The Poetical and Dramatic Works of Sir Charles Sedley, Collected and Edited From the Old Edition (Two Volumes) by De Sola Pinto, V - 1928

Furne, 1836. Book. Very Good. Half-Leather. 8vo - over 7¾" - 9¾" tall. 6 volumes In-8, reliés demi-cuir, Bon Etat, nouvelle édition augmentée, rousseurs, traduction Amédée Pichot.

London: Cassell, 1973. First edition. Limited edition. Hardcover. Due to large size of these volumes the hinges are cracked, else a fine set.. Two folio volumes. Cloth-backed boards. In slip-case. Number 1483 of 1500 sets. P. J. Croft was in charge of literary and autograph manuscripts at Sotheby's.

Martin Secker, London, 1920. Book. Very Good. Hardcover. 1st Edition. First Edition (first printing). 8vo. 81pp. 'Cobble-stone' decorated paper-covered boards with a paper spine label. A strip of light partial browned in the free endpapers and some spotting throughout. A tiny dealer plate to the front pastedown. A nice bright copy in the uncommon dust wrapper, slightly dust marked and tanned, and chipped at the spine panel ends with a little loss. Graves' fifth book, forty-six poems, dedicated to his wife Nancy Nicholson. 1,000 copies were printed. Higginson A5.

Fremont, MI: The Sumac Press, 1969. Signed by Jim Harrison and Dan Gerber. First edition / First printing. (Softcover edition) Illustrated wrappers. Fine.

Toronto: Ryerson Press, 1967. Book. Fine. Hardcover. Second Printing. Fine copy, in jacket with minor wear to extremities, and a tiny scrape on front panel. Signed on the half title page..

London: Jonathan Cape, 1954 Signed by author on half-title page. The book is in near mint condition,the d/j has some shelf-wear with very slight wear to the extremities of the spine.

London, United Kingdom: Cobden-Sanderson, 1930. Signed by Author and numbered 27 of 200 numbered copies. Ex-Libris plate of H M(ichael) Horton of Wilson & Horton publishers pasted to ffep. CONDITION Blue bds with bright Gilt titles (age toned spine, cloth has loosened to front bd along spine gutter where cloth glue has not made proper contact, top front cnr sl bumped else unworn) pp xvii 336 untrimmed pages printed on quality rag paper, tight with bright interior, light browning to end pages.. Signed by Author. Limited/Numbered. Buckram. Very Good/No Jacket. Large 8vo.

Tuscaloosa, Alabama:: Down Home Girl Studio,, 2012.. Edition of 31. 6 x 4"; 14 pages including pastedowns. Letterpress printed using photopolymer plates on Rives BFK papers. Bound in quarter cloth with letterpress printed handmade paper boards. Drum leaf binding. Signed and numbered on the colophon by Sawyer. Colophon: "But Move Not is a collaboration among friends - a poet and an artist. It was inspired by the red mangroves off the coast of Florida, which serve as the nursery for countless forms of flora and fauna. "The poem was written by Eder J. Williams in 2011. The book was designed, letterpress printed, and handbound by Suzanne Sawyer of Down Home Girl Studio in 2012."  Suzanne Sawyer: "'But Move Not' is the first of two collaborations with Eder J. Williams McKnight. ... It was inspired by a canoe trip ... to the mangroves of 10,000 Islands off the coast of Florida. The images are created from drawings based on photographs taken during the trip.… Read More

Cambridge, England: Prospect, 1961. 1st edition. Soft cover. Very Good/No Jacket (as issued). VG. 4to, 32pp, stapled wrappers. Scarce issue of this little magazine from 1961 Cambridge, with work by J.H. Prynne and others. Subscription slip bound in. Unmarked copy, outer stain to one corner, light outer soil.

Chicago: Third World Press, 1969. The Chicago poet's scarce second publication consists of two poems, "Black against the Muthafuckas" dedicated to UMOJA Student Center and The Chicago Student March and "Poem for Malcolm Memorial '69." Born in Bronzeville, Rodgers participated in writing workshops sponsored by Brooks and she was an active member of the Organization of Black American Culture. Chicago: Third World Press, 1969. 15 x 23 cm. Single piece of card, folded and printed on four sides. First edition. Slightly toned, creasing, 1cm intact tear to edge.. In very good condition.