Colonial Noir: Photographs from Mexico by Reid Samuel Yalom - 2004-02-03

Stanford General Books, 2004. Hardcover. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.

Stanford, California: Stanford General Books, 2004. First Edition. Hardcover. Fine/Fine. Quarto. Original gray cloth binding, with silver titles. A fine copy in a fine dust jacket.

Stanford General Books, 2004. Hardcover. Fine/Very good. Label taped onto spine of dust jacket.

Stanford General Books, 2004. Hardcover. As new, still in publisher's shrinkwrap. 120pp.

Chicago, Illinois, U.S.A.: Stanford Univ Pr, 2004. Book. Illus. by Author. New. Hardcover. 1st Edition. 1st. ed. 2004 , Hardcover with gray cloth in a dust jacket , 85 page book.With black and white photographic art by Yalom. Condition : New. Size: 4to - over 9¾" - 12" tall.

Stanford, CA: Stanford General Books, 2004. Hardcover. VG+/VG+. Charcoal boards with silver spine lettering; bw illustrated dust jacket; xxix, 85 pp, profusely illustrated throughout in bw. "The black-and-white photographs in this volume recast our sense of Mexico's colonial architecture by bringing together the unsettling tenor of Mexico's colonial legacies with the ambiguous landscape of film noir imagery. Set against the backdrop of Baroque and Neoclassical architecture, Colonial Noir's images draw on the aesthetics of Surrealism and Modernism to create the existential tone with which the collection confronts the problematic relationship between Mexico's celebrated cultural plurality and its colonial history." "Composed over a period of six years, this body of work bears the subtle influence of Mexican works by Edward Weston, Paul Strand, and Manuel Bravo, as well as the nighttime photographs of Brassai. Santhosh Daniel's introduction places Yalom's work in the context of the history of… Read More

Hardback. New. Using the expansive vernacular of black and white night photography to modify the antiquarian sensibility ordinarily brought to the study of Mexico's colonial architectures, this title brings together the unsettling tenor of Mexico's colonial legacies with the ambiguous landscape of film noir imagery.

Hardback. New. Using the expansive vernacular of black and white night photography to modify the antiquarian sensibility ordinarily brought to the study of Mexico's colonial architectures, this title brings together the unsettling tenor of Mexico's colonial legacies with the ambiguous landscape of film noir imagery.

hardcover. Good. Access codes and supplements are not guaranteed with used items.

Stanford General Books, 2004-02-03. Hardcover. New. New. In shrink wrap. Looks like an interesting title!