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Song Yet Sung
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Song Yet Sung Hardcover - 2008

by James McBride

From the New York Times-bestselling author of The Color of Water comes a powerful page-turner about a runaway slave and a determined slave catcher.

Nowhere has the drama of American slavery played itself out with more tension than in the dripping swamps of Maryland's eastern shore, where abolitionists such as Frederick Douglass and Harriet Tubman, born less than thirty miles apart, faced off against nefarious slave traders in a catch-me-if-you-can game that fueled fear and brought economic hardship to both white and black families. Trapped in the middle were the watermen, a group of America's most original and colorful pioneers, poor oystermen who often found themselves caught between the needs of rich plantation owners and the roaring Chesapeake, which often claimed their lives.

The powerful web of relationships in a small Chesapeake Bay town collapses as two souls face off in a gripping page-turner. Liz Spocott, a young runaway who has odd dreams about the future of the colored race, mistakenly inspires a breakout from the prison attic of a notorious slave thief named Patty Cannon. As Cannon stokes revenge, Liz flees into the nefarious world of the underground railroad with its double meanings and unspoken clues to freedom known to the slaves of Dorchester County as "The Code." Denwood Long, a troubled slave catcher and eastern shore waterman, is coaxed out of retirement to break "The Code" and track down Liz.

Filled with rich history-much of the story is drawn from historical events-and told in McBride's signature lyrical storytelling style, Song Yet Sung brings into full view a world long misunderstood in American fiction: how slavery worked, and the haunting, moral choices that lived beneath the surface, pressing both whites and blacks to search for relief in a world where both seemed to lose their moral compass. This is a story of tragic triumph, violent decisions, and unexpected kindness.


Summary

Nowhere has the drama of American slavery played itself out with more tension than in the dripping swamps of Maryland's eastern shore, where abolitionists such as Frederick Douglass and Harriet Tubman, born less than thirty miles apart, faced off against nefarious slave traders in a catch-me-if-you-can game that fueled fear and brought economic hardship to both white and black families. Trapped in the middle were the watermen, a group of America's most original and colorful pioneers, poor oystermen who often found themselves caught between the needs of rich plantation owners and the roaring Chesapeake, which often claimed their lives.

The powerful web of relationships in a small Chesapeake Bay town collapses as two souls face off in a gripping page-turner. Liz Spocott, a young runaway who has odd dreams about the future of the colored race, mistakenly inspires a breakout from the prison attic of a notorious slave thief named Patty Cannon. As Cannon stokes revenge, Liz flees into the nefarious world of the underground railroad with its double meanings and unspoken clues to freedom known to the slaves of Dorchester County as "The Code." Denwood Long, a troubled slave catcher and eastern shore waterman, is coaxed out of retirement to break "The Code" and track down Liz.

Filled with rich history-much of the story is drawn from historical events-and told in McBride's signature lyrical storytelling style, Song Yet Sung brings into full view a world long misunderstood in American fiction: how slavery worked, and the haunting, moral choices that lived beneath the surface, pressing both whites and blacks to search for relief in a world where both seemed to lose their moral compass. This is a story of tragic triumph, violent decisions, and unexpected kindness.

From the publisher

Liz Spocott, a beautiful young runaway slave, suffers a nasty head wound just before being nabbed by a posse of slave catchers. She falls into a coma and when she awakes she can see the future in her dreams. Liz's visions help her and her fellow slaves escape, but soon there are new dangers on her trail.

Details

  • Title Song Yet Sung
  • Author James McBride
  • Binding Hardcover
  • Edition First Edition
  • Pages 359
  • Volumes 1
  • Language ENG
  • Publisher Riverhead Books, New York
  • Date 2008-02-05
  • ISBN 9781594489723 / 1594489726
  • Weight 1.3 lbs (0.59 kg)
  • Dimensions 9.29 x 6.48 x 1.2 in (23.60 x 16.46 x 3.05 cm)
  • Ages 18 to UP years
  • Grade levels 13 - UP
  • Library of Congress subjects Historical fiction, Fugitive slaves
  • Library of Congress Catalog Number 2007035969
  • Dewey Decimal Code FIC

Excerpt

the code

On a grey morning in March 1850, a colored slave named Liz Spocott dreamed of the future. And it was not pleasant.

She dreamed of Negroes driving horseless carriages on shiny rubber wheels with music booming throughout, and fat black children who smoked odd-smelling cigars and walked around with pistols in their pockets and murder in their eyes. She dreamed of Negro women appearing as flickering images in powerfully lit boxes that could be seen in sitting rooms far distant, and colored men dressed in garish costumes like children, playing odd sporting games and bragging like drunkards—every bit of pride, decency, and morality squeezed clean out of them.

Liz had this dream in captivity, just as the flickering light of her own life was disappearing, and when she awoke from it realized with a gasp that it was some kind of apparition and she had to find its true meaning in this world before she died. This brought her more grief than her condition at the time, which was not pleasant, in that she’d been lying for three weeks, badly wounded, imprisoned in an attic on Maryland’s eastern shore.

She had taken a musket ball to the head at Ewells Creek, just west of New Market. It was five a.m. when she was hit, running full stride on a brisk March morning behind three other slave women who had made a desperate dash for freedom after two days of keeping a hairsbreadth from two determined slave catchers who had chased them, ragged and exhausted, in a zigzag pattern through the foggy swamps and marshland that ran from Bishops Head Island up through Dorchester County. They were nearly caught twice, the last by inches, the four saved by a white farmer’s wife who warned them at the last minute that a party with horses, dogs, and rifles awaited them nearby. They had thanked the woman profusely and then, explicably, she demanded a dime. They could not produce one, and she screamed at them, the noise attracting the slave catchers, who charged the front of the house while the women leaped out the back windows and sprinted for Ewells Creek.

Liz never even heard the shot, just felt a rush of air around her face, then felt the cool waters of the creek surrounding her and working their way down her throat. She tried to rise, could not, and was hastily dragged to shallow water by the other women, who took one look at the blood gushing out near her temple and said, Good-bye, chile, you free now. They gently laid her head on the bank of the muddy creek and ran on, the sound of barking dogs and splashing feet echoing into the empty forest, the treetops of which she could just make out as the fog lifted its hand over the dripping swamp and the sun began its long journey over the Maryland sky.

Not two minutes later the first dog arrived.

He was a small white and brown mongrel who ran up howling, his tail stiff, and ran right past her, then glanced at her and skidded to a stop, as if he’d stumbled upon her by accident. If Liz weren’t shot and panicked, she would have remembered to laugh, but as it was, sitting in water up to her waist, she felt her face folding into the blank expression of nothingness she had spent the better part of her nineteen years shaping; that timeworn, empty Negro expression she had perfected over the years whereby everything, especially laughter, was halted and checked, double-checked for leaks, triple-checked for quality control, all haughtiness, arrogance, independence, sexuality excised, stamped out, and vanquished so that no human emption could emerge. A closed face is how you survive, her uncle Hewitt told her. The heart can heal, but a closed face is a shield, he’d said. But he’d died badly too. Besides, what was the point? She was caught.

The hound approached and she felt her lips curl into a smile, her face folding into submission and thought bitterly: This is how I’m gonna die—smiling and kowtowing to a dog.

The dog ruff-ruffed a couple of times, sniffed, and edged closer. She guessed he couldn’t be a Cuban hunting dog, the type the slave hunters favored. A Cuban hunting dog, she knee, would have already ripped her face off.

--C’mon boy, she said. C’mere. You hungry? You ain’t no hunting dog, is you?

She reached into her pocket and produced a piece of wet bread, her last. The dog edged forward. Sitting in water up to her hips, she propped herself up and gentle leaned towards him, her hand extended. She stroked him gently as he ate, then wrapped her fingers around his collar, ignoring the blinding pain in her face.

--You shy of water? she asked gently.

He sniffed for more bread as she calmly stroked him and tenderly pulled him into the water until he was up to his chest. She tasted warm fluid in her mouth, realized it was blood, and spat it out, edging him deeper in. A surge of dizziness came and passed. With great effort, she slowly slid backwards into deeper water, easing him in, the sound of the busy current filling her ears as it reached her neck.

The dog was eager to follow at first, wagging his tail. When the water reached his throat he began to pull back; however, it was too late. She had him now. Holding his collar, she desperately tried to yank his head into the water to drown him, but the dog resisted and she felt her strength suddenly vanish.

Over his shoulder, through the dim fog and low overhanging trees of the nearby bog, she could see the horses now, two of them, thundering through the swamp, the riders ducking through the low overhanging juniper and black gum trees, their coats flying outward, horses splashing forward. She heard a man shout.

The dog, hearing the shouting of his master, seemed to remember that he was a hunter of humans and attempted a clumsy, snarling lunge at her, teeth bared. With her last ounce of strength, she shoved his head into the water, drowning him, then pushed him away and let the current take him.

She clambered up the steep embankment on the other side and felt hooves slam into the muddy earth near her face. She looked over her shoulder and expected to see a white face twisted in fury. Instead she saw the calm, handsome face of a Negro boy no more than sixteen, a gorgeous, beautiful chocolate face of calm and resolve.

--Who are you? she asked, stunned.

The beautiful Negro boy smiled, showing a row of sparkling white teeth.

--I’m Little George, he said. He raised the barrel of his rifle high, and then lowered it towards her face. Merciful blackness followed.

About the author

James McBride is an accomplished musician and author of the National Book Award-winning "The Good Lord Bird," the #1 bestselling American classic "The Color of Water," and the bestsellers "Song Yet Sung" and "Miracle at St. Anna," which was turned into a film by Spike Lee. McBride is a Distinguished Writer in Residence at New York University.
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