DOUZE QUATRAINS by BRAGENELL, PIERRE - 1923

London. The Shakespeare Press, by W. Nichol, for John Major, Fleet-Street. 1828. Lavishly bound in full scarlet tri-gilt ruled straight grain morocco. Gilt-ruled spine compartments with ornate gilt-tooled fleural motifs. Gilt-ruled raised bands. Gilt titles. Exceptionally ornate gilt-tooled Inner Dentelles. Marbled endsheets. t.e.g. 4to. 6.5" x 10.0". Illustrated throughout with full page Copper Plate Engravings. The most authoritative work on early English painting, here presented in a most breathtaking binding. Very Fine flawless set.

Berlin. Frensel Und Engelbrecher. 1931-1934. Bound in pictorial wrappers. 4to. 9.25" x 12.25 Profusely illustrated throughout by chromolithographs, colour and monochrome plates - many tipped-in, illustrations en texte, drawings,die cuts, etc. reproducing period advertising from a myriad of international sources. " Gebrauchsgraphik, Monatschrift zur Förderung künst-lerischer Reklame (Commercial Graphics, Monthly Magazine for Promoting Art in Advertising), which was published in Berlin from 1924 until 1944, was the leading voice of the Avant-Garde influence on the European Commercial Art and Advertising industries before World War II. In the thirties, all roads led through Berlin, and Gebrauchsgraphik spotlighted all of the aesthetic trends fermenting in Europe -- Art Deco and Surrealism from Paris, Constructivism from Moscow, Futurist Fascism from Rome, De Stijl and Dutch typography from Amsterdam, and of course the spreading influence of the Dessau Bauhaus. A journal that was… Read More

Vinegia: Vincenzo Vaugris. [Architettura-Prima edizione] (cm.16,5) ottima piena pergamena sec. XVIII. Titolo calligrafato al dorso.-- cc. 12 nn., (di cui l' ultima bianca), cc. 248, c. 1 con la marca tipografica. La dedica del traduttore Pietro Lauro Modenese è a Bonifacio Bevilacqua. prima edizione in qualsiasi lingua moderna e prima traduzione italiana di questo capolavoro dell' architettura rinascimentale. L' Editio Princeps del " De Re Aedificatoria " apparve nel 1485 a Firenze e ripropone in dieci libri la struttura del testo di Vitruvio. I primi tre libri riguardano il progetto e l' esecuzione; nel 4° e 5° si esaminano le grandi opere come città, ponti ecc. Nell' 8° e 9° si gtratta dell' apparato ornamentale, nel 10° si tratta di restauro e idraulica. Opera fondamentale non solo per l' architettura ma anche per il pensiero rinascimentale nel suo insieme. Qualche lieve traccia di polvere alla prima e ultima carta, altrimenti… Read More

Benois, Alexandre 1870-1960. Watercolour and pencil on laid paper with partial watermark "MBM." 320 x 240 mm. Signed by the artist with initials and dated 1932 in pencil at lower left. With pencilled notes in Benois's hand. Very slightly soiled; 35 mm. tear to blank right margin repaired; remnants of mounting paper to upper corners of verso. Possibly a preparatory drawing for the Tsaritsa's costume. Rimsky-Korsakov's last opera, Coq d'Or (The Golden Cockerel) was first performed in Moscow at the Solodovnikov Theatre (Sergey Ivanovich Zimin's private opera company), on September 24/October 7, 1909. It is in a prologue, three acts, and an epilogue by Nikolay Andreyevich Rimsky-Korsakov to a libretto by Vladimir Nikolayevich Bel'sky after the eponymous imitation folk tale in verse by Alexander Sergeyevich Pushkin, based in turn on 'The House of the Weathercock' and 'Legend of the Arabian Astrologer' from The Alhambra by Washington Irving. "The Golden Cockerel is the only one of Rimsky- Korsakov's 15… Read More

Sydney: Art in Australia, 1920. A beautiful copy of Lindsay's famous work covering the meaning of life and art, drawing on philosophical concepts. Signed on front endpaper by Lindsay with a full page original etching tipped in "All who would examine the problem of Life must first remove from it the problem of Existence. It is the confusion between these two things that has confused all human morality. By Existence one comprehends the body, and all that serves to supply its needs, to keep its machinery active. By Life one understands all that goes beyond the body, the impulse that we vaguely call the mind, the soul, the intellectual process. The body is the poor relation of the mind, the servant, the vehicle. In serving its needs, one supplies movement; in servings its senses, one supplies material for the intellectual process. Between these functions, high and low, one must seek a direction for Man's destiny. To find that direction is to find the High Morality. In short, to find the direction of… Read More

Berlin : Gurlitt Verlag, 1922. Very Good. Studies and sketches of Paul Scheurich. Kit containing lithographs (matted). VERY RARE LIMITED EDITION numbered roman numeral III (three).approximately 14 1 / 4 x 11 3 / 4 in. Scheurich, draftsman, painter and sculptor, studied at the Academy in Berlin, from 1912. Very Good condition.

Geneva: [Edwin Engelberts], 1958. First Edition, Limited to 106 numbered copies signed by Braque and Char - this one of 40 on Arches with original colour lithograph (‘Le Poète’) by Braque on the wrappers. The first six copies, also with a lithographed cover, were entirely printed on Japon nacré. The remaining 60 copies were unillustrated. A further 115 copies of the lithograph were separately issued. “Perhaps more than any other contemporary painter, Braque has been the subject of handsomely printed tributes to his art.” (The Artist and the Book) Char was a close friend and collaborator of Braque. He wrote more on Braque than any other painter, and Braque illustrated more works by Char than any other artist. All five of Char’s poems in hommage to Braque are printed here for the first time. The Artist & The Book 40. Mourlot 60. Vallier 131. oblong 8vo. [ff. 8]. lithographed wrs. printed in colour on Japon nacré (some wear to extremities, neat repair to head of spine)

New York: The Limited Editions Club LEC, 1988. Book. Illus. by Willem de Kooning. Fine. Hardcover. Signed by Author(s). 1st Edition. Bound in black Nigerian goatskin. Covers stamped in 22 karat gold leaf. The book is set in a black fabric covered and lined clamshell case with gilt-lettered leather spine label. This is copy 57 of a limited edition of 550 copies with Willem de Kooning's facsimile, authorized signature taken from the handsigned Bon a Tirer proof. Contains 17 original lithographs by Willem de Kooning. The lithographs were originally created in 1967 as charcoal drawings on mylar sheets, to illustrate O'Hara's 'Ode to Willem de Kooning'. Only three of De Kooning's drawings were used in the MOMA publication. In this LEC publication the complete original suite of 17 drawings were printed for the first time to illustrate the Club's edition of the O'Hara poems. They are accompanied by thirteen poems by O'Hara. The text was set in English Monotype Bodoni at… Read More

Kodansha International Ltd, Tokyo, 1980 Book. Good. Hardcover. English text; Hardcover (cloth without dust jacket - as issued. In splicase.); Used books. The 11 volume set is in good condition with minor scuffs and signs of wear in the slipcases and hardcover cloths. The spines are slightly faded as usual (volume 11 - Metropolitan Museum is slightly more faded then the other volumes). Volume 5 (British Museum) and volume 9 (Freer Gallery of Art) show minor wear marks on the top of the slipcase. Far Eastern Ceramics is in very good condition showing minor signs of shelf wear, namely some marks on the front and back cover. The ribbon bookmark is slightly scuffed on the bottom. The interior of all volumes is as new.; A milestone in international ceramic documentation, this series is a brilliant presentation of the oriental ceramics collections of the world's major museums. Originally published by Kodansha in 1975 as a limited deluxe 12 volume set, this critically acclaimed and now scarce masterpiece… Read More

New York: Oxford University Press, 1978. Boldly Signed by Rem Koolhaas on a large sheet (6" x 8") of archival Arches paper, laid into the book First edition / First printing. Pink paper-covered boards. Fine in very near fine dust jacket with light wear to the edges, an outstanding copy of a scarce title. Rem Koolhaas is the Pritzker Prize Winner for 2000.