Search Results: Photograph from Charles Agvent

Framed Photograph. A bit of fading along the edges of the photograph. Near Fine, not examined out of the frame. A 6" x 7-7/8" black-and-white silver print formal portrait by Yvonne, matted and framed to an overall size of 10" x 15," of Lewis on the day he left for his honeymoon with Dorothy Thompson, SIGNED by the photographer in red pencil beneath the image. Also INSCRIBED and SIGNED by Lewis on the mat to two lifelong friends: "To Frere & Tess/with the love/of Sinclair Lewis/New York/Jan. 10, 1930." Lewis characteristically dated the photo 1929 and then realized it was 1930--a common occurrence for him whenever inscribing in January. Booze exaggerated this habit.

Photograph. Minor wrinkling to upper corners. Still Near Fine. An 8" x 10" black-and-white formal portrait of a pensive Lewis, head on his fist and looking down. INSCRIBED and SIGNED by the author on the light background on the left side: "To Guy/Palmerton/Sinclair Lewis." The photo is also signed in the image by the photographer, Talbot of New York. Signed photographs by Lewis are uncommon. Ink photographer's credit on verso. Two letters in "Lewis" slightly smudged.

Framed Photograph. A beautiful presentation in perfect condition, not examined out of the frame. Wonderful 8" x 10" black-and-white photograph showing Gershwin partly in shadow and seated playing the piano, elaborately matted and framed to an overall size of 20" x 17-1/2," SIGNED by the composer with the sentiment "Sincerely."

Photograph. The signature on the photograph is a bit light but still clear; minor edgewear. About Fine. An 8" x 10" black-and-white portrait of the author of FROM HERE TO ETERNITY and THE THIN RED LINE in a suit and tie standing before a part of his book collection and holding an open book. INSCRIBED (possibly in another hand) and SIGNED by the author at the top of the photograph. Accompanied by a TYPED LETTER SIGNED forwarding the photograph.

29 November 1916. Photograph. Mat with border tears and large chip at the lower left affecting identification lettering but not the photograph or Moore's signature or writing. Very Good. A 5" x 6-7/8" black-and-white photograph of a portrait painting of Moore laid down on a 6" x 8" mat. SIGNED by Moore on the mat and dated "Novermber 29, 1916."