Banks Dictionary of Black Ghetto Language - SIGNED by Carl J. Banks, Jr - 1975

London: Printed for Iohn Grismand, 1621. First Edition. Hardcover. [26], 317 (but actually 315), [11], 182, 185-264, [12]pp. Recent chocolate brown half calf over marbled boards, blind tooling on the sides, spine with five raised bands, gold lettering and decorations. Engraved title in compartments representing the history of creation by Simon van de Passe, head-pieces, initials and tail-pieces, text enclosed in borders. Index and errata for the first and second week at end. The English translation of Simon Goulart's Commentaires et annotations sur la semaine de la création du monde de G. de Saluste, sieur du Bartas. Title page edges and fore edges of eleven leaves skillfully repaired. Sporadic foxing, an occasional spot and minor soiling, previous owner's name in ink on title. A very good copy. ; Folio.

London: Printed for Thomas Wilcox, 1757. First Edition. Boards. Good. 4to. Nineteenth-century half-calf over marbled boards. xii, 255pp. Front board detached along with first two endpapers. Endpapers not original, added later. Some unobtrusive foxing throughout. Lacks the folding frontispiece. Interior is excellent and otherwise complete. This is a rare first edition of the "first and classic history of New York" (Streeter). A foundational text for any collection of books about New York or American colonial history, based on the official records of the administration of New York and on the earlier works of Colden and Charlevoix. The first edition covers history to the year 1732, though later reprints extended this coverage further. Smith was a British loyalist during the Revolutionary War who fled New York for Quebec City, where he became chief justice for all of Lower Canada throughout the late 18th century. Says Larned: "Within the period subsequent to the English Revolution, Smith is still… Read More

Paris: J. Hetzel, 1866. First Edition. Cloth. Very good. In French. Large 8vo. Publisher's cloth with extensive gilt-tooled decorations on spine and cover. All edges gilt. 259 illustrations by Riou and de Montaut (though title page states 150 Riou illustrations). 467 pp. Minor scuffing to edges and sunning to spine. Corners bumped. Tears to cloth covering spine edges in the following places: 1.5" closed tear top right header, 2 closed 1/8" tears along right, 1/2" tear right footer, 2" tear left footer. Some small chips at spine footer and 1/8" strip lost from spine header. Some spots of discoloration to rear cover. Hinges are overopened but binding is quite sound. Minor foxing throughout, mostly marginal. Tight and clean. First double-volume edition, following only the magazine serials and the two-volume first printing, preceding all English editions. A beautiful copy of Verne's second novel in very good condition.

Bruxelles: Librairie historique-artistique, 1843. First edition. 4 large in-8 volumes, (270 mm x 170 mm). Midnight blue half-sheepskin binding, embossed percaline covers, spines have gilt titles and decoration. Illustrated with hand coloured / hand finished engraved plates. These were created by the leading illustrators of the time, including Duverger, L. Markaert, R. King. The bindings are in very good condition, with a little rubbing to the edges only. Inside, the text and plates have light foxing throughout, but are overall in very good condition. Each copy online offers a different number of plates for each of the four volumes - but our copy seems to match the maximum collation for each variation (so seems complete.) The index is of limited use, as it only lists a proportion of the plates. In addition to the four title vignettes, we have: Europe (1844). 364 pages, 49 plates; Asie (1845). 592 pages, 82 plates; L'Afrique et l'Amérique (1844), 368 pages, 43 plates; l'Océanie (1845) 368 pages… Read More

Homeri Opera graece et latine. Graeca ad principem H. Stephani, ut & ad primam omnium Demetrii Chalcocondylae editionem... Curante Jo. Henr. Lederlino, Stephano Berglero. 619 pp + Index in Iliadem + one engraving and one engraved map (Ab. Ortelii) h.t.. 14,7x8 cm. Ex Officina Wetsteniana, Amstelaedami, 1707.
--- The Iliad of Homer (complete). Leather binding (pigskin), very tight. Name written on frontispiece. No foxing. Text in ancient greek and latin. Introduction and Index in latin.

London: Faber and Faber, 1980. First editions, first prnts. Each volume is signed by Golding on the title page. CLOSE published in 1987 (ISBN:0571147798) and FIRE in 1989 (ISBN:0571152031). A digital photo of Golding with a UK bookseller at a 1992 booksigning event is laid-in RITES. RITES has two small indentations on the front pastedown upper corner with two corresponding impressions on the dustjacket flap and a small rubbed spot on the topedge which has caused a tiny nick on the topedge of a few text pages; the book is in Near Fine condition in a Near Fine dustjacket with an archival cover. CLOSE AND FIRE are both in Fine condition in a Fine dustajcket with an archival cover. RITES was the Booker winner in 1980. The three volumes comprise Golding's Sea Trilogy in its original publications.. Signed by Author. First Edition. Hardcovers. 8vo - over 7¾" - 9¾" tall.

Paris: Ex museo Raphaelis Tricheti du Fresne, 1659. Hardcover. Hardcover/No Jacket. 8vo (impeial). Halfbound contemporary calf over marbled boards. A collection of [44] engravings by Antonio Tempesta [1555-1630] plus engraved title page, taken from the French Edition of Antonio Gallonio's work about the Tortures and Torments of the Christian Martyrs. Illustrations show images depicting human torture, devices, and various tools used throughout history. Early bookseller label of Henry March Gilbert [1845-1931] on upper left corner of front pastedown endpaper. Rubbing to corners and spine. Light staining to leaves and endpapers. Otherwise in very good condition. Atonio Gallonio [1556-1605] was a Roman priest in the Congregation of the Oratory. Interested in the Martyrs, Gallonio studied the various methods of torture they endured, resulting in a book on the subject, originally published in Italy in 1591. Later, he translated his work into Latin in 1594. These engravings are taken from the French… Read More

Doubleday, 1977. Hardcover. Near Fine/Near Fine. 6x1x9. Signed. SIGNED BY STEPHEN KING & PROFESSIONALLY AUTHENTICATED BY PSA/DNA. Includes their ironclad certificate of authenticity. Also nicely inscribed and dated as shown. Lovely near-fine condition: the book appears unread and there's only mild blemishes on the boards and dust jacket. Extremely scarce with authenticated signature. Expedited and international shipping are welcome; signed by author.

IV, 152 pages, woodcut text-illustrations, one table, 16 plates with 50 numbered illustrations. Publisher's blue cloth, gilt stamped title to spine and front cover with gilt stamped hexagonal turning pattern. 4to (260 x 200 mm). Covers lightly soiled. First edition. "The whole of the patterns illustrating this work, were turned by the author, some on box-wood, and others on metal; and every pattern bound up with this copy, has been printed with his own hands, by means of one of Mr. Cowper's parlour printing presses" (foreword page 2). Some leaves with small waterstain in upper blank margin. Four leaves heavily browned.

London: W. Bowyer, for Mernard Lintot, 1717. Book. Very Good-. Full-Leather. First Edition. 4to - over 9¾ - 12" tall. Polished calf-leather hardcover (a later binding) with gilt lettering to spine; modest gilt decorations; four raised bands; outer edges of text block are marbled; brown mottled endpapers; red cloth inner hinges; foldout engraved frontispiece portrait of Pope (engraved by George Vertue); a few red letters on title page; 1717 on title page; reverse side of title page is blank; engraved headpieces and initial letters. Half-title; blank; frontispiece; title page; blank; 10-page preface; 15 pages of poetic admirations of Pope by various authors; blank; 2-page table of contents; then beginning with Pastorals: pages 1-435. Very good minus condition: wear/rubbing to edges of binding and outer joints with a little leather missing at corners; light scratches on boards; joints beginning to tear at top of spine, about 2" on the back and 1/2" on the front; marbling is… Read More