The Female Autograph : Theory and Practice of Autobiography from the Tenth to the Twentieth Century by Stanton, Domna C. (editor) - 1987

University of Chicago Press. Used - Good. Used book that is in clean, average condition without any missing pages.

University of Chicago Press, 1991. Paperback. Good. Disclaimer:Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.

University of Chicago Press. Used - Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

University of Chicago Press, 1991-09-05. paperback. Used: Good.

University of Chicago Press, 1991-09-05. Paperback. Very Good. 8x6x0. A trade paperback in excellent condition, clean with a tight binding and an unmarked text.From a private smoke free collection.Shipping within 24 hours, with a tracking number and delivery confirmation.

Chicago: Univ. Of Chicago, 1987. 243pp. Illustrated. Photos on request. . First Printing. Paperback. Fine. 8vo - over 7¾" - 9¾" tall.

University of Chicago Press, 1991. Book. Near Fine. Soft cover.

Chicago, IL: University of Chicago Press, 1987. pages clean. binding tight. edge wear. corners creased, dented and starting to split. top and bottom binding edges dented. . 2nd Printing. Trade Paperback. Good.

University of Chicago Press, 1991-09-05. paperback. Used:Good.

Paperback / softback. New. These original essays comprise a fascinating investigation into women's strategies for writing the self--constructing the female subject through autobiography, memoirs, letters, and diaries. The collection contains theoretical essays by Donna Stanton, Sandra Gilbert, and Susan Gilbert, and Susan Gubar; chapters on specific issues raised by women's autographs, such as Richard Bowring's study of tenth-century Japanese diaries or Janel Mueller's on The Book of Margery Kempe; and annotated autobiographical fragments, including texts by Julia Kristeva, by a woman who became a czarist cavalry officer, and by a contemporary Palestinian poet. There are also chapters on the seventeenth-century painter Artemisia Gentileschi; Mme de. S vign ; Mendelssohn's sister, Fanny Hensel; the black minister Jarena Lee; Virginia Woolf; and Eva Peron. The result is a "conversation" between writers and critics across cultural and temporal boundaries.… Read More