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L'estampe et L'Affiche., 1898. The complete book with original lithograph frontispiece. Bouvet 53. La Loge and cover. Bouvet 52 both by Bonnard. Publication by L'Estampe et l'Affiche. Bouvet 52 & 53.. Roger-Marx 72 & 73. One of 800 on papier teinté. 8 ¾ x 7 ½,, 220 x 190. From the first edition limited to 1,000 copies, this being the edition of 80 on veilin. The coloured frontispiece and the front cover are original lithographs by Bonnard. A collection of texts edited by Mellerio. Fine copy, the covers slightly yellowed and common on this age paper and type. La Loge is in perfect cond. Prov: H.M. PETIET, his estate stamp on the inside flap on the front and back.
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LA LITHOGRAPHIE EN COULEURS BY ANDRE MELLERIO
by BONNARD, PIERRE (1867-1947). Andre Mellerio
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- Used - Fine
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- first edition one of 80 on velin
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LE RETOUR, FACE OF A WOMAN
by De Feure, George.(1868-1928\)
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- deluxe edition of 50 on Japan paper
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Paris, Imprimerie Champenois, 1897 Published lithograph printed in purple, red and rust with a proof in puple with a remarque lower right Image 13 x 10 with approximately 16 x 14 full margins Both LITHOGRAPHS as published in the deluxe edition on Japan paper of L'ESTAMPE MODERNE Number 3, juillet 1897. Millman, p.124, Weisberg/Cate, p.112, No. 173. L'Estampe Moderne (1897-1898), a more commercial and later version of L'Estampe Originale, was a monthly publication of print portfolios, producing twenty-four issues containing four color lithographs each Only a few prints exhibiting Japanese influence were issued, mostly by minor artists, yet they were equally as beautiful in image as their predecessors Sold framed L’estampe moderne was edited by Charles Masson and H Piazza, and printed and published by Imprimerie Champenois, Paris Each monthly instalment came in a paper cover (which itself incorporated an original lithograph by Alphonse Mucha, and contained four original lithographs Each…
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LE RETOUR, FACE OF A WOMAN
by de feure, Georges 1868-1928
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- near fine
- first
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- Used - Near Fine
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- Grand Deluxe of 50 on Japon
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Saratoga, California, United States
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Lithograph. 1897. Published by L'estampe Moderne, Impremerie Champenois. Image: 25,5 x 33cm. Margins:40,8x55cm. One of 50 proofs in the Grand Luxe printed on Japan with wide margins, Velin paper. Signature of the artist in the plate. Blindstamp of the editor lower right hand margin. On the Verso is the serpent stamp and number of the edition "78" / of 100 signed in pen. 2000 of the regular edition with smaller margins were published. Included is a proof in one color. photo upon request.
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RUE VUE D’EN HAUT
by BONNARD, PIERRE (1867-1947). Andre Mellerio
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- 1st
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BONNARD, PIERRE (1867-1947). RUE VUE D'EN HAUT. Ambroise Vollard, 1899. 1st Edition. Lithograph in colors. 370mm x 220mm ,14 5/8 x 8 1/4". One of an edition of 100. From the set of 13 lithographs, Quelques Aspects de la vie de Paris, Several Views of Parisian Life. 1895. Printed by August Clot. Bouvet 92. Roger Marx 60. Fine with full margins.. [2641] $5,000.00
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