddie to get settled. Then he said, “The deal is I need somebody to help out with some things.”
           “What things?” Eddie said.
           “Cases and so forth,” Sal said. “Mostly surveillance, occasionally somebody to be a physical presence, et cetera, et cetera. Nothin’ you couldn’t handle. I wouldn’t pay you a salary. It would be on a case-by-case basis. Which means cash in your hand pretty much every day.”
           Eddie sat back. “I wouldn’t be interested in anything like that. Thanks for the offer, though.”



Copyright © 2008 by David Fulmer

 All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage and retrieval system, without permission in writing from the publisher.

 Requests for permission to make copies of any part of the work should be submitted online at www.harcourt.com/contact or mailed to the following address: Permissions Department, Harcourt, Inc., 6277 Sea Harbor Drive, Orlando, Florida 32887-6777.

Media reviews

"Fulmer's 'The Blue Door' is a nicely linear investigative thriller with a whole new central character whose vocational trajectory isn't anyone's idea of the norm."

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