Search Results: theatre street by karsavina tamara

Constable & Company Ltd, 1948. Hardcover. Acceptable. 1948. Revised and Enlarged Edition. 302 pages. No dust jacket. Blue cloth boards with gilt lettering. Contains black and white plates. Clean pages and plates with light tanning and mild foxing throughout. More pronounced to free endpapers and pastedowns. Pencil and pen markings to front free endpaper. Binding remains firm. Boards have moderate edge-wear with bumping to corners and rubbing to surfaces. Gilt lettering is darkened. Moderate sunning to spine and edges with crushing to spine ends. Minor splits to spine ends and corners causing cloth to be frayed. Visible wear marks to boards.

Paperback. Very Good.

Constable and Company Ltd, 1948. Hardcover. Good/Good. 1948. Revised and Enlarged Edition. 302 pages. Dust jacket over blue cloth. Contains black and white illustrated plates. Clean pages with mild tanning and foxing throughout. Heavy foxing to text block edges. Tightly bound with faint thumb-marking throughout. Boards have light edge wear with minor corner bumping. Mild crushing to spine, with occasional markings overall. Clipped jacket has moderate edgewear with chips, tears, and creasing. Notable foxing. Mild tanning to spine. Moderate rubbing and marking all over. Moderate water staining to surfaces.

New York: E.P. Dutton & Co. , Inc., 1931. 1st Edition Sixth Printing. Hardcover. Good/No Jacket. 64mo - up to 3" tall. 341pp. Blue cloth, gilt lettering. Cover nearly unworn, spine darkened, endpapers darkened, inscription and date (1931) on front endpaper, text is clean and sound. Forward by J.M. Barrie. Laid-in is a 1978 New York Times obituary of Ms. Karsavina.

Readers Union, 1950T. hardcover. Good. in x in x in. 1950 RU edition on black cloth with school prize plate to end paper

E. P. Dutton & Co., Inc, 1931. hardcover. ACCEPTABLE/NONE. 8x5x1. 341 clean, unmarked, tight pages with light tanning; name/address sticker inside front cover; front hinge is slightly loose but not cracked; sturdy cover has shelf, edge, and corner wear, fraying at ends of spine, tanning, and sunning

William Heinemann, 1931. 3rd. hardcover. Good/No Jacket. reprint. edge wear on the book. foxing and markings. foxing and markings throughout. pages are intact and presentable. may require extra postage outside South Africa. [SK]. Our orders are shipped using tracked courier delivery services.

London: Readers Union, 1950. Hardcover. Very Good. No markings or inscriptions. Text clean. Binding tight and square. No dust jacket. Light soiling to cover.

London: Columbus, 1988. Soft cover. Very Good. 8vo - over 7¾ - 9¾" tall. Feels unread and has a little tanning and some light marks to the cover.

William Heinemann, 1931. Hardcover. Acceptable. 1931. First Edition Thus. 341 pages. No dust jacket. Green cloth with gilt lettering. Black and white photographic plates. Moderate foxing and light tanning to pages and plates. More prominent to text block edges, pastedowns and free endpapers. Pencil inscription to front free endpaper. Light cracking and staining to gutters but binding remains firm; heavier to front hinge. Boards have minor corner bumping and edgewear with mild tanning and scuffing overall; visible stain to rear board. Spine has heavier tanning with soft crushing to ends. Lettering remains bright and clear. Book has a slight forward lean. Noticeable split to rear joint.

constable. octavo hardcover in dustwrapper; all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book will reduce your overall postage cost

London: Heinemann, 1931 presentation gift card pasted to fep, 341pp + plates. reprint. Cloth. Very Good/No Jacket. 8vo - over 7? - 9? tall.

London: Constable, 1948. Revised & enlarged. Hardcover. Very Good/Good. Octavo. pp XI, 301. 1st printing. DJ shows wear with losses to extremities. Book internally fine.

London,: Heinemann,, 1930. Hardcover Hardcover. Very Good. Original cloth with wear and rubbing to extremities, rebacked retaining the original backstrip, otherwise about very good. No jacket.

E P Dutton & Co,. Condition: Fair. Dust Jacket Condition: N/A Sun Browned Spine with No Dust Jacket. Wear and fading to cover edges and corners. Tape reinforces spine at edges, although not separating. Inside is beautifully preserved for a book of this age. No foxing or discoloration. Printed On 0ff~White Paper That Is Clean And Tight To The Spine. Library Stamp on bottom edge. . Fair. Hardcover. 1st Edition. 2nd Printing. 1931.

New York * * * * * : E. P. Dutton & Co. , 1931. 1st Edition . Hardcover. Very Good/Good. Book: Very Good/Near Fine/, 1931 . Book: Very Good/Near Fine/, $650.89 THEATRE STREET: the Reminiscences of Tamara KARSAVINA, Illustrated. * KARSAVINA, Tamara; BARRIE, J. M. E. P. Dutton & Co. 1931 New York * * * * * 1sT Edition Sun Browned Spine With No Title Dust Jacket: Good/, Shelf, Edge Tears And Corner Wear. Finger Pull Tear Top Of Spine Is Missing. Hard Cover Book: Very Good/Near Fine/, Shelf, Edge And Corner Wear. 341 Numbered Pages In Very Good/ Or Better Condition Printed On 0ff~White Paper That Are Clean And Tight To The Spine. Inside Front Cover Is 3 Prices Of Prior Sellers. This Book Not Author Signed. This Item Will Be Sent Wrapped In Plastic, Taped Shut And In A = New Corrugated Mailing B0X. New Padded Mailing Envelope = To Prevent Shipping Damage So That It Will Arrive In The Description Described Which Applies To This Item, = ONLY. = No Odors, No Writing, No Names, No… Read More

London, Constable & Co., 1948. . Revised and enlarged edition, 8vo; presentation copy inscribed by Karsavina on the half title 'To very dear (?) and friend Tamara Karsavina', front free endpaper excised. illustrations throughout; blue cloth, a good copy. An absorbing autobiography of one the greatest prima ballerinas of all time. It covers vivid pictures of her childhood in St Petersburg in the late 1880s and her career at the Mariinsky Theatre and the Ballets Russes. This edition includes an additional chapter on Diaghilev as he had since died, in an 'attempt to bring some unity into the features of his personality'.