Between

Oxford and New York: Basil Blackwell in association with The Institute of Contemporary Arts - Basel Blackwell Inc, 1986. First edition. Softcover. Includes numerous black and white images interspersed with text by Burgin drawn from interviews, letters and lectures. A tight very good plus copy in wrappers with some fading to the spine end edges. Internally a clean copy.… Read more about this item

Blackwell, Oxford, 1986. First Edition. Softcover. Very Good Condition. Size: 4to <12". 190 pp. Binding firm, spine cocked, creased and discoloured. Previous owner's inscription in ink. Edges slightly foxed and marked. Covers slightly marked and creased. Profusely illustrated. Quantity Available: 1. Shipped Weight: 1-2 kilos. Category: Art & Design; Sociology & Culture. ISBN: 0631152350.… Read more about this item

Oxford: Basil Blackwell /Institute of Contemporary Arts, 1986.. Victor Burgin is known equally for his theoretical writings as for his work as an artist...Interweaving his visual work with fragments from interviews, talks and letters, (the book) offers insight into the relation of 'theory' to 'practice' in a form of art which has undermined the very basis of this distinction."… Read more about this item

[Oxford & New York]: Basil Blackwell in association with Institute of Contemporary Arts, [1986]., 1986. 4to. pp. 188. numerous b/w. illus. (some full-page). wrs. (sunned at edges). First Edition.. 1st Edition.

Paperback. Good.

Blackwell Pub, 1986. Paperback. Good. 10x8x0. Paperback. Pages are clean and unmarked. Covers show light edge wear. Cover may be different than pictured.; 100% Satisfaction Guaranteed! Ships same or next business day!

paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book.

like new oversize pb, expedited shipping not available--BURGIN

Wiley & Sons, Incorporated, John. Used - Good. Used book that is in clean, average condition without any missing pages.

Paperback / softback. New. First published in 1986 and long out of print, Between charts Burgin's passage from early conceptual art, via appropriationist works and critiques of mass media imagery to a series of photo-texts informed by psychoanalysis, semiotics, cinema studies and feminism.