Search Results: microcosm of london by ackermann rudolph

Paperback / softback. New.

Kessinger Publishing, LLC, 2010-09-10. Paperback. Good.

Kessinger Publishing, LLC, 2008-11-26. Paperback. Good.

Kessinger Publishing. Used - Like New. Used - Like New. This is a reproduction of an out of print title. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. Ships from UK in 48 hours or less (usually same day). Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. 100% money back guarantee. We are a world class secondhand bookstore based in Hertfordshire, United Kingdom and specialize in high quality textbooks across an enormous variety of subjects. We aim to provide a vast range of textbooks, rare and collectible books at a great price. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. We provide a 100% money back guarantee and are dedicated to providing our customers with the highest standards of service in the… Read More

Paperback / softback. New.

Paperback / softback. New.

Hardback. New.

Hardback. New.

New.

Methuen & Co.. Collectible - Acceptable. London: Methuen & Co., 1904. Volume 1. Sm 4to. xiv,231pp. Illus. Fair book. Joints cracked. Part of spine title label chipped off, with some text loss. Owner's name on front free endpage. (London, pictorial works) Inquire if you need further information.

London: Methuen , 1904. Book. Illus. by Thomas Rowlandson (Illustrator). Very Good. Hardcover. Reprint of Earlier Edit. 4to - over 9¾ - 12" tall. 3 volumes, color plates, original gray boards, vellum spines, paper labels, top edges gilt, Added title page, engraved; engraved dedication (facsimile?) signed by R. Ackermann, original publisher of the work."This issue is founded on the original edition published by Rudolph Ackermann"--Title page verso,"Text of the first two volumes by W.H. Pyne, and of the third by Combe. The topographical illustrations are by Augustus Charles Pugin, with figures by Rowlandson"--Dict nat. biog., articles Combe and Rowlandson. CONDITION:overall light soil to all vols., one spine label has been taped over, (tape has been removed) All plates present and clean. will require extra post..

London:: R. Ackermann's Repository, 1809. Very nice clean impression of this plate, with good colouring. The frame is sound, but with a little rubbing to the edges. Can be removed from the glazed frame and sent as a print in mount if desired.. Plate number 50 from Ackermann's "Microcosm of London". A lovely aquatint. The architectural details were drawn by Pugin, and Rowlandson drew the figures. (both are credited on the sheet). The aquatinting was done by J.C. Sadler. Glazed and framed in a black and gilt frame. Total size: 405 x 345 mm (16 x 13½ inches). Ackermann produced this work between 1807 and 1810. One of the greatest of the colour plate books. "The plates by Rowlandson and Pugin present an unrivalled picture of London in early 19th century, of historic value, as many of the buildings no longer exist" (Tooley).

London:: R. Ackermann's Repository,, 1808. Plate number 9 from Ackermann's "Microcosm of London". A lovely aquatint. First edition. Plate is 24cm x 29 cm. Mount size is 32.5cm by 38cm (12¾ by 15 inches). The architectural details were drawn by Pugin, and Rowlandson drew the figures (both are credited on the sheet). The aquatinting was done by J. Bluck. Very nice clean impression of this plate, with good colouring. A very small closed foxing spot to the bottom edge of the plate. Ackermann produced this work between 1807 and 1810. One of the greatest of the colour plate books. "The plates by Rowlandson and Pugin present an unrivaled picture of London in early 19th century, of historic value, as many of the buildings no longer exist." (Tooley) . Planche numéro 9 du "Microcosme de Londres" d'Ackermann. Une belle aquatinte. Première édition. La plaque mesure 24 cm x 29 cm. La taille du montage est de 32,5 cm sur 38 cm (12¾ sur 15 pouces). Les détails architecturaux ont été dessinés par… Read More

London: Ackermann, 1810. First edition. Quarto, 13 1/4 x 10 1/4 inches. 334 x 270 mm. Each volume with a wood-engraved title and engraved dedication. (vol.1) iv, 231; (vol. 2) vvi, 239; (vol. 3) vi, 280, (3 leaves index); text, plus 104 colored aquatints after drawings by Thomas Rowlandson and Augustus Pugin. Three-quarter calf, boards detached. Foxing to preliminary pages, offset from plates to facing text pages, otherwise text and plates clean and fresh. Later issue with plates having discernible watermarks dated 1808 (5), 1809,(1), 1816 (2) and 1831 (4). Tooley 7; Abbey, Scenery, 212.

London: T. Bensley [for R. Ackermann], 1808. FIRST EDITION, 3 vols., 4to, pp. [vi], iv, [3]-231, [1]; [ii], vi, [ii], 239, [1]; [ii], iv, [ii], 280, [6] + engraved dedication leaf in each vol. and 104 aquatint plates. Contemporary marbled calf. Three plates in vol. 1 with tears at platemark repaired on verso, otherwise just some spotting and toning, offsetting from plates to facing pages. Rebacked, corners and edges neatly renewed, hinges relined, old leather a bit scratched and marked. Bookplate removed from pastedowns, ownership inscription dated 1813 rubbed out from flyleaf of vol. 1. An early issue of this essential colour-plate work, complete with half-titles in each volume. Four of Abbey’s ‘key plates’ are in the first state, and all the visible watermarks are between 1806 and 1808. Abbey Scenery 212.

London, 1810. First Edition. Near Fine. Thomas Rowlandson and Augustus Pugin. In three volumes with 104 brilliantly-colored acquaint plates. Large 4to; 13 x 10 7/16 in. (330 x 267mm). Illustrated woodcut titles, half-titles, and engraved dedication page to the Prince of Wales in each volume, as well as a list of illustrations for binder plate positioning.Vol. 1 [4], iv, [2], 231; Vol. 2 [6], vi, 239; Vol. 3 [4], iv, 280, [6] index and errata. All visible watermarks are J.Watham between 1806 and 1808; offsetting from plates as usual and foxing on dedication page; several text quires toned. Full period diced Russia binding, elaborately gilt, by Baker -binder's ticket tipped in to front free endpaper; gilt titles and decorations on spines; gilt rules and tooling on edges; marbled endpapers and all edges marbled. From the Collection of Victor Niederhoffer. [Abbey Scenery 212; Tooley 7; Prideaux pp. 121 - 124; Bobins 606 & 828; Colas 2054]. Tooley points as follows: First state of Dedication and… Read More

London: R. Ackermann, 1808. First. hardcover. near fine. Thomas Rowlandson & Augustus Charles Pugin. Beautifully illustrated with 104 brilliantly hand-colored aquatint plates after Thomas Rowlandson and A.C. Pugin [Pugin engraved the architectural details & Rowlandson the figures]. 3 volumes. Illustrated woodcut titles and engraved dedication page to the Prince of Wales in each volume. [4], iv, [2], 231; [6], vi, 239; [4], iv, 280, [6] pages. Large 4tos, bound in contemporary 3/4 red calf over marbled boards with gilt spines; marbled endpapers; all edges yellow. London: R. Ackermann, 1808-1810. <BR><BR>First edition, likely bound from the original parts, without the half titles as was often the case; the papers are watermarked 1806 & 1807 and containing 11 of Abbey's 12 key plates are in the first "luminescent" state, and 12 of the 13 errata points still un-corrected. Offsetting from plates as usual, and dedication pages are foxed, but otherwise an exceptionally… Read More

London: R. Ackermann's Repository of Arts, 1808. With Eight of Abbey's Twelve Key Plates in Their First "Luminous" State A Wonderful Example Bound in Early Twentieth Century Three-Quarter Red Straight-Grain Morocco [ACKERMANN, R[udolph]. The Microcosm of London; or, London in Miniature]. London: R. Ackermann's Repository of Arts, [1808-1810]. First edition, early issue, bound from the original parts, with eight of Abbey's twelve key plates in their first state. Text watermarked J. Whatman 1806 & 1807 and also L & D 1807; plates watermarked J. Whatman 1806, 1807, 1808 & 1809. "Contents" leaf in volume one in first state. With all of the errata uncorrected, except for that reading "coustom" for "custom" on p. 218 of Volume I (see Abbey, Scenery, p. 138). Complete with the half-titles, woodcut titles and engraved dedication leaves in each volume. Three large quarto volumes (12 5/8 x 10 1/2 inches; 321 x 267 mm.). [1, pictorial woodcut title], [1, blank], [1, dedication], [1, blank], iv,… Read More