The Animation Book: A Complete Guide to Animated Filmmaking--From Flip-Books to Sound Cartoons to 3- D Animation Trade paperback - 1998

"After 'Why is the sky blue?' one of the most important questions we ask is 'What is a cartoon?'. This is the definitive book that tells all about the process closest to our hearts--animation."
--Albie Hecht, President, Film and TV Entertainment, Nickelodeon

"This book is great! If ever there was the ultimate textbook for animation, this is it. The Animation Book is the perfect starter kit for anyone interested in entering the animation business or learning about the art of animation."
--Terry Thoren, CEO/President, Klasky Csupo Inc.

"I love the new edition of Kit Laybourne's The Animation Book. As with the first edition, he manages to give a world-eye view on the art and craft of my favorite medium with extra emphasis on personal styles and techniques, while including studio styles and techniques. I'm especially impressed that computer animation has been folded into the blend without overwhelming the mix."
--Henry Selick, Director of The Nightmare Before Christmas and James and the Giant Peach

"A very essential book for any animator. I wish I'd read this book before I started out in animation."
--Bill Plympton

"I read one chapter on stop-motion animation and then went and made a little film with my seven-year-old son. When he finally saw the thing moving and come to life, he giggled for solid half hour. I love this book."
--Peter Hastings, Writer/Producer of Animaniacs and Pinky and the Brain and Creator of Disney's One Saturday Morning

"The Animation Book is a classic. If you can afford to buy only one book on animation, this is the one to buy--it has it all."
--Gunnar Willie, Head of the Animation Department, The National Film School of Denmark

Kit Laybourne is a highly successful independent producer who has worked on such television series such as MTV's Emmy-winning animation series "Liquid Television" and Nickelodeon's "Eureeka's Castle" and "Gullah Gullah Island." During 1995-96 academic year, he taught the Advanced Animation Seminar at NYU's Tisch School of the Arts. His full-time gig is Chief Creative Director at Oxygen, a new media company developing interactive content for the convergence of TV and computers. He is also Executive Producer of "Hank the Cowdog'" an animated feature film and TV series being developed by Nickelodeon.