Search Results: Ephemera from Alan Wofsy Fine Arts

Paris : Musee National d’Art Moderne, 1976.. 12mo., oblong. [36 pp.]. Softcover. Very Good, minor wear and toning. B&W prints throughout. From the Collection of the Art Historian Peter Selz (1919-2019).

Paris, FR: Automobile Club de France, 1978. Exhibition Catalogue. 8vo. Soft Covers. Front and back covers show minor signs of wear. Very Good. [54 pp.]Number 390 of an edition of 1500.Text is in French.Black and white plates.Provenance: From the library of Pasquale Iannetti.

Munich, Germany: Galerie Wolfgang Ketterer Munchen, 1973.. Auction Catalogue. 4to. 18 pp. Stapled Wraps, Very Good with minor damp-staining. Plates. Auf Deutsch.

N.P., n.d [1930s?].. 8vo. 10 pp., Very Good, Postcards, Black & White Photo reproductions.

Paris: Galerie Martin-Caille, 1965.. Large format color print poster 26” x 21”. Very Good. Toning and wrinkling along left edge. Minor soiling and wrinkling from use. Extremely Scarce.Maximilien Luce was a prolific French Neo-impressionist artist, known for his paintings, illustrations, engravings, and graphic art, and also for his anarchist activism.

Berlin: [HauptstadtScheckheft?], [196?].. 33 x 47 inches. Color offset lithograph on A- paper. Good; several minor tears along border edges + one small loss on the right edge. Designed by German illustrator and graphic artist Richard Blank (1901 - 1972). Original.

Berlin: [HauptstadtScheckheft?], [196?].. 33 x 47 inches. Color offset lithograph on A- paper. Very Good; a few minor tears along border edges. Designed by German illustrator and graphic artist Richard Blank (1901 - 1972). Original.

London: May Fair Theatre, 1971.. Theatrical poster. 12 x 20 inches. Presented by Charles Ross in association with Stephen Lezard and Dene Allyson. Directed by Charles Ross, and starring Michael Flanders, Sally Smith and Gordon Chater. One of the supporting cast member's name has been neatly replaced with a glued-on strip, else near fine with a neat horizontal crease from folding and light wear to the edges.

Turin, IT: Galleria d’Arte Contemporanea, 1967.. 8vo. [24 pp]. Softcover. Very Good, slight bend at lower right corner. Black & white plates throughout. Text in Italian. From the Collection of the Art Historian Peter Selz (1919-2019).

Sacramento: California State Lottery, 1986. 25 x 18 inches.

Fencott, England: Paxton and Castle, 1867.. 65cm. x 52cm. Fine condition. Two good wagons, 4-horse-power Thrashing Machine, Milk Leads, 4 Qrs of Thrashed Wheat, and a stump of Hay, all to go off.

New York: Swann Galleries, 2007.. 8vo. [ca. 70 pp.], Soft Covers, Very Good+. Plates. Goya, Rembrandt, Durer, et al.

New York: Swann Galleries, 2005.. 8vo. [ca. 80 pp.], Soft Covers, Very Good. Plates. Sheet with Prices Realized laid in.

Little Chesterton, England: Paxton, Son, & Castle, 1880.. 51cm. x 39 cm. Feather beds, and miscellaneous effects, the property of the late Mrs. Hall, to be sold by Jonas Paxton, Son, & Castle, June 3, 1880. Items include those for kitchen and pantry, attic, bedrooms, parlour and sitting room. Near fine condition with faint creases on sturdy paper.

Berkeley, CA: Howell-North Press, 1946.. PROSPECTUS. 8vo. Folded Sheet With Deckled Edge, Very Good.

Southend-on-sea, Essex, England: Stanislaw Gliwa, 1964.. 8vo.-size folio leaf letterpress print on handmade laid paper. 16 x 25 cm. Printed on cover and separate design int. Text in Pol./Fr./Eng., declaration from Polish Socialist Party (in exile). Mild wear and toning, dateline Brussels, Sept., 1964. Faint horiz. crease, mild toning, else very good.

Munster : LWL-Museum fur Kunst und Kultur, 2013.. 16mo. 166p. Softcover. Very Good, very slight creasing on cover corner edges, slight markings on cover. Color prints throughout.From the Collection of the Art Historian Peter Selz.

Domestic Sewing Machine Corporation, ca. 1960s.. 21 pp.; stapled paper booklet. Numerous black and white illustrations and diagrams. Appears to be from the early 1960s. Item in fine condition.

Cleveland, OH & other locations: Donna Cope,, 1908 - 1911.. Cleveland, OH & other locations: Letters to Donna Cope, 1908 - 1911. VG.William J. Moulton was active as a daguerreian in Elmira, N.Y., 1857-1860, offering ambrotypes, photographs, "ambrographs", & daguerreotypes, typical of the pre-Civil War era. By the end of the 19th Century, his family had moved to the Cleveland, Ohio area.

Gstaad, Switzerland: Yehudi Menuhin Festival, 1966.. Program. 8vo. Stapled Wraps, [ca. 20 pp.]. Very Good. B&W photos. Insert loosely laid in. Text in German & French.From the Collection of Audrey J. Burford, supporter of Classical Music from Blackheath, London.