Search Results: Writing from The Vespiary Book Restoration & Bindery

"Thirty years ago my older brother, who was ten years old at the time, was trying to get a report on birds written that he'd had three months to write. [It] was due the next day. We were out at our family cabin in Bolinas, and he was at the kitchen table close to tears, surrounded by binder paper and pencils and unopened books on birds, immobilized by the hugeness of the task ahead. Then my father sat down beside him, put his arm around my brother's shoulder, and said. 'Bird by bird, buddy. Just take it bird by bird.'"
With this basic instruction always in mind, Anne Lamott returns to offer us a new gift: a step-by-step guide on how to write and on how to manage the writer's life. From "Getting Started,' with "Short Assignments," through "Shitty First Drafts," "Character," "Plot," "Dialogue." all the way from "False Starts" to "How Do You Know When You're Done?" Lamott encourages, instructs, and inspires. She discusses "Writers Block," "Writing Groups," and "Publication." Bracingly honest, she is also… Read More

The only style manual ever to appear on bestseller lists has explained to millions of readers the basic principles of plain English. The books mantra "make every word tell" is still on point. Whether seventeen or seventy, this much-loved classic, now in its fourth edition, will forever be the go-to guide when in need of a hint on how to make a turn of phrase clearer, or a reminder on how to enliven prose with the active voice. Kalman's exquisite illustrations give the revered work a jolt of new energy, making the learning experience more colorful and clear. The Elements of Style Illustrated will come to be known as the definitive, must-have edition.

American's wisest, most prolific reader--and the "New York Times" bestselling author of "Shakespeare: The Invention of the Human"--draws upon his more than 40 years as a college professor and critic to help readers attain a truly profound engagement with great literature.

Birth is not inevitable. Life certainly isn't. The sole inevitability of existence, the only sure consequence of being alive, is death.In these eloquent and surprising essays, twenty writers face this fact, among them Geoff Dyer, who describes the ghost bikes memorializing those who die in biking accidents; Jonathan Safran Foer, proposing a new way of punctuating dialogue in the face of a family history of heart attacks and decimation by the Holocaust; Mark Doty, whose reflections on the art-porn movie Bijou lead to a meditation on the intersection of sex and death epitomized by the AIDS epidemic; and Joyce Carol Oates, who writes about the loss of her husband and faces her own mortality. Other contributors include Annie Dillard, Diane Ackerman, Peter Straub, Brenda Hillman, and Terry Castle.

Writing well does not result from following rules and instructions, but from a blend of spontaneity, judgment, and a wise attitude toward the work neither despairing nor defensive, but clear-eyed, courageous, and discerning. Writers must learn to tolerate the early stages, the dreamlike and irrational states of mind, and then to move from jottings and ideas to a messy first draft, and onward into the work of revision. Understanding these stages is key.The Kite and the String urges writers to let playfulness and spontaneity breathe life into the work letting the kite move with the winds of feeling while still holding on to the string that will keep it from flying away. Alice Mattison attends also to the difficulties of protecting writing time, preserving solitude, finding trusted readers, and setting the right goals for publication. The only writing guide that takes up both the stages of creative work and developing effective attitudes while progressing through them, plus strategies for learning more… Read More

The Last Best Place includes over 230 stories, poems, reminiscences, and reports written by 140 men and women. The book is divided into eight sections with introductory essays by William Bevis, Mary Blew, William Kittredge, William Lang, Richard Roeder, Annick Smith, and James Welch.

Steeped in the Palmer Method of Handwriting she learned in Catholic school, Kitty Burns Florey is a self-confessed "penmanship nut" who loves the act of taking pen to paper. So when she discovered that schools today forego handwriting drills in favor of teaching something called keyboarding, it gave her pause: "There is a widespread belief that, in a digital world, forming letters on paper with a pen is pointless and obsolete," she says, "and anyone who thinks otherwise is right up there with folks who still have fallout shelters in their backyards."Florey tackles the importance of writing by hand and its place in our increasingly electronic society in this fascinating exploration of the history of handwriting. Weaving together the evolution of writing implements and scripts, pen-collecting societies, the golden age of American penmanship, the growth in popularity of handwriting analysis, and the many aficionados who still prefer scribbling on paper to tapping on keys, she asks the question: Is… Read More

In Taking Care, William Kittredge relates his coming of age on a property his family transformed from a farm dependent on horses to a modern agribusiness. Painfully reflecting on the abandonment of old ways, Kittredge calls for new, radical stories about the West that will foster compassion and caretaking.

The grassroots publishing sensation continues with WOVEN ON THE WIND, the second volume of women's writing from the heart of the American West compiled by the editors and ranchers Linda Hasselstrom, Nancy Curtis, and Gaydell Collier. They called on women in sixteen states and provinces to write about their friendships with other women in the West, a subject that they discovered has all too often been overlooked or underplayed. The result is WOVEN ON THE WIND, a unique and exhilarating collection, "a beautiful, intricate mosaic of women as mothers as well as friends" (Fencepost). In a region where time and space are large and solitude is a fact of life, these women tell of the beauties, ironies, rigors, heartbreak, and humor of life and how it is uniquely enriched by friendships past and present. The voices in this volume -- unsentimental, unflinching, and utterly unforgettable -- take readers into the fields, kitchens, barns, and souls of nearly 150 women and reveal a vital part of the real western… Read More