Search Results: Authors starting with E from Bagatelle Books, IOBA

Washington DC: National Gallery of Art, 2002. First Edition, First Printing. Hardcover. Near fine/Near fine. Quarto. 9.5 x 12.5 in. 406 pp. Profusely illustrated with color reproductions of paintings. Near fine in original cloth boards and near fine pictorial dust jacket.

New York: New York University Press, 2003. First Edition, First Printing. Hardcover. Fine in original black paper-covered boards and near fine pictorial dust jacket.. Octavo. 6.25 x 9.25 in. xiii, 243 pp. Inscribed by Edds on the front-free endpaper in year of publication.

New York: Norton, 1971. First Edition, First Printing. Hardcover. Very good/Very good. Octavo. 5.75 x 8.5 in. 128 pp. Very good in original black cloth, light foxing to edge of text block, and very good in original dust jacket with price clipped and general rubbing.

Aurora, CO: Davies Group, 2010. 2010 Printing. Paperback. Fine in original pictorial wrappers.. Octavo. 5.75 x 8.5 in. ix, 224 pp. Includes essays by eleven contributors.

London: Macmillan, 1983. First UK Edition, First Printing. Hardcover. Near fine in original paper-covered boards, mild foxing to edge of text block and fine pictorial dust jacket.. Small octavo. 5.5 x 9 in. 272 pp.

New York: Anchor / Doubleday, 1988. Third Printing. Hardcover. Near fine/Near fine. Octavo. 6.25 x 9.5 in. 424 pp. Very good in original paper-covered boards with minor foxing along edge of text block and very good in original pictorial dust jacket with similar foxing and minor sunning to spine. Inscribed by Ehle to Penland, North Carolina ceramicist Jane Peiser on front free endpaper.

New York: Harper & Row, 1965. First Edition, First Printing. Hardcover. Near fine in red cloth and near fine pictorial dust jacket.. Octavo. 6 x 8.5 in. xi, 340 pp. With a suite of black & white reproductions of photographs.

New York: Harper and Brothers, 1971. First Edition, First Printing. Hardcover. Very Good/Very Good. Octavo. 5.75 x 8.5 in. 218 pp. Very good in original tan cloth, light foxing and very good pictorial dust jacket, chipping to corners. Full number line on pp. 218.

New York: Harper and Row, 1967. First Edition, First Printing. Hardcover. Good/Very Good. Octavo. 5.75 x 8.75 in. 401 pp. Good in the original blue cloth boards and navy binding that has a lean and heavy rubbing on the upper and lower ends of the spine, with a very good illustrated dust jacket that has linear blue color transfers on the flaps and rear jacket. A gift inscription appears on the front free endpaper. Signed by Ehle on the title page. The book was closed while the ink was still wet, causing a partial transfer to the opposite page.

New York: Harper & Row, 1984. First Edition, First Printing. Hardcover. Near fine in original cloth-backed boards and near fine pictorial dust jacket.. Octavo. 6.5 x 9.25 in. 345 pp. Signed by Ehle on the front free endpaper.

New York: Harper and Row, 1971. First Edition, First Printing. Hardcover. Fine/Near Fine. Octavo. 5.75 x 8.5 in. 218 pp. Fine in original beige cloth and a near fine dust jacket that is price-clipped on the front flap and corresponding back flap, for reasons unknown. This copy is inscribed by Ehle on the half title page: "6 May 1995 For Andrew, friend of Terry and Marjorie, as am I - John Ehle." A previous owner's gift inscription is found on the first page. This edition bears the full number line on the last page.

London: Phaidon, 2016. First Phaidon Edition. Hardcover. Fine. Quarto. 7.5 x 10.25 in. 366 pp. Fully illustrated with color and black & white reproductions of photographs. Fine in original pictorial cloth boards.

London: Faber and Faber, 1933. First Edition, First Printing. Hardcover. Very Good. Octavo. 6 x 9 in. 156 pp. Very good in the original brick-hued cloth boards with a firm binding and bright titling on the spine, and a fair dust jacket that is separated at the front spine and otherwise has minor chipping at the bottom of the spine and the upper front edge. The front free endpaper has a few stray marks, while the pages themselves are clean and free of foxing and other marks.

New York: Harcourt, Brace and World, 1962. First Edition, First Printing. Hardcover. Very Good. Octavo. 5.75 x 8.5 in. 316 pp. Very good in original orange cloth boards that have some rubbing along the bottom edges, top edge gilt, and a near fine illustrated dust jacket. This copy bears an Advance Copy insert from early 1962.

New York: Pantheon, 1956. First American Edition, First Printing. Hardcover. Very good. Octavo. 5.5 x 8 in. 201 pp. Very good in original decorative boards with a black cloth binding and a very good illustrated dust jacket that has fading on the spine and gentle rubbing along the bottom edges. The back lower left corner has rubbing that has work through the jacket in a few small spots. The interior pages are clean and the binding is firm. A rare novel of London during the second World War originally published in French in 1948 by Bryher, who was the long-term partner of Hilda Doolitle.

n.p.: Nightstand Books, 1960. First Edition, First Printing. Paperback. Very Good. Duodecimo. 4.25 x 6.5 in. 190 pp. Very good in original pictorial wrappers, two former prices on first page, some creasing to covers, and "George's Book Exchange" (Seattle) trade stamp on front free endpaper. NB 1537.

Rantoul, IL: Avatar Press, 2011. First Thus. Hardcover. Fine. Super octavo. 7 x 10.5 in. Unpaginated. Profusely illustrated with color reproductions of comic art. Fine in original glossy pictorial paper-covered boards.

Paris, France: Pierre Seghers, 1954. 1954 Edition. Paperback. Very Good. Duodecimo. 4.25 x 7 in. 27 pp. Very good in original pictorial wrappers, very mild foxing to covers. Text in French. Collection PS (Pierre Seghers), Cahiers bi-mensuels, Number 2.

Boston: Phillips, Sampson, and Co, 1856. First Edition, First Printing. Hardcover. Very good. Duodecimo. 5 x 7.75 in. 312 pp. Very good in the original ornamental brown cloth boards, with only minor shelf wear along the bottom and top corners, and chipping along the top of the spine. The binding is firm and the hinges are fully intact. There is light and periodic foxing throughout, as is typical of books of this era. Inscribed on the front free endpaper to fellow transcendentalist, "Sarah Clarke, from her friend, R. W. Emerson, Aug. 1856.

London: Viking, 2000. 2000 Edition. Paperback. Fine in original laminated paper-covered wrappers.. Quarto. 8.75 x 11.75 in. 103 pp. Fully illustrated in black & white and color reproductions of photographs by Roy Zetisky. Artist Helen Martins transformed her childhood home in Nieu Bethesda, South Africa, into an integrated environmental sculptural artwork, starting in the 1950's. Author Emslie and photographer Zetisky capture the Owl House, a unique example of outsider art.