[An album of views on the River Thames, England]
by FARINGTON, Joseph (1747-1821), William WESTALL (1781-1850), Samuel OWEN (1768-1857) and others
- Used
- Condition
- See description
- Seller
-
New York, New York, United States
Payment Methods Accepted
About This Item
1837. Folio. (23 1/8 x 18 3/4 inches). 92 leaves, window-mounted with 344 prints after Farington, Westall, Owen and others, and 2 original watercolours, all of views on or near the Thames, one plate folding, 28 hand-coloured. (Most plates cut close to the image, some with loss of imprint). Expertly bound to style in light brown half calf over original red textured cloth-covered boards, spine in six compartments with wide raised bands, the bands tooled in gilt with fillets and zig-zag roll tools, titled in gilt 'Views / of the / Thames' in the second compartment, the others with repeat decoration of a large centrally-placed flower spray tool, marbled endpapers, gilt edges
Provenance: James Frothingham Hunnewell (1832-1910, Charleston, Suffolk County, Mass., bookplate dated 1902)
A very fine series of views mounted and bound geographically: the first leaf has views of Thames Head, the final leaf of the Thames estuary.
Following the tradition established by the Boydell's with their History of the River Thames the present album allows the viewer to follow the course of the river Thames through the countryside of Gloucestershire, Oxfordshire, Berkshire, and Surrey before entering London, and then through and out the other side with Essex on one bank and Kent on the other. The prints include aquatints (hand-coloured, printed in two tints, printed in one tint and uncoloured), lithographs, copper-engravings (hand-coloured and uncoloured) and steel engravings. There are images from two main works: J. & J. Boydell's History of the River Thames (London: 1794-1796) with 28 from a total of 76 aquatints after Joseph Farington (with 5 printed in bistre, 1 printed in two tints and 22 hand-coloured) [see Abbey Scenery 432]. There is also a complete suite of uncoloured plates from William Westall's Thirty-Five Views on the Thames (London: 1824) [see Abbey Scenery 434 (a hand-coloured issue)]. Also included are at least 81 uncoloured engravings by William or George Cooke after sketches by Samuel Owen. Neither of the watercolours are signed, but one is of Randall's Mill at Nine Elms and is inscribed 'Nine Elms / Battersea Surrey' in pencil on the verso with a penciled annotation to the mount. The second is inscribed in pencil 'Scene from the Inn at Purflett [sic.] Sept 18/[18]25'. Randall's Mill was a favourite subject for artists in the 1820s, but the present example is reminiscent of the work of John Varley (1778-1842). He is known to have produced at least one other view of the same subject (see Brighton & Hove Museums catalogue: John Varley 'Randall's Mill, Nine Elms, looking towards Vauxhall Bridge' signed and dated 1830, watercolour, 8 3/16 x 12 inches, accession number: 100018), and the penciled annotation beneath the watercolour could be in Varley's hand. If this is the case then he is a possible compiler as a number of the other images are inscribed in pencil by the same hand. The album was subsequently in the library of the well-known Boston book-collector James F. Hunnewell. The author of a number of antiquarian and historical works, he also had a catalogue of his library privately printed in an edition of fifty copies: A Catalogue of Books belonging to James F. Hunnewell of Charlestown, Mass. (Cambridge, Mass: 1873).
Abbey Scenery 432 (Boydell), 433 (Havell); Tooley 102 (Boydell), 255 (Havell, 1812 ed.).
Provenance: James Frothingham Hunnewell (1832-1910, Charleston, Suffolk County, Mass., bookplate dated 1902)
A very fine series of views mounted and bound geographically: the first leaf has views of Thames Head, the final leaf of the Thames estuary.
Following the tradition established by the Boydell's with their History of the River Thames the present album allows the viewer to follow the course of the river Thames through the countryside of Gloucestershire, Oxfordshire, Berkshire, and Surrey before entering London, and then through and out the other side with Essex on one bank and Kent on the other. The prints include aquatints (hand-coloured, printed in two tints, printed in one tint and uncoloured), lithographs, copper-engravings (hand-coloured and uncoloured) and steel engravings. There are images from two main works: J. & J. Boydell's History of the River Thames (London: 1794-1796) with 28 from a total of 76 aquatints after Joseph Farington (with 5 printed in bistre, 1 printed in two tints and 22 hand-coloured) [see Abbey Scenery 432]. There is also a complete suite of uncoloured plates from William Westall's Thirty-Five Views on the Thames (London: 1824) [see Abbey Scenery 434 (a hand-coloured issue)]. Also included are at least 81 uncoloured engravings by William or George Cooke after sketches by Samuel Owen. Neither of the watercolours are signed, but one is of Randall's Mill at Nine Elms and is inscribed 'Nine Elms / Battersea Surrey' in pencil on the verso with a penciled annotation to the mount. The second is inscribed in pencil 'Scene from the Inn at Purflett [sic.] Sept 18/[18]25'. Randall's Mill was a favourite subject for artists in the 1820s, but the present example is reminiscent of the work of John Varley (1778-1842). He is known to have produced at least one other view of the same subject (see Brighton & Hove Museums catalogue: John Varley 'Randall's Mill, Nine Elms, looking towards Vauxhall Bridge' signed and dated 1830, watercolour, 8 3/16 x 12 inches, accession number: 100018), and the penciled annotation beneath the watercolour could be in Varley's hand. If this is the case then he is a possible compiler as a number of the other images are inscribed in pencil by the same hand. The album was subsequently in the library of the well-known Boston book-collector James F. Hunnewell. The author of a number of antiquarian and historical works, he also had a catalogue of his library privately printed in an edition of fifty copies: A Catalogue of Books belonging to James F. Hunnewell of Charlestown, Mass. (Cambridge, Mass: 1873).
Abbey Scenery 432 (Boydell), 433 (Havell); Tooley 102 (Boydell), 255 (Havell, 1812 ed.).
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Details
- Bookseller
- Donald Heald Rare Books (US)
- Bookseller's Inventory #
- 18868
- Title
- [An album of views on the River Thames, England]
- Author
- FARINGTON, Joseph (1747-1821), William WESTALL (1781-1850), Samuel OWEN (1768-1857) and others
- Format/Binding
- Folio
- Book Condition
- Used
- Quantity Available
- 1
- Date Published
- 1837
Terms of Sale
Donald Heald Rare Books
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About the Seller
Donald Heald Rare Books
Biblio member since 2006
New York, New York
About Donald Heald Rare Books
Donald Heald Rare Books, Prints, and Maps offers the finest examples of antiquarian books and prints in the areas of botany, ornithology, natural history, Americana and Canadiana, Native American, voyage and travel, maps and atlases, photography, and more. We are open by appointment only.
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- Plate
- Full page illustration or photograph. Plates are printed separately from the text of the book, and bound in at production. I.e.,...
- Gilt
- The decorative application of gold or gold coloring to a portion of a book on the spine, edges of the text block, or an inlay in...
- Leaves
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- Calf
- Calf or calf hide is a common form of leather binding. Calf binding is naturally a light brown but there are ways to treat the...
- Bookplate
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- Folio
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- Fine
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- Spine
- The outer portion of a book which covers the actual binding. The spine usually faces outward when a book is placed on a shelf....
- Raised Band(s)
- Raised bands refer to the ridges that protrude slightly from the spine on leather bound books. The bands are created in the...
- Inscribed
- When a book is described as being inscribed, it indicates that a short note written by the author or a previous owner has been...
- Verso
- The page bound on the left side of a book, opposite to the recto page.