OUR GAME by Le Carre, John - 1995: Uncorrected Proof Copy Signed

New York: Doubleday, 1994. Signed by the author. First edition / First printing. First state uncorrected proof. Illustrated wrappers. Very fine. GRANTA 20 author.

NY, Farrar, Straus & Giroux, 1976, first edition, wrappers. Softcover.. Advance copy, an uncorrected proof, edited by Chase Horton, these tales are Steinbeck's attempt to render Malory "into modern English," the importance to Steinbeck and his literature of the Morte d'Arthur cannot be over-stated, as he writes in his introduction, "I think my sense of right and wrong...and any thought I may have had against the oppressor and for the oppressed, came from this book," this copy is especially important because it was one of two copies sent to novelist John Gardner, author of such novels as Grendel and The Resurrection, Gardner also wrote The Complete Works of the Gawain Poet, The Alliterative Morte Arthure, and other "olde English" books, this copy was sent to Gardner by the New York Times in order to write a review which the Times published, laid in loosely is the slip from the Times asking for an 800-word review, this was originally obtained from Susan Thornton who was Gardner's fiance at the time of… Read More

New York: Harper & Row, 1966. First Edition. Hardcover. Very Good. First Edition, First Printing. Review copy, with publisher's slip loosely laid in. Near Fine, in a Very Good dust jacket with price intact. Light strip of sunning to to edge of cloth, mainly at spine. The dust jacket shows toning and soiling. The review slip shows a small strip of toning to the top edge and light curve at the left edge. A very lovely copy, rare with publisher's review slip laid in.

Léon Arnoult: La Variabilité du Gout dans les Arts. Les phases ornamentales de la mode (The variability of taste in the arts. The ornamental phases of fashion). Printed and published by Devambez "À l'enseigne du masque d'Or". Paris, 1921. ARNOULT Léon - William ABLETT (1877-1937 illustrator). Preowned, Signed. A l'Enseigne du Masque d'Or, chez Devambez, 1921, in-4°, 87 pp + 7 plate illustrations, printed in 303 numbered copies. Sewn, original printed stiff wrapper over blind wrapper. Printed wrapper, interior fine, uncut and unopened copy. Two of the illustrations are mixed technique plates by William Ablett, one is signed in pencil by the artist: a circular engraving with a lithographic image printed on it and heightened with gold. Editorial paperback, Jacket with title to the framed flat, beautiful allegorical friezes, endpapers, eyelet, cover page with the same frieze (antique collection stamp). The quantity of circulation - 303 copies justified, and numbering - №120, a preface paper,… Read More

Collins. London. 1959. PROOF COPY OF FIRST EDITION. 8vo. (7.9 x 5.5 inches). Illustrated throughout with charming line drawings by Judith Brook, including both sets of endpapers. A very good clean copy in publishers blue marbled paper wraps. In the original full colour illustrated dustwrapper, designed by Selma Nankivell, featuring illustrated adverts for the first two of Michael Bond's Paddington Bear titles on the rear cover. A crease to the lower rear panel and a little rubbing and chipping to the extremities but overall a very good book in a very good dustwrapper. A scarce item.

NY: Arbor House, 1988. FINE condition in FINE covers. NY. Arbor House. SOFTCOVER. 1988. UNCORRECTED PAGE PROOFS as issued by publisher for the hardcover edition, April 1988. AS NEW, bound in red stiff paper wraps. Square and tight, UNREAD, NO spine crease. Author's first novel. Features LAPD Detective Jack Gold. Stored in Archival sleeve.. Uncorrected Proof. Softcover. Fine/Fine Original Wraps.

NY, Farrar, Straus & Giroux, 1976, first edition, wrappers. Softcover.. Advance copy, an uncorrected proof, edited by Chase Horton, these tales are Steinbeck's attempt to render Malory "into modern English," the importance to Steinbeck and his literature of the Morte d'Arthur cannot be over-stated, as he writes in his introduction, "I think my sense of right and wrong...and any thought I may have had against the oppressor and for the oppressed, came from this book," this copy is especially important because it was one of two copies sent to novelist John Gardner, author of such novels as Grendel and The Resurrection, Gardner also wrote The Complete Works of the Gawain Poet, The Alliterative Morte Arthure, and other "olde English" books, this copy was sent to Gardner by the New York Times in order to write a review which the Times published, laid in loosely is the slip from the Times asking for an 800-word review, this was originally obtained from Susan Thornton who was Gardner's fiance at the time of… Read More

New York: Harper & Row, 1966. First Edition. Hardcover. Very Good. First Edition, First Printing. Review copy, with publisher's slip loosely laid in. Near Fine, in a Very Good dust jacket with price intact. Light strip of sunning to to edge of cloth, mainly at spine. The dust jacket shows toning and soiling. The review slip shows a small strip of toning to the top edge and light curve at the left edge. A very lovely copy, rare with publisher's review slip laid in.

Farrar, Straus and Giroux, 1983. First Edition. Paperback. Very Good. Unrevised, Uncorrected Proofs in plain, mustard-yellow wrappers. Kincaid's first book, a collection of short stories. Uncommon in this format, and in excellent condition other than what was done to it in FSG's mailroom: a small photocopy of the dustjacket copy proof, with ISBN, publication date, and price, was taped to the inner front cover. Once FSG would get these proofs from Crane Duplicating Service, they'd put an ink stamp on the cover in which they would fill in the price and publication date, which they did here in red ballpoint pen. A couple of small smudges to the rear cover and light toning to the edges, else Fine. In stock, ready to ship now from Evanston, IL!

Heinemann, 1950. Proof Copy. Softcover. VG++. Ultra rare proof copy. 124 x 185cm, 230pp. Publisher's original buff paper wraps with titles and "PROOF COPY" to the front cover and titles and publisher's windmill device to the spine, 230pp. The wraps have been printed on the verso of an unused illustration from a previous Heinemann book, Dog Days by K F Barker, so that parts of a bull terrier in full colour can be seen on the inside of the covers. The verso of the title page states "First Published 1950 - there is a pencil note on the front cover "Sept 30/[19?]50" - though the First Edition was not published until 22nd January 1951 in an edition of 7,500 copies. It is housed in a bespoke, black cloth solander (clamshell) box with gilt titles and lined with marbled paper. There are a few very light marks on the front cover, a very small 3 x 2mm chip near the top of its fore edge, a 3mm open tear at the top of the upper joint and one of 1cm at the foot of the same. The back cover has a toned… Read More