And the Mirror Cracked

Palgrave, 2000. First Edition. Softcover. Very Good Condition/No Dust Jacket. First softcover edition. Size: Octavo (standard book size). 220 pages. Text body is clean, and free from previous owner annotation, underlining and highlighting. Binding is tight, covers and spine fully intact. No foxing in this copy. All edges clean, neat and free of foxing. Quantity… Read more about this item

Basingstoke: Macmillan, 1998. Hardcover with unclipped dust jacket. Light tanning to page edges and minor edgewear to jacket, no other faults. AD. Hardcover. Very Good. Used.

Palgrave Macmillan. Used - Good. Ships from UK in 48 hours or less (usually same day). Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. May contain underlining and/or highlighting. 100% money back guarantee. We are a world class secondhand bookstore based in Hertfordshire, United… Read more about this item

London, Un: Pan Macmillan, 2001. Hard Cover. Very Good/Very Good.

Paperback / softback. New. Tracing the highly productive ways in which feminist directors create alternative film forms, Anneke Smelik highlights cinematic issues which are central to feminist films: authorship, point of view, metaphor, montage and the excessive image. Among the films considered are A Question of Silence , Bagdad Cafe , Sweetie and The Virgin Machine .

Palgrave 2001. Softcover octavo (VG+); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book will reduce your overall postage cost

Macmillan, 1998,. hbk 219pp no dj as issued excellent as new.

hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book.

New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Tracing the highly productive ways in which feminist directors create alternative film forms, Anneke Smelik highlights cinematic issues which are central to feminist films: authorship, point of view, metaphor, montage and the excessive

hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book.