The Art of Margot Fonteyn by Keith Money (photographer) - 1965

London: Michael Joseph, 1965. Hardcover. Very good condition with text clean & binding tight / rubbed and lightly soiled dust jacket. Size: 8.75"x11.25", profusely illustrated with the b/w photographs of Keith Money.

Dance Books Ltd, 1975. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. Dust jacket in fair condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1350grams, ISBN:0903102226

New York: Reynal & Company, 1965. PHotographed by Keith Money; with a commentary by Ninette de Valois, et al. [272]p., many b/w illus., quarto format, slightly chipped dj, bit of minor damp-rippling on the lower margin of the first dozen pages.

Michael Joseph, 1965. Hardcover. Good/Good. 1965. First Edition. Unpaginated. Signed by the author. Illustrated dust jacket over brown cloth boards. Gilt lettering. Contains black and white illustrations. Clean pages and illustrations with light tanning and mild foxing throughout. Binding remains firm. Boards have mild edge-wear with slight rubbing to surfaces and bumping to corners. Gilt lettering is bright and clear. Minor wear marks to boards. Unclipped jacket. Panels and spine have light edgewear with tears and creases. Visible wear marks to spine and panels.

(London): Harvill, 1994. Hardcover. Good/Good. First British edition. Folio. Remainder mark, light dampstain on bottom corners of pages and boards, good only in a good only dustwrapper with corresponding dampstain.

London: Michael Joseph, 1963. Very Good/Good-. Dame Margaret Evelyn (1919 â€" 1991) was an English ballerina She spent her entire career as a dancer with the Royal Ballet, eventually being appointed prima ballerina assoluta of the company by Queen Elizabeth II Beginning ballet lessons at the age of four, she studied in England and China, where her father was transferred for his work Her training in Shanghai was with Russian expatriate dancer Georgy Goncharov, contributing to her continuing interest in Russian ballet She succeeded Alicia Markova as prima ballerina of the company in 1935 In 1961, when she was considering retirement, Rudolf Nureyev defected from the Kirov Ballet while dancing in Paris Fonteyn, though reluctant to partner with him because of their 19-year age difference, danced with him in his début with the Royal Ballet in Giselle The duo immediately became an international sensation, each dancer pushing the other to their best performances This copy is in gray buckram with gilt… Read More

Good. [SIGNED 1st Edition] London: Clarke & Sherwell, 1965. Hardback, no dust jacket. Unpaginated (circa 130 pages) with over 100 b/w photographs of Margot Fonteyn by Keith Money, taken over a two year period. SIGNED by Fonteyn. Includes commentary by Money and Fonteyn; Overall good condition with short pastedown tear, slight soiling, etc. No underlining, NOT EX-LIBRARY. (B)

unpaginated. Black and white photographs of Fonteyn with commentary contributed by Ninette de Valois, Frederick Ashton, Keith Money and Margot Fonteyn. price-clipped dj with very light scratch to coating on front to right of "The Art of" in title, impression of paper clip on top of back end paper. Boldly signed by Margot Fonteyn on half-title page. Photographs of Fonteyn included eighteen different ballets over a period of almost two years, action photos of performance or rehearsal. Printed in Great Britain on thick uncoated stock.