Art for All?: The Collision of Modern Art and the Public in Late-Nineteenth-Century Germany by Beth Irwin Lewis - 2003-06-16

Ewing, New Jersey, U.S.A.: Princeton Univ Pr, 2003. Soft cover. New. Large Softcover, NEW, no marks or blemishes

Princeton University Press. Used - Good. Ships from UK in 48 hours or less (usually same day). Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. 100% money back guarantee. We are a world class secondhand bookstore based in Hertfordshire, United Kingdom and specialize in high quality textbooks across an enormous variety of subjects. We aim to provide a vast range of textbooks, rare and collectible books at a great price. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. We provide a 100% money back guarantee and are dedicated to providing our customers with the highest standards of service in the bookselling industry.

Princeton, NJ: Princeton Univ Press, 2003. Stiff Wraps. Near Fine. 447pgs, ill, beautiful copy, heavy volume, may require extra shipping

Jul 06, 2003. New. Paperback, new book still sealed in plastic, excellent condition! Paperback, new book still sealed in plastic!

Princeton, NJ, U.S.A: Princeton University Press, 2003. Trade Paperback. Near Fine. 8 " x 10. Signed by Author. This is the first systematic, comprehensive study of the German art world in the last decades of the 19th century, based on reading in contemporary periodicals; it focuses on how critics and the public responded to new forms of painting that emerged in the 1880s, when the explosive growth of art exhibitions supported by local governments across a recently unified Germany was accompanied by greatly expanded attendance of a new mass public; it examines the social, cultural, and economic factors that led to the rapid acceptance and dominance of the new modern art in the 1890s; the success of modern art fragmented the art world as modern artists turned away from an often unreceptive public, leading to a growing alienation of the public from modern artists, and an increasing contempt for the public on the part of artists; includes a section of color plates and many illustrations from… Read More

Princeton University Press, 2003-07-06. Paperback. New. New. In shrink wrap. Looks like an interesting title!

Princeton University Press, 2003. First Edition. Hardcover. Very good+/Very good+. Bright, clean VG+ copy, jacket and book free of all marks. Jacket in protective mylar. Book/jacket with some small bumps and scrapes on the bottom edge. Scarce in hardcover