A Mercy

New York: Alfred A. Knopf, 2008. First Edition [stated], presumed first printing. Hardcover. Very good/Very good. Format is 6 inches by 9.5 inches. [10], 167, [1] pages. Signed by the author on the title page. DJ has slight wear and soiling. Map illustration on title page. Chloe Anthony Wofford Morrison (born Chloe Ardelia Wofford; February 18, 1931 - August 5, 2019), known as Toni Morrison, was an American novelist. Her first novel, The Bluest Eye, was published in 1970. The critically acclaimed Song of Solomon brought her national attention and won the National Book Critics Circle Award. In 1988, Morrison won the Pulitzer Prize for Beloved; she was awarded the Nobel Prize in Literature in 1993. Born and raised in Lorain, Ohio, Morrison graduated from Howard University in 1953 with a B.A. in English. She earned a master's degree in American Literature from Cornell University in 1955. Morrison became the first black female editor in fiction at Random House in New York City in the late 1960s. She developed her own reputation as an author in the 1970s and '80s. Her work Beloved was made into a film in 1998. Morrison's works are praised for addressing the harsh consequences of racism in the United States and the Black American experience. The National Endowment for the Humanities selected Morrison for the Jefferson Lecture, the U.S. federal government's highest honor for achievement in the humanities, in 1996. She was honored with the National Book Foundation's Medal of Distinguished Contribution to American Letters the same year. President Barack Obama presented her with the Presidential Medal of Freedom on May 29, 2012. Morrison was inducted into the National Women's Hall of Fame in 2020. A powerful tragedy distilled into a small masterpiece by the Nobel Prize-winning author of Beloved and, almost like a prelude to that story, set two centuries earlier. Jacob is an Anglo-Dutch trader in 1680s United States, when the slave trade is still in its infancy. Reluctantly he takes a small slave girl in part payment from a plantation owner for a bad debt. Feeling rejected by her slave mother, 14-year-old Florens can read and write and might be useful on his farm. Florens looks for love, first from Lina, an older servant woman at her new master's house, but later from the handsome blacksmith, an African, never enslaved, who comes riding into their lives . . . At the novel's heart, like Beloved, it is the ambivalent, disturbing story of a mother and a daughter, a mother who casts off her daughter in order to save her, and a daughter who may never exorcise that abandonment. Derived from a Kirkus review: Abandonment, betrayal and loss are the somber themes of this latest exploration of America's morally compromised history from Morrison. All the characters she sets down in the colonial landscape circa 1690 are bereft, none more evidently so than Florens, 16-year-old slave of Jacob Vaark and his wife Rebekka. Eight years earlier, Anglo-Dutch farmer and trader Jacob reluctantly took Florens in settlement of a debt from a Maryland landowner. Her own mother offered her—so as not to be traded with Florens' infant brother, the girl thinks. (The searing final monologue reveals it was not so simple.) Florens joined a household of misfits somewhere in the North. Jacob was a poor orphan who came to America to make a new start; Rebekka's parents essentially sold her to him to spare themselves her upkeep. The couple has shared love, but also sadness; all four of their offspring died in childhood. They take in others similarly devastated. Lina, raped by a "Europe," has been cast out by her Native American tribe. Mixed-race Sorrow survived a shipwreck only to be made pregnant by her rescuer, who handed her over to Jacob. Willard and Scully are indentured servants, farmed out to labor for Jacob by their contract holders, who keep fraudulently extending their time. Only the free African blacksmith who helps Jacob construct his fancy new house—and who catches Florens' love-starved eye—seems whole and self-sufficient, though he eventually falls prey to Florens' raging fear of abandonment. Morrison's point, made in a variety of often-melodramatic plot developments, is that America was founded on the involuntary servitude of blacks and whites, that the colonies are rife with people who belong nowhere else and anxiously strive to find something to hold onto in the New World. Gorgeous language and powerful understanding of the darkest regions in the human heart compensate for the slightly schematic nature of the characters and the plot. Better seen as a lengthy prose poem than a novel, this allusive, elusive little gem adds its own shadowy luster to the Nobel laureate's shimmering body of work.