Description:
London: Adam Islip, 1600. FIRST COMPLETE EDITION IN ENGLISH. 330 x 220 mm. (13 x 8 3/4"). 6 p.l., 1403, [1] pp., [21] leaves (first and last leaves blank). Translated from the Latin by Philemon Holland. Early 18th century mottled calf, raised bands, spine gilt in compartments with large central fleuron and complex scrolling cornerpieces, one compartment with gilt lettering "G / 2 * II," another with small inlaid red morocco label of the Earl of Essex, with gilt "SX" and a coronet, red morocco title label, edges marbled (expertly--almost invisibly--rebacked and recornered). Title page with printer's elaborate device (McKerrow 324), verso of title with woodcut portrait of Queen Elizabeth I, dedication to the queen with woodcut headpiece and armorial initial, verso of fourth leaf with portrait of Livy within a laurel wreath, verso of sixth leaf with epitaph of Livy within a laurel wreath. Front pastedown with 18th(?) century ink notation "D : 2. / 9."; also with engraved armorial bookplate of James…
Read More LYRICAL BALLADS by WORDSWORTH, WILLIAM, [and] SAMUEL TAYLOR COLERIDGE - 1800
by WORDSWORTH, WILLIAM, [and] SAMUEL TAYLOR COLERIDGE
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LYRICAL BALLADS
by WORDSWORTH, WILLIAM, [and] SAMUEL TAYLOR COLERIDGE
- Used
- first
London: J. & A. Arch, 1798; T. N. Longman and O. Rees, 1800. FIRST EDITION, Second (London) Issue of first volume; FIRST EDITION, First State of the second volume (p. 209 with last word of footnote in the middle of the page; p. 210 with 10 lines only; p. 211 with 19 lines, ending with "he thought again"; p. 212 with 19 lines, beginning with "And his heart fail'd him"). 175 x 105 mm. (6 3/4 x 4 1/8"). Two volumes..
LOVELY CRIMSON CRUSHED MOROCCO, GILT, BY FRANCIS BEDFORD (stamp-signed on front turn-ins), covers with French fillet border, raised bands, spine compartments with distinctive urn-and-bird centerpiece surrounded by small tools, leafy cornerpieces, gilt titling, densely gilt turn-ins, dark green endpapers, top edges gilt, other edges untrimmed. Front pastedowns with engraved bookplate of Harold Greenhill; from the collection of Bradley Martin (his sale, Sotheby's New York, 1 May 1990, lot 3333). Ashley VIII, 5-8; Hayward 202 (Bristol imprint); Grolier English 66; PMM 256 (the second edition, the "Manifesto of the Romantic Movement''); Rothschild 2603, 2604. ◆Short, faint scratch to one board (well-masked by dye), half a dozen leaves with expert paper repairs to short marginal tears (well away from text), a couple of faint spots of foxing, but AN ESPECIALLY FINE SET, clean, bright, and as amply margined as possible, in extremely lustrous and unworn bindings.
This is a rarely seen set, offered here in extraordinarily fine and pretty bindings, of the two first editions often described as the inaugural event of the Romantic period. The printing of "Lyrical Ballads" constituted an experiment for the two young poets (Wordsworth was 28, Coleridge 26) in the modification of the traditional artificial verse styles in order to capture forceful sincerity and elemental human emotions. Their radical purpose was nothing short of the reformation of poetry by deposing an artificial literary tradition and substituting a new poetics, more in keeping with normal contemporary speech patterns, and to infuse their work with what Wordsworth called "the spontaneous overflow of powerful feelings." Folk ballads, as "natural" poetry, formed their models for pieces that reveal a sense of lasting joy in nature and in experiences common to all humans. The volumes contain, among others, "Tintern Abbey," "Lines Written in Early Spring," "We Are Seven," "The Brothers," "Michael," and "The Ancyent Marinere," 10 stanzas of which appear only in this edition. Volume I is the second issue of the first edition, with London rather than Bristol identified as the place of publication on the title page; there is just one known and one hypothetical copy of the Bristol issue. Additional issue points for these volumes are: Vol. I: p. 19 reads "Oft" in line 10, p. 204 reads "woods" (with the final "s" and comma) in line 15 and "thought" (with the final "t" and comma) in line 17; Vol. II: 01-2 are uncancelled, p. 64 reads "Oft had I" in line 1 and "wide Moor" in line 6, p. 83 has a comma after "last days" in line 6, p. 92 reads "He" (capitalized) in line 2, and p. 129 has "when they please" properly spaced in line 11. The second volume offered here was originally issued with a companion first volume that was virtually a reprint of the 1798 volume; as a result of this reissue, and the two-year gap before the publication of the second volume, it can be difficult to find a set composed of our two first editions. For five years our binder Francis Bedford (1799-1883) managed the firm of Charles Lewis for the latter's widow and then was in a partnership for 10 years with John Clarke before establishing his own bindery in 1851. He shortly became recognized as the leading binder in fashionable West-end London, and his firm enjoyed prosperity not only until his death, but for 10 years afterwards, under the ownership of Joseph Shepherd. Bedford bindings are almost always elegantly traditional in their design and very handsome in the execution. This set was once owned by the extraordinarily discriminating American collector H. Bradley Martin (1906-88); his copy of any book will always be distinguished as having been a part of a library chosen by one of the most discerning of modern collectors. The heir to a steel fortune and a director at a leading New York investment bank, Martin was a member of the Grolier Club for 50 years and was one of the great American book collectors of the 20th century. His library of 10,000 volumes was sold at Sotheby's in nine sales during 1989-90; these volumes appeared in that sale as Lot 3333. Former owner Harold Greenhill (1893-1968) was a Chicago book collector, active in the Caxton and Grolier Clubs. These works, especially when offered together, are uncommon in general, and handsomely bound, choice copies like the present set are exceedingly hard to find..
LOVELY CRIMSON CRUSHED MOROCCO, GILT, BY FRANCIS BEDFORD (stamp-signed on front turn-ins), covers with French fillet border, raised bands, spine compartments with distinctive urn-and-bird centerpiece surrounded by small tools, leafy cornerpieces, gilt titling, densely gilt turn-ins, dark green endpapers, top edges gilt, other edges untrimmed. Front pastedowns with engraved bookplate of Harold Greenhill; from the collection of Bradley Martin (his sale, Sotheby's New York, 1 May 1990, lot 3333). Ashley VIII, 5-8; Hayward 202 (Bristol imprint); Grolier English 66; PMM 256 (the second edition, the "Manifesto of the Romantic Movement''); Rothschild 2603, 2604. ◆Short, faint scratch to one board (well-masked by dye), half a dozen leaves with expert paper repairs to short marginal tears (well away from text), a couple of faint spots of foxing, but AN ESPECIALLY FINE SET, clean, bright, and as amply margined as possible, in extremely lustrous and unworn bindings.
This is a rarely seen set, offered here in extraordinarily fine and pretty bindings, of the two first editions often described as the inaugural event of the Romantic period. The printing of "Lyrical Ballads" constituted an experiment for the two young poets (Wordsworth was 28, Coleridge 26) in the modification of the traditional artificial verse styles in order to capture forceful sincerity and elemental human emotions. Their radical purpose was nothing short of the reformation of poetry by deposing an artificial literary tradition and substituting a new poetics, more in keeping with normal contemporary speech patterns, and to infuse their work with what Wordsworth called "the spontaneous overflow of powerful feelings." Folk ballads, as "natural" poetry, formed their models for pieces that reveal a sense of lasting joy in nature and in experiences common to all humans. The volumes contain, among others, "Tintern Abbey," "Lines Written in Early Spring," "We Are Seven," "The Brothers," "Michael," and "The Ancyent Marinere," 10 stanzas of which appear only in this edition. Volume I is the second issue of the first edition, with London rather than Bristol identified as the place of publication on the title page; there is just one known and one hypothetical copy of the Bristol issue. Additional issue points for these volumes are: Vol. I: p. 19 reads "Oft" in line 10, p. 204 reads "woods" (with the final "s" and comma) in line 15 and "thought" (with the final "t" and comma) in line 17; Vol. II: 01-2 are uncancelled, p. 64 reads "Oft had I" in line 1 and "wide Moor" in line 6, p. 83 has a comma after "last days" in line 6, p. 92 reads "He" (capitalized) in line 2, and p. 129 has "when they please" properly spaced in line 11. The second volume offered here was originally issued with a companion first volume that was virtually a reprint of the 1798 volume; as a result of this reissue, and the two-year gap before the publication of the second volume, it can be difficult to find a set composed of our two first editions. For five years our binder Francis Bedford (1799-1883) managed the firm of Charles Lewis for the latter's widow and then was in a partnership for 10 years with John Clarke before establishing his own bindery in 1851. He shortly became recognized as the leading binder in fashionable West-end London, and his firm enjoyed prosperity not only until his death, but for 10 years afterwards, under the ownership of Joseph Shepherd. Bedford bindings are almost always elegantly traditional in their design and very handsome in the execution. This set was once owned by the extraordinarily discriminating American collector H. Bradley Martin (1906-88); his copy of any book will always be distinguished as having been a part of a library chosen by one of the most discerning of modern collectors. The heir to a steel fortune and a director at a leading New York investment bank, Martin was a member of the Grolier Club for 50 years and was one of the great American book collectors of the 20th century. His library of 10,000 volumes was sold at Sotheby's in nine sales during 1989-90; these volumes appeared in that sale as Lot 3333. Former owner Harold Greenhill (1893-1968) was a Chicago book collector, active in the Caxton and Grolier Clubs. These works, especially when offered together, are uncommon in general, and handsomely bound, choice copies like the present set are exceedingly hard to find..
- Bookseller Phillip J. Pirages Fine Books and Medieval Manuscripts (US)
- Book Condition Used
- Quantity Available 1
- Edition FIRST EDITION, Second (London) Issue of first volume; FIRST EDIT
- Publisher J. & A. Arch, 1798; T. N. Longman and O. Rees
- Place of Publication London
- Date Published 1800
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THE ROMANE HISTORIE . . . ALSO, THE BREVIARIES OF L. FLORUS . . . AND THE TOPOGRAPHIES OF ROME IN OLD TIME
by HOLLAND, PHILEMON, Translator. LIVIUS, TITUS. [LIVY]
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SUNDRIE PIECES
by (BINDINGS - JULIAN THOMAS FOR GWASG GREGYNOG). HERBERT, GEORGE
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- No. III OF 15 SPECIALLY BOUND COPIES (of 200 total)
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Newtown: Gwasg Gregynog, 2003. No. III OF 15 SPECIALLY BOUND COPIES (of 200 total). 307 x 185 mm. (12 1/8 x 7 1/4"). xvi, [2], 99, [1] pp., [1] leaf (colophon).Edited by the Earl of Powis. LOVELY MULTI-COLORED CALF AND PURPLE GOATSKIN BY JULIAN THOMAS (signed in pencil in the colophon), the calf dyed various shades of green, blue, purple, pink, and yellow, the pattern suggestive of a landscape with a small house in the foreground, spine and covers with goatskin inlay forming the shape of a cross when completely open, gilt halo radiating from behind the cross, smooth spine with gilt lettering, top edge dyed yellow. Suite of plates in a mustard yellow cloth box, housed together in a matching clamshell box lined with velvet, the box spine with dark purple goatskin label and gilt lettering. Printed in purple and black, with 24 wood-engraved illustrations by Sarah van Niekerk, and WITH AN ADDITIONAL SUITE OF ENGRAVINGS SIGNED AND NUMBERED BY THE ARTIST. With prospectus, two photocopied articles, and…
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THE MIME OF MICK NICK AND THE MAGGIES. A FRAGMENT FROM WORK IN PROGRESS
by JOYCE, JAMES
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- FIRST EDITION. No. 631 OF 1,000 COPIES on Old Antique Dutch (and
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The Hague: The Servire Press; New York: Gotham Book Mart, 1934. FIRST EDITION. No. 631 OF 1,000 COPIES on Old Antique Dutch (and 29 special signed copies on Japon.). 241 x 162 mm. (9 1/2 x 6 3/8"). 4 p.l. (first blank), 77, [3] pp. Plain paper wrappers in white dust jacket, front cover with design by Lucia Joyce printed in blue and silver, blue titling on front cover and spine, ENTIRELY UNOPENED. With the very rare original glassine and housed in a (slightly worn) brown cardboard slipcase. With opening initial and tailpiece designed by Lucia Joyce. Slocum & Cahoon A-43. ◆Glassine a little wrinkled, one corner just lightly bumped, otherwise A PRISTINE COPY. This is a fragment from "Finnegans Wake," beautifully printed in Holland on thick paper using an unusually large, round, and vaguely Medieval typeface. Our copy could hardly be in better condition--as close to mint as one could hope to find, and with all original components. Joyce's daughter Lucia (1907-82) was diagnosed with schizophrenia when…
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L'ALLEGRO & IL PENSEROSO
by (ILLUMINATED MANUSCRIPT ON PAPER - MODERN). MERCER, F. W., Scribe and Illuminator. MILTON, JOHN
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[England], 1930. 198 x 150 mm. (7 7/8 x 6"). [17] leaves. Single column, 21 lines in a small script. Quarter vellum over blue linen boards, smooth spine with gilt titling, all edges gilt. Title page with A FULL BORDER composed of line and dot rules and filled with gilt bezants, small, colorful arches, and penwork embellishment, the lower half of the page with a penwork floral spray inside a smaller border, each page of text with a simple line and dot border and a colorful head-piece featuring a different design, many with gold accents. Tissue guards between each leaf. ◆Vellum binding just slightly soiled, a hint of wear at corners, but these faults negligible, and internally like new. This charming little work appears to be a mock-up on paper for a manuscript that, presumably, would later be executed on vellum, offering an intriguing look into the artistic process of a professional illuminator and calligrapher. Although there are no notes or inscriptions in the book to confirm our hypothesis, its…
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TEXT FROM THE SERMON ON THE MOUNT (MATTHEW 5-7)
by (ILLUMINATED MANUSCRIPT ON VELLUM - MODERN). WILSON, VIOLET, Scribe and Illuminator
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Wimbledon, Surrey, September 1939. 373 x 255 mm. (14 3/4 x 10"). [12] vellum leaves (seven with text and illuminations). Single column, approximately 30 lines in a fine calligraphic hand. Attractive contemporary dark blue crushed morocco, covers with gilt and blind rules, raised bands with gilt rules, gilt-ruled turn-ins, vellum pastedowns. Text in blue, black, green, and red, a few lines with larger lettering in gilt, several two-line initials in colored ink, five two-line initials in red or blue with floral decorations, opening pages with eight two-line initials in gold (the lines here of a larger size than rest of text), six three-line initials in gold filled and surrounded by floral decoration, three four- to six-line gilt initials with more intricate floral decorations, one of these with gilt stippling and two surrounded by a gilt frame, and ONE VERY LARGE (80 x 45 mm) GILT "B" decorated with stippling, filled with two-tone green leaves, pink flowers, and large gold bezants. First leaf with ink…
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THE ROMANE HISTORIE . . . ALSO, THE BREVIARIES OF L. FLORUS . . . AND THE TOPOGRAPHIES OF ROME IN OLD TIME
by HOLLAND, PHILEMON, Translator. LIVIUS, TITUS. [LIVY]
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- FIRST COMPLETE EDITION IN ENGLISH
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McMinnville, Oregon, United States
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A$27,866.02
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London: Adam Islip, 1600. FIRST COMPLETE EDITION IN ENGLISH. 330 x 220 mm. (13 x 8 3/4"). 6 p.l., 1403, [1] pp., [21] leaves (first and last leaves blank). Translated from the Latin by Philemon Holland. Early 18th century mottled calf, raised bands, spine gilt in compartments with large central fleuron and complex scrolling cornerpieces, one compartment with gilt lettering "G / 2 * II," another with small inlaid red morocco label of the Earl of Essex, with gilt "SX" and a coronet, red morocco title label, edges marbled (expertly--almost invisibly--rebacked and recornered). Title page with printer's elaborate device (McKerrow 324), verso of title with woodcut portrait of Queen Elizabeth I, dedication to the queen with woodcut headpiece and armorial initial, verso of fourth leaf with portrait of Livy within a laurel wreath, verso of sixth leaf with epitaph of Livy within a laurel wreath. Front pastedown with 18th(?) century ink notation "D : 2. / 9."; also with engraved armorial bookplate of James…
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LETTERS WRITTEN BY THE LATE MRS. BIRCH, OF BARTON LODGE, IN THE NINETY-NINTH AND HUNDREDTH YEARS OF HER AGE
by (BINDINGS - ROMANTIC). BIRCH, JOHN WILLIAM NEWELL, Editor
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McMinnville, Oregon, United States
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London: Published by the Editor, printed by A. Spottiswoode, New-Street-Square, ca. 1837. FIRST EDITION. 277 x 208 mm. (10 7/8 x 8 1/8"). xvi, 152 pp. Contemporary purple pebble-grain morocco decorated in gilt and blind in the Romantic style, covers framed by triple blind-stamped fillet border with floral cornerpieces, blind-stamped floral roll around gilt frame with swirling scroll pieces, gilt titling in center surrounded by blind-stamped circular frame, raised bands, blind-stamped frame compartments with gilt borders, all edges gilt. Engraved frontispiece portrait of Mrs. Birch by J. F. Lewis. With four lithographed facsimiles of handwritten letters. ◆Spine sunned to lighter purple, a few trivial scratches, some foxing to frontispiece, facsimiles, and endpapers, otherwise internally clean with only a handful of small smudges, and THE BINDING IN ESPECIALLY FINE CONDITION, with only the slightest signs of use. This charming memorial in a well-preserved, special binding gives us a glimpse into…
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SUNDRIE PIECES
by (BINDINGS - JULIAN THOMAS FOR GWASG GREGYNOG). HERBERT, GEORGE
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- Used
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- No. III OF 15 SPECIALLY BOUND COPIES (of 200 total)
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McMinnville, Oregon, United States
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A$6,369.38
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Newtown: Gwasg Gregynog, 2003. No. III OF 15 SPECIALLY BOUND COPIES (of 200 total). 307 x 185 mm. (12 1/8 x 7 1/4"). xvi, [2], 99, [1] pp., [1] leaf (colophon).Edited by the Earl of Powis. LOVELY MULTI-COLORED CALF AND PURPLE GOATSKIN BY JULIAN THOMAS (signed in pencil in the colophon), the calf dyed various shades of green, blue, purple, pink, and yellow, the pattern suggestive of a landscape with a small house in the foreground, spine and covers with goatskin inlay forming the shape of a cross when completely open, gilt halo radiating from behind the cross, smooth spine with gilt lettering, top edge dyed yellow. Suite of plates in a mustard yellow cloth box, housed together in a matching clamshell box lined with velvet, the box spine with dark purple goatskin label and gilt lettering. Printed in purple and black, with 24 wood-engraved illustrations by Sarah van Niekerk, and WITH AN ADDITIONAL SUITE OF ENGRAVINGS SIGNED AND NUMBERED BY THE ARTIST. With prospectus, two photocopied articles, and…
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THE MIME OF MICK NICK AND THE MAGGIES. A FRAGMENT FROM WORK IN PROGRESS
by JOYCE, JAMES
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- FIRST EDITION. No. 631 OF 1,000 COPIES on Old Antique Dutch (and
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McMinnville, Oregon, United States
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The Hague: The Servire Press; New York: Gotham Book Mart, 1934. FIRST EDITION. No. 631 OF 1,000 COPIES on Old Antique Dutch (and 29 special signed copies on Japon.). 241 x 162 mm. (9 1/2 x 6 3/8"). 4 p.l. (first blank), 77, [3] pp. Plain paper wrappers in white dust jacket, front cover with design by Lucia Joyce printed in blue and silver, blue titling on front cover and spine, ENTIRELY UNOPENED. With the very rare original glassine and housed in a (slightly worn) brown cardboard slipcase. With opening initial and tailpiece designed by Lucia Joyce. Slocum & Cahoon A-43. ◆Glassine a little wrinkled, one corner just lightly bumped, otherwise A PRISTINE COPY. This is a fragment from "Finnegans Wake," beautifully printed in Holland on thick paper using an unusually large, round, and vaguely Medieval typeface. Our copy could hardly be in better condition--as close to mint as one could hope to find, and with all original components. Joyce's daughter Lucia (1907-82) was diagnosed with schizophrenia when…
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A$3,184.69
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L'ALLEGRO & IL PENSEROSO
by (ILLUMINATED MANUSCRIPT ON PAPER - MODERN). MERCER, F. W., Scribe and Illuminator. MILTON, JOHN
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[England], 1930. 198 x 150 mm. (7 7/8 x 6"). [17] leaves. Single column, 21 lines in a small script. Quarter vellum over blue linen boards, smooth spine with gilt titling, all edges gilt. Title page with A FULL BORDER composed of line and dot rules and filled with gilt bezants, small, colorful arches, and penwork embellishment, the lower half of the page with a penwork floral spray inside a smaller border, each page of text with a simple line and dot border and a colorful head-piece featuring a different design, many with gold accents. Tissue guards between each leaf. ◆Vellum binding just slightly soiled, a hint of wear at corners, but these faults negligible, and internally like new. This charming little work appears to be a mock-up on paper for a manuscript that, presumably, would later be executed on vellum, offering an intriguing look into the artistic process of a professional illuminator and calligrapher. Although there are no notes or inscriptions in the book to confirm our hypothesis, its…
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Lyrical Ballads: With A Few Other Poems (Penguin Classics: Poetry First Editions)
by Wordsworth, William
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Lyrical ballads (University paperbacks, UP277)
by Wordsworth, William
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bryantown, Maryland, United States
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Methuen: distributed in the U.S., 1968-01-01. Paperback. Like New. 1.0236 in x 7.6378 in x 5.0394 in.
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Wordsworth & Coleridge Lyrical Ballads
by Samuel Taylor Coleridge
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Lyrical Ballads (Penguin Classics)
by Wordsworth, William
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GORING BY SEA, West Sussex, United Kingdom
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Lyrical Ballads (Penguin Classics)
by Wordsworth, William
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Lyrical Ballads (Penguin Classics)
by Wordsworth, William
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Lyrical Ballads : With Frw Other Poems
by WILLIAM WORDSWORTH
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Penguin Classics. Softcover. Brand New. We ship fast via USPS/FedEx/DHL/Aramex Express Services. No shipping to PO BOX, APO, FPO addresses. Kindly provide day time phone number in order to ensure smooth delivery. We may ship from Asian regions for inventory purpose. 100% Customer satisfaction guaranteed! We use Fast Shipping via DHL/FEDEX/UPS
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Lyrical Ballads: 1798 and 1802 (Oxford World's Classics)
by Wordsworth, William
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- 9780199601967 / 0199601968
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Bensalem, Pennsylvania, United States
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Lyrical Ballads: 1798 and 1802 (Oxford World's Classics)
by Wordsworth, William
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- 9780199601967 / 0199601968
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Philadelphia, Pennsylvania, United States
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Lyrical Ballads: 1798 and 1802 (Oxford World's Classics)
by Wordsworth, William
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- 9780199601967 / 0199601968
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- 1
- Seller
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Bensalem, Pennsylvania, United States
- Item Price
-
A$24.97
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Description:
UsedLikeNew. Remainder mark
Item Price
A$24.97