PARALLAX: A HOGARTH PRESS UNICORN.
by CUNARD, Nancy
- Used
- first
- Condition
- See description
- Seller
-
New Haven, Connecticut, United States
Payment Methods Accepted
About This Item
Tavistock Square, London: Printed and published by Leonard & Virginia Woolf at the Hogarth Press, 1925. Octavo. Original illustrated boards. 24pp. Illustrations by Eugene McCown. First edition, one of 420 copies hand-printed and published by the Woolfs at their home publishing firm in Tavistock Square, London. Owner's signature on front free endpaper, small contemporary bookseller's label to rear pastedown, covers lightly tanned, some scattered foxing; still a very good and extremely scarce title.
From the collection of R. O. Blechman, an American animator, illustrator, children's-book author, graphic novelist and editorial cartoonist whose work has been the subject of retrospectives at the Museum of Modern Art and other institutions.
Nancy Cunard (1896-1965), a wealthy young socialite and heir to the Cunard Line British shipping industry, traveled and mingled with the literary elite who included T. S. Eliot, Wyndham Lewis, Aldous Huxley, Tristan Tzara, Ezra Pound, Louis Aragon, Ernest Hemingway, James Joyce, Langston Hughes, Man Ray, and William Carlos Williams, among other notables. In the 1920s Cunard was working at establishing herself as a poet. Parallax powerfully captured the pessimism of the modernist sensibility in the manner of the Modernist Long Poem, centering on the wanderings of a young male poet through London, Paris, and Italy as he contemplates love, friendship, and art.
Cunard's work received harsh critical reception, an indication of some of the struggles faced by women poets in establishing themselves in the male-dominated high Modernist literary sphere. Her style was panned as romantic and old-fashioned by the arch-Modernist Ezra Pound (whom she later published at her Hours Press). Meanwhile, T. S. Eliot mocked her poetic aspirations; for her part, Cunard admired Eliot's work, and Parallax is indebted to The Waste Land. Parallax was not quite without its admirers altogether. A young Samuel Beckett, whose early work Cunard published, was a fan, and wrote to her enthusiastically about it. William Carlos Williams thought Cunard "one of the major phenomena of history," and the influential journalist Janet Flanner thought Parallax "superior" to The Waste Land. WOOLMER 57.
.
From the collection of R. O. Blechman, an American animator, illustrator, children's-book author, graphic novelist and editorial cartoonist whose work has been the subject of retrospectives at the Museum of Modern Art and other institutions.
Nancy Cunard (1896-1965), a wealthy young socialite and heir to the Cunard Line British shipping industry, traveled and mingled with the literary elite who included T. S. Eliot, Wyndham Lewis, Aldous Huxley, Tristan Tzara, Ezra Pound, Louis Aragon, Ernest Hemingway, James Joyce, Langston Hughes, Man Ray, and William Carlos Williams, among other notables. In the 1920s Cunard was working at establishing herself as a poet. Parallax powerfully captured the pessimism of the modernist sensibility in the manner of the Modernist Long Poem, centering on the wanderings of a young male poet through London, Paris, and Italy as he contemplates love, friendship, and art.
Cunard's work received harsh critical reception, an indication of some of the struggles faced by women poets in establishing themselves in the male-dominated high Modernist literary sphere. Her style was panned as romantic and old-fashioned by the arch-Modernist Ezra Pound (whom she later published at her Hours Press). Meanwhile, T. S. Eliot mocked her poetic aspirations; for her part, Cunard admired Eliot's work, and Parallax is indebted to The Waste Land. Parallax was not quite without its admirers altogether. A young Samuel Beckett, whose early work Cunard published, was a fan, and wrote to her enthusiastically about it. William Carlos Williams thought Cunard "one of the major phenomena of history," and the influential journalist Janet Flanner thought Parallax "superior" to The Waste Land. WOOLMER 57.
.
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Details
- Bookseller
- Second Wind Books LLC (US)
- Bookseller's Inventory #
- 400
- Title
- PARALLAX
- Author
- CUNARD, Nancy
- Book Condition
- Used
- Quantity Available
- 1
- Publisher
- Printed and published by Leonard & Virginia Woolf at the Hogarth Press
- Place of Publication
- Tavistock Square, London
- Date Published
- 1925
- Keywords
- Scarce, collectible, women publishers, rare, modernism, hand-printed, hand-set, iconic, limited
Terms of Sale
Second Wind Books LLC
30 day return guarantee, with full refund including original shipping costs for up to 30 days after delivery if an item arrives misdescribed or damaged.
About the Seller
Second Wind Books LLC
Biblio member since 2022
New Haven, Connecticut
About Second Wind Books LLC
Second Wind Books is committed to offering important British and American first editions in the Modernist vein, with an emphasis on books about books, books by and about women and adjacent admirers. Literature, poetry, small and fine press, letters and manuscripts, original artwork, photographs, are what interests us most. Our founder began bookselling under the tutelage of a truly great bookman in 2006, and is now offering that learned expertise in her own shop. Interested in offers of literature from 1900 to 1950, either for sale or to evaluate.
Glossary
Some terminology that may be used in this description includes:
- First Edition
- In book collecting, the first edition is the earliest published form of a book. A book may have more than one first edition in...
- Octavo
- Another of the terms referring to page or book size, octavo refers to a standard printer's sheet folded four times, producing...