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- Title Delacroix and the Matter of Finish
- Author Kahng, Eik
- Binding Hardcover
- Pages 165
- Language ENG
- Publisher Other Distribution, Santa Barbara
- Date 2013
- Features Bibliography, Illustrated, Table of Contents
- ISBN 9780300199444
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- Choice, 06/01/2014, Page 0
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Delacroix and the Matter of Finish
- Used
- near fine
- Hardcover
- first
- Condition
- Used - Near Fine
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- First Edition
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- Hardcover
- ISBN 10 / ISBN 13
- 9780300199444 / 0300199449
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Seattle, Washington, United States
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Other Distribution, 2013. First Edition. Hardcover. Near Fine/No Jacket (As Issued). Near Fine condition, in shrinkwrap, without dust jacket as issued. Clean, as new copy. 165 pp.
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Delacroix and the Matter of Finish
by Kahng, Eik
- Used
- Hardcover
- Condition
- Used - Like New
- Binding
- Hardcover
- ISBN 10 / ISBN 13
- 9780300199444 / 0300199449
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Chicago, Illinois, United States
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Other Distribution. Used - Like New. Fine. Hardcover with pictorial boards. 2013. Originally published at $35.
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Delacroix and the Matter of Finish
by Delacroix, Eugene; Kahng, Eik (Curated by), with Gotlieb, Marc, and Hannoosh, Michele (Essays by)
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- Fine
- Hardcover
- first
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- Used - Fine
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- 1st.
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- Hardcover
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- 9780300199444 / 0300199449
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Santa Barbara, California, United States
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A$22.36A$9.17 shipping to USA
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Santa Barbara, CA, and New Haven, CT: Santa Barbara Museum of Art; Yale University Press, 2013. Pictorial boards, 165 pages, illustrations (some colour); 30 cm. Firm binding, clean inside copy. A fine copy. OVERSIZE! No priority/international, except by special arrangement. Richly illustrated with colour plates. "This groundbreaking publication centers on a previously unknown variation of Eugene Delacroix's (1798-1863) dramatic masterpiece The Last Words of the Emperor Marcus Aurelius, published here for the first time. This book offers a compelling reassessment of the relationship of the artist, widely consider a primary exemplar of Romanticism, to Neoclassical themes, as demonstrated by his life-long fascination with the death of Marcus Aurelius. Through this investigation, the authors reinterpret Delacroix's lineage to such fellow artists as Jean-Auguste Dominique Ingres (1780-1867) and Jacques-Louis David (1748-1825). Playing on the various interpretations of the word…
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Delacroix and the Matter of Finish
by Kahng, Eik (Editor)/ Gotlieb, Marc (Editor)/ Hannoosh, Michele (Editor)
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- Hardcover
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Exeter, Devon, United Kingdom
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A$55.47A$19.33 shipping to USA
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Other Distribution, 2013. Hardcover. New. 136 pages. 12.00x9.75x1.00 inches.
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Delacroix and The Matter Of Finish
by Kahng, Eik
- Used
- Hardcover
- Condition
- Like New
- Binding
- Hardcover
- ISBN 10 / ISBN 13
- 9780300199444 / 0300199449
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Berkeley, California, United States
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A$57.05FREE shipping to USA
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Yale University Press, 2013. Hardcover. Like New. Factory sealed. Groundbreaking publication centers on a previously unknown variation of Eugene Delacroixâs (1798â1863) dramatic masterpiece The Last Words of the Emperor Marcus Aurelius. Covers his contemporaries, a fascinating account of Delacroixâs famously troubled collaboration with his studio assistants, his conflicted feelings about pedagogy, and his preoccupation with the fate of civilizations. Color plates. 168p.
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Stock Photo: Cover May Be Different
Delacroix and the Matter of Finish
by Kahng, Eik
- Used
- as new
- Hardcover
- Condition
- As New
- Binding
- Hardcover
- ISBN 10 / ISBN 13
- 9780300199444 / 0300199449
- Quantity Available
- 1
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Columbia, Pennsylvania, United States
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A$61.67A$13.86 shipping to USA
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Santa Barbara: Santa Barbara Museum of Art, 2013. Hardcover. As New. Dark, color-illus. boards with white lettering. 165 pp. with 45 color plates. Very nice, thick paper. Catalogue which accompanied the exhibitions of the same title in Santa Barbara, California and Birmingham, Alabama, between October 2013 and May 2014. A complex catalogue/exhibition with two purposes: first, the discovery and viewing of a major painting by Delacroix, an easel-size variation of The Last Words of Marcus Aurelius, of which Dr. Kahng was both authenticator and curator. Second, the matter of the finishing of Delacroix's paintings. Critics maintained that he was "incapable of bringing his canvases to a sufficient state of finish. His ideas, while often engaging and original, were therefore just that - ideas that he was technically incapable of realizing through the painter's usual illusionistic meanns...But how are we to to classify smaller-scale versions of known, monumental canvases? How are we to determine if they are…
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