The Birth of the Museum: History, Theory, Politics (Culture: Policy and Politics) by Bennett, Tony

Routledge, 1995. Paperback. Good. Disclaimer:A copy that has been read, but remains in clean condition. All pages are intact, and the cover is intact. The spine may show signs of wear. Pages can include limited notes and highlighting, and the copy can include previous owner inscriptions. At ThriftBooks, our motto is: Read More, Spend Less.Dust jacket quality is not guaranteed.

Routledge, 1995-05-04. 1. paperback. Used: Good.

Acceptable. IMP: Acceptable- Do not include ACCESS CODE, CD-ROM or companion materials even if stated in item title. It may contain highlighting/markings throughout, and the covers and corners may show shelf wear. Corners, pages may be dent. All text is legible.

Routledge, 1995. Soft cover. Very Good. 6x0x9. Red ink underlining to the text.

Good. IMP: Used Good- Used items do not include CD-ROM, ACCESS CODE or companion materials, regardless of what is stated in item title. We ship from multiple locations. Prompt customer service.

Routledge, 1995. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Book contains pen & pencil markings. In poor condition, suitable as a reading copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,700grams, ISBN:9780415053884

paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book.

London: Routledge, 2009. Card coves in tidy condition, some creased page corners, 278pp. Paperback. Good. 8vo - over 7¾" - 9¾" tall.

Paperback / softback. New. In a series of richly detailed studies from Britain, Australia and North America, Bennett investigates how 19th and 20th century museums, fairs and exhibitions have organised their collections and their visitors.

Paperback / softback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; In a series of richly detailed case studies from Britian, Australia and North America, Tony Bennett investigates how nineteenth- and twentieth-century museums, fairs and exhibitions have organized their collections, and their visitors.