Search Results: pri from Time Booksellers

Hammersmith; Hammersmith Publishing Society; 1902.. First Edition; Demy 8vo; pp. (36) unpaginated; bound in brown paper covered boards with a vellum spine, 'William Morris" lettered in black on spine, very good copy.

Carlton; Queensberry Hill Press; 1978.. Limited Edition; 8vo; pp. 290; b/w portrait frontispiece, sources, index, original light blue grey cloth with black cloth spine, lettered in gilt on spine with gilt illustrations on front, very good copy. Limited Edition of 350 numbered copies. This is number 284

(Carlton), Queensberry Hill Press, 1978.. Limited Edition; 8vo; pp. 290; b/w portrait frontispiece, sources, index, original light blue grey cloth with black cloth spine, lettered in gilt on spine with gilt illustrations on front, bookplate, otherwise a very good copy. Limited Edition of 350 numbered copies. This is number 147.

Pennsylvania; The Franklin Library; 1979.. Limited Edition; Demy 8vo; pp. [viii], 433; silk moire endpapers, illustrated with twelve full page paintings by Jean Beraud, bound in original full red decorated leather, raised bands, title lettered in gilt on spine, gilt stamped decoration to spine and boards, original silk page marker, all edges gilt, fine copy. Limited Edition published by The Franklin Library exclusively for subscribers to The Greatest Books of the Twentieth Century.

Pennsylvania; The Franklin Library; 1981.. Limited Edition; Demy 8vo; pp. [viii], 696; silk moire endpapers, illustrated with several drawings by Douglas Gorsline, bound in original full green decorated leather, raised bands, title lettered in gilt on spine, gilt stamped decoration to spine and boards, original silk page marker, all edges gilt, fine copy. Limited Edition published by The Franklin Library exclusively for subscribers to The Greatest Books of the Twentieth Century.

London; The Acorn Press; 1985.. Limited Edition; Square Post 4to; pp. (42), un-paginated; text illustrated with15 monotone linocuts by Weissenborn, limitation page, bound by Woolnough Fine Bindings in beige cloth with title label on upper board, very good copy. Edition limited to 100 numbered copies this being copy number 9.

Sydney; James A. Meagher; 1953.. Limited Edition; Post 4to; pp. [ii],16, 25, 23, 26,25;marbled endpapers, bound in scarlet half-morocco by Bayntum Riviere of Bath, title label on spine, title lettered in gilt, tope edge gilt, Harry Chaplin's copy with his Lindsay bookplate on the front fixed endpaper, inscribed and signed by Meagher on the title page, tipped in is an a.l.s from Meagher to Chaplin, a copy of Chaplin's two page letter approaching Lindsay to illustrate the verses, and a typescript copy of Lindsay's letter declining, loosely inserted is a Christmas card from Meagher 1956 (printed and signed by Walter Stone), the book was later in the collection of Dr. Geoffrey Cains, then Charles Stitz. Also included is copy Charles Stitz article in the September 2020 issue of Biblionews titled "James Meagher and his Remarkable Translation of Ovid's Ars Amatoria" which discusses at length the history of this book and the various associated letters and cards. Never commercially… Read More

Melbourne; Marsh Walsh Publishing; 1975. . Facsimile Edition; Demy 8vo; pp. 54; frontispiece folding chart of New Holland and Botany Bay, with the adjacent Countries, and new-discovered islands, bound in full leather, raised bands, gilt leather title piece on spine, gilt stamped decoration of ship on front and rear boards, hand bound by the Dove bindery, Melbourne; in original card slip case, bookplate on front endpaper, fine copy. This edition limited to 350 numbered copies.

London; Acorn Press & The Whitington Press; 1980.. Limited First Edition of 60 numbered copies;; Roy. 8vo; pp. [60] unpaginated; 27 hand coloured linocuts by Hellmuth Weissenborn, original cloth binding with printed title label on spine and printed illustrations on front and read boards, top edge maroon others uncut, housed in publisher's slipcase, fine copy. This is one of 60 copies hand-set in Caslon type and printed from the original linocuts, hand-coloured by the artist, on Wookey Hole hand-made paper, and bound by Weatherbys. This copy being number 48, signed by the artist.

Beecroft, Sydney; Brandywine Press & Archive; 1988.. First Edition; F'cap 4to; pp. (48) unpaginated; text with 1 b/w. illustrations, bound in original stiff stapled illustrated wrappers, name on front endpaper otherwise a very good copy.

Beecroft, Sydney; Brandywine Press & Archive; 1989.. First Edition; F'cap 4to; pp. (48) unpaginated; text with 5 b/w. illustrations, bound in original stiff stapled illustrated wrappers, name on front endpaper otherwise a very good copy.

London; The Acorn Press; 1989.. Limited Edition; Cr. 8vo; pp. 29, (1); illustrated title page, text illustrated with 12 wood engravings, limitations page, bound in original stiff wrappers with title label on upper wrapper, very good copy. Edition limited to 200 numbered copies signed by the author, this copy being number 36.

The Black Jack Press; 1997.. Limited Edition; Collection of ephemeral pieces, including two visitings card designed by Vane Lindsay, three rejected title page designs, bookplate designed by Vane Lindsay, coloured photograph, conspirator's catalogue, unused linocut of Moriarty signed by Derham Groves, unused drypoint of Holmes and Moriarty by Groves from the Littlewood press, rubber stamp from 'The Secret of "The Unicorn" by Herge', two rejected note cards, most items captioned and signed by Groves, bound in paper wrappers with title label on upper wrapper, very good copy. Edition of 12 numbered copies this being copy number 9.

(Bloomsbury, The Nonesuch Press Ltd., 1929) . Small 4to; pp. 28; original marbled wrapper, wear to spine of wrapper, browning to pages, minor foxing to page edges, otherwise a very good copy.

Powys; Gwasg Gregynog; 2003.. Limited Edition; Med. 4to; pp. [vi], 13, (1); title page printed in orange and black, three full page wood engravings by Anna Ravenscroft, bound in quarter orange cloth with patterned papered boards, title lettered in gilt on upper board, fine copy. The edition is limited to 200 numbered copies printed by David Vickers on Simili japon paper, this copy being number 96. The book of Ruth is included in the third division of the Hebrew Bible. It tells the story of the Moabite woman Ruth, who became the wife of Boaz, a wealthy kinsman of her former husband, and bore Obed, who, according to the final verses of the book was the grandfather of David.

London, Clover Hill Editions/ Douglas Cleverdon, 1979.. Limited Edition; Impl. 8vo.; pp. [ii], 19; illustrated with 13 engravings, quarter cloth spine, decorated paper boards, title lettered in gilt on spine, fine copy. This is the eleventh of the Clover Hill Editions, comprising 10 copies on vellum, lettered A to J, with a portfolio containing sets of the engravings on vellum, japon and hand-made paper, 100 copies on Barcham Green's RWS hand-made paper, numbered I to C, with and extra set of the engravings on japon, 300 copies on J. Green mould-made paper, numbered 1 to 300. This copy being number 136. The thirteen engravings by David Jones were first printed in 1926 at the Golden Cockerel press, Waltham-Saint-Lawrence. They are here printed from the original wood-blocks by kind permission of the Trustees of the David Jones Estate.

Melbourne Australia; Douglas Stewart Fine Books; 2014.. First Limited Edition; Super Royal 4to; pp. [x], 130, (1) limitation page; coloured photographic frontispiece, numerous tipped-in illustrations, contains on front preliminary pages a tipped-in original bookplate by Andrew Sibley, hand signed by the artist, text set in Monotype Baskerville by Neil Winter at the Whittington Press, England. finely bound by hand in full blue cloth with title lettered in gilt on spine, gilt blind stamped decoration on upper board, housed in a matching slip-case, signed by Robert Littlewood, Pat Corrigan and Douglas Stewart, fine copy. Together with four page promotional brochure with three tipped-in coloured plates and a DVD being a one and a half hour interview with Pat Corrigan in which the collector discusses his life and his collecting. Limited edition of 215 copies of which this is one of the standard versions numbered 16 to 215.

Adelaide; The Wakefield Press; 1942.. Limited First Edition; 8vo; pp. 23; illustrated title page, tipped-in frontispiece, 11 tipped-in bookplates (nine in colour), bibliography, chronological checklist of the bookplates of G. D. Perrottet, bound in original wrapper over stiff card, chipped and lightly stained, book label of David Levine, Sydney on the verso of upper wrapper, wrapper lightly creased and browned, with a small piece torn from bottom fore-corner of upper wrapper, good copy. Limited edition of 275 copies. The second publication of the Wakefield Press.

Pennsylvania; The Franklin Library; 1980.. Limited Edition; Demy 8vo; pp. [xiv], 320; silk moire endpapers, text with several full page illustrations, bound in original full brown decorated leather, raised bands, title lettered in gilt on spine, gilt stamped decoration to spine and boards, original silk page marker, all edges gilt, fine copy. Limited Edition published by The Franklin Library exclusively for subscribers to The Greatest Books of the Twentieth Century.

London; William Heinemann Ltd.; 1929.. First Limited Edition; Super Royal 8vo; pp. [viii], 362; illustrated title page, 11 other copper engravings in text (nine full-page), bound in original full vellum, title lettered in gilt on spine, pages uncut, signed by the author and the artist, from the library of Richard Griffin with his bookplate on the front endpaper, fine copy.