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The Colonial Andes Tapestries and Silverwork, 1530-1830 (Metropolitan Museum of
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The Colonial Andes Tapestries and Silverwork, 1530-1830 (Metropolitan Museum of Art Series) Hardcover - 2004

by Elena Phipps; Johanna Hecht; Cristina Esteras Martin


From the publisher

The arrival of the Spanish in South America in 1532 permanently transformed the Andean cultural landscape. Within a generation, societies that had developed over thousands of years, including the great Inca Empire, had been irrevocably altered. The arts from the Spanish colonial period--those that drew on native traditions, such as textiles, silver, woodwork, and stonework, as well as painting, sculpture, and other genres introduced by the Spanish--preserve an unspoken dialogue that developed between Andean and European modes of expression.

This beautiful book presents silver objects, textiles, and other masterpieces of colonial Andean culture. Essays discuss the artistry of this culture and explain how it has been recently reevaluated and celebrated for its vibrant energy reflecting the convergence of two essentially distinct cultural traditions.

Details

  • Title The Colonial Andes Tapestries and Silverwork, 1530-1830 (Metropolitan Museum of Art Series)
  • Author Elena Phipps; Johanna Hecht; Cristina Esteras Martin
  • Binding Hardcover
  • Edition First Edition
  • Pages 412
  • Language ENG
  • Publisher Metropolitan Museum of Art, Cumberland, Rhode Island, U.S.A.
  • Date September 10, 2004
  • ISBN 9780300104912

About the author

Elena Phipps isconservator, Textile Conservation, and Johanna Hecht is associate curator, European Sculpture and Decorative Arts, at The Metropolitan Museum of Art.

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The Colonial Andes: Tapestries and Silverwork, 1530 1830 (Metropolitan Museum of Art Series)
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The Colonial Andes: Tapestries and Silverwork, 1530 1830 (Metropolitan Museum of Art Series)

by Phipps, Elena; Hecht, Johanna; Martín, Cristina Esteras

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The Colonial Andes : Tapestries and Silverwork, 1530-1830
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The Colonial Andes : Tapestries and Silverwork, 1530-1830

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The Colonial Andes : Tapestries and Silverwork, 1530-1830
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The Colonial Andes : Tapestries and Silverwork, 1530-1830

by Phipps, Elena; Hecht, Johanna; Martin, Cristina; Esteras Martín, Cristina

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The Metropolitan Museum of Art. , 2004. Book. Fine. Hardcover. HARDCOVER; in fine condition with dustjacket. This is a heavy volume; extra shipping may be required for priority mail or international orders. .
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The Colonial Andes : Tapestries and Silverwork, 1530-1830
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The Colonial Andes : Tapestries and Silverwork, 1530-1830

by Phipps, Elena; Hecht, Johanna; Martin, Cristina; Esteras Martín, Cristina

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Tapestries And Silverwork From The Colonial Andes
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Tapestries And Silverwork From The Colonial Andes

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New Haven:: Yale University Press,. As New in As New dust jacket. 2004. Hardcover. 030010491X . Color and black and white illustrations throughout. First edition. As new in like dust jacket. Still in original shrinkwrap. .
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The Colonial Andes: Tapestries and Silverwork, 1530-1830
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New York/New Haven: Metropolitan Museum of Art/Yale University Press, 2004. Book. Fine. Hardcover. (xiii) 396 pages, approximately 161 objects, numerous b/w and color illustrations, maps, credits, bibliography, index; folio, wine cloth. Fine in a fine dust jacket, Exhibition catalog.
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The Colonial Andes: Tapestries and Silverwork, 1530-1830 (Metropolitan Museum of Art Series)
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The Colonial Andes: Tapestries and Silverwork, 1530-1830 (Metropolitan Museum of Art Series)

by Elena Phipps, Johanna Hecht, Cristina Esteras Martin

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The Colonial Andes: Tapestries and Silverwork, 1530-1830

The Colonial Andes: Tapestries and Silverwork, 1530-1830

by Elena Phipps, Johanna Hecht, and Cristina Esteras Martin; Luisa Elena Alcalá, Thomas B.F. Cummins, Joyce Denney, Sophie Desrosiers, Teresa Gisbert, Isabel Iriarte, Heidi King, Sabine MacCormack, Natalia Majluf, José de Mesa, and Kenneth Mill

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Yale University Press, New Haven, 2004. Book. Fine Condition. Cloth. 396 pp., 355 illustrations 250 in color, maps, bibliography, and index. Hardcover, bound in cloth covered boards and wrapped in an illustrated paper dustjacket. Tight binding, sharp edges and corners on the boards, bright jacket now encased in a Mylar sleeve, and a clean, unmarked interior. Published on the occasion of the exhibition from the Metropolitan Museum of Art, New York NY September 29-December 12, 2004..
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