Light Moving in Time: Studies in the Visual Aesthetics of Avant-Garde Film by Wees, W. C - 1992

Berkeley: U. of CA P., 1992. Softcover. Very good+/No jacket issued.

University of California Press, 1992. Paperback. Good. Disclaimer:A copy that has been read, but remains in clean condition. All pages are intact, and the cover is intact. The spine may show signs of wear. Pages can include limited notes and highlighting, and the copy can include previous owner inscriptions.

paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book.

Berkeley, CA.: University of California Press, 1992. To view a film is to see another's seeing mediated by the technology and techniques of the camera. By manipulating the cinematic apparatus in unorthodox ways, avant-garde filmmakers challenge the standardized versions of seeing perpetuated by the dominant film industry and generate ways of seeing that are truer to actual human vision. Beginning with the proposition that the images of cinema and vision derive from the same basic elements--light, movement, and time--Wees argues that cinematic apparatus and human visual apparatus have significant properties in common. For that reason they can be brought into a dynamic, creative relationship which the author calls the dialectic of eye and camera. The consequences of this relationship are what Wees explores. Although previous studies have recognized the visual bias of avant-garde film, this is the first to place the visual aesthetics of avant-garde film in a long-standing, multidisciplinary discourse… Read More