Contemporary African Art (World of Art) by Sidney Littlefield Kasfir - 2000-02

Thames & Hudson. Used - Very Good. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.

Thames & Hudson. Used - Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Thames & Hudson, 2000. Paperback. Acceptable. Disclaimer:A readable copy. All pages are intact, and the cover is intact. Pages can include considerable notes-in pen or highlighter-but the notes cannot obscure the text. An ex-library book and may have standard library stamps and/or stickers. At ThriftBooks, our motto is: Read More, Spend Less.Dust jacket quality is not guaranteed.

Thames & Hudson, 2000. Paperback. Acceptable. Disclaimer:A readable copy. All pages are intact, and the cover is intact. Pages can include considerable notes-in pen or highlighter-but the notes cannot obscure the text. At ThriftBooks, our motto is: Read More, Spend Less.Dust jacket quality is not guaranteed.

Thames & Hudson. Used - Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain a few markings such as an owner’s name, short gifter’s inscription or light stamp.

Paperback. Good.

Paperback. Very Good.

Thames & Hudson, 2008. Trade Paperback. Very Good. No markings or inscriptions. Text clean and bright. Binding tight and square. Spine uncreased. Crease to top right corner of front cover.

Thames & Hudson. Used - Very Good.

(London: Thames & Hudson, 1999) 0500203288. 210 x 150 mm; laminated pictorial wrappers; pp. 224, incl. index; profusely illustrated. Very good condition. "This pioneering history examines the major themes and accomplishments in African art from the past fifty years, achieving an impressive balance between the critical reexamination of frequently discussed artists, groups and workshops and the introduction of less publicized or more recent material. Postcolonial art in Africa has built seamlessly upon already existing structures in which the older, precolonial and colonial genres of African art were made. It is in this sense, and in the habits and attitudes of artists towards making art, rather than in any adherence to a particular style, medium, technique, or thematic range, that the art is recognizably 'African'. Beginning in the early 1950s, the transformations in patronage, training and literacy brought about the birth of new genres which have been propelled onto a world stage." .