[SURREAL JAPANESE STAGE PROP DESIGNS]. Tsukurimono shukō no tane ("Ideas for fabricated things")
by Matsukawa, Hanzan (illustrator). Kirō tei, Rikimaru (editor)
- Used
- Condition
- See description
- Seller
-
Lockhart, Texas, United States
Payment Methods Accepted
About This Item
Ōsaka: Aoki Tsunesaburō, 1890. COMPLETE SET of four parts in two volumes, 8vo (221 x 154 mm). Vol. I: 3, 22 ff. [recte: 18, deliberately mis-paginated by the publisher]; Vol. II: 11, 9 ff. [plus fol. "23" from Vol. I]. Three parts (first series (in one part) and second series (in two parts)) in two four-hole-bound (yotsumetoji) volumes, complete, on double leaves, traditional East Asian binding style (fukurotoji). Original wrappers lightly soiled and scraped. Small chips to original mounted daisen title panels. First volume lacks blank upper pastedown. Very light internal thumbing and occasional marks. The title on the daisen reads Tsukurimono shukō
no tane: shiki. THIS STRANGE AND WONDERFUL JAPANESE FOLK ART SEEMS TO HAVE NO EQUIVALENT IN WESTERN THEATER.
Now virtually forgotten, "Tsukurimono" (literally "fabricated things") are amusing Japanese stage props made with everyday objects, ingeniously transformed into theatrical props of anything that can be imagined: monsters, wild animals, nobility, giant insects, horses, elephants, spiders, raptors, tea carts, infirm beggars, mountains, platforms, wells, trees, and much more. Almost any material was repurposed and utilized in the manufacture of Tsukurimono: metal, bamboo, vegetables, ceramics, flowers, dried foods, cleaning supplies, garden and household tools, fabric, kitchen utensils, coins, and much more. From the Edo period onwards, Tsukurimono formed an important component of the stage at festivals, spectacles, exhibitions, and social gatherings, in rural and urban settings alike.
First published in 1837, this is a later (Meiji) printing of Matsukawa Hanzan's justly famous album of Tsukurimono, which is absolutely delightful and is a joy to behold. Each illustration is captioned with a title and a list of the items used. Some illustrations feature the name of the object's creator and a note about the item itself; others are accompanied by a short poem. One such prop is made from agricultural tools, another from items typically found in a liquor store, another from tea ceremony utensils, and much more. The work includes a practical section entitled "Tsukurimono tomeyō no den" which describes the process of making the objects, with a particular emphasis on adhering materials together.
MUST BE SEEN TO BE FULLY APPRECIATED.
See Tsuji Nobuo, Ornament (Kazari): An Approach to Japanese Culture (1994) and his History of Art in Japan (2018).
no tane: shiki. THIS STRANGE AND WONDERFUL JAPANESE FOLK ART SEEMS TO HAVE NO EQUIVALENT IN WESTERN THEATER.
Now virtually forgotten, "Tsukurimono" (literally "fabricated things") are amusing Japanese stage props made with everyday objects, ingeniously transformed into theatrical props of anything that can be imagined: monsters, wild animals, nobility, giant insects, horses, elephants, spiders, raptors, tea carts, infirm beggars, mountains, platforms, wells, trees, and much more. Almost any material was repurposed and utilized in the manufacture of Tsukurimono: metal, bamboo, vegetables, ceramics, flowers, dried foods, cleaning supplies, garden and household tools, fabric, kitchen utensils, coins, and much more. From the Edo period onwards, Tsukurimono formed an important component of the stage at festivals, spectacles, exhibitions, and social gatherings, in rural and urban settings alike.
First published in 1837, this is a later (Meiji) printing of Matsukawa Hanzan's justly famous album of Tsukurimono, which is absolutely delightful and is a joy to behold. Each illustration is captioned with a title and a list of the items used. Some illustrations feature the name of the object's creator and a note about the item itself; others are accompanied by a short poem. One such prop is made from agricultural tools, another from items typically found in a liquor store, another from tea ceremony utensils, and much more. The work includes a practical section entitled "Tsukurimono tomeyō no den" which describes the process of making the objects, with a particular emphasis on adhering materials together.
MUST BE SEEN TO BE FULLY APPRECIATED.
See Tsuji Nobuo, Ornament (Kazari): An Approach to Japanese Culture (1994) and his History of Art in Japan (2018).
Details
- Bookseller
- Michael Laird Rare Books LLC (US)
- Bookseller's Inventory #
- 4082
- Title
- [SURREAL JAPANESE STAGE PROP DESIGNS]. Tsukurimono shukō no tane ("Ideas for fabricated things")
- Author
- Matsukawa, Hanzan (illustrator). Kirō tei, Rikimaru (editor)
- Book Condition
- Used
- Quantity Available
- 1
- Publisher
- Aoki Tsunesaburō
- Place of Publication
- Ōsaka
- Date Published
- 1890
- Note
- May be a multi-volume set and require additional postage.
Terms of Sale
Michael Laird Rare Books LLC
14 day return guarantee, with full refund including original shipping costs for up to 14 days after delivery if an item arrives mis-described or damaged.
About the Seller
Michael Laird Rare Books LLC
Biblio member since 2007
Lockhart, Texas
About Michael Laird Rare Books LLC
Welcome to Michael Laird Rare Books, LLC. We specialize in fine and rare books, manuscripts, documents, ephemera, fine and historic bookbindings, and illustrated books of every description. Michael Laird is a member of the ABAA (Antiquarian Booksellers Association of America), ILAB (International League of Antiquarian Booksellers), and the Appraisers Association of America (USPAP compliant, and AAA certified in the appraisal of Rare and Antiquarian Printed Books). Michael Laird earned his masters degree in Library and Information Science from the University of Texas at Austin (1989) and has more thirty years experience in the antiquarian book trade. He is the principal Rare Book and Document appraiser at Winston Art Group (New York) and Gurr Johns (New York). From 2002 until 2013 he taught advanced graduate level courses in Rare Books and Special Collections (Palmer School of Library and Information Science at Long Island University, and the School of Information at The University of Texas at Austin School of Information).
We invite you to browse through a selection of our inventory: we strive to present the greatest historic detail and bibliographic accuracy, even for lesser priced - but no less interesting - items. We are happy to provide further images of any item: please inquire.
Order with confidence: we select every item with great care and discernment; moreover, we examine every page of every book. We are always interested in purchasing fine and rare books, manuscripts, and ephemera; please inquire. We very much appreciate your interest in our work, and your patronage. Thank you!
We invite you to browse through a selection of our inventory: we strive to present the greatest historic detail and bibliographic accuracy, even for lesser priced - but no less interesting - items. We are happy to provide further images of any item: please inquire.
Order with confidence: we select every item with great care and discernment; moreover, we examine every page of every book. We are always interested in purchasing fine and rare books, manuscripts, and ephemera; please inquire. We very much appreciate your interest in our work, and your patronage. Thank you!
Glossary
Some terminology that may be used in this description includes:
- Wrappers
- The paper covering on the outside of a paperback. Also see the entry for pictorial wraps, color illustrated coverings for...
- Gatherings
- A term used in bookbinding, where a gathering of sheets is folded at the middle, then bound into the binding together. The...
- Soiled
- Generally refers to minor discoloration or staining.
- Leaves
- Very generally, "leaves" refers to the pages of a book, as in the common phrase, "loose-leaf pages." A leaf is a single sheet...