Search Results: Authors starting with G from L'Estampe Originale

New York., Leonard Hutton Galleries., 1979. 4to. Watercolors, Drawings, Reliefs. Paper bound. In fine condition.

New York., Leonard Hutton Galleries., 1984. Feininger, Jawlensky, Kandinsky, Paul Klee. March 30-May 24, 1984. 4to. In fine condition.

New York., Leonard Hutton Galleries., 1971. October 16- December 18, 1971. 4to. In fine condition. Paperbound.

Paris., Librairie Giraud-Badin- Librairie Claude Vrain.., c. 2003. Exceptionnel ensemble iconographique compose de peintures, de dessins originaux, de graveurs, de photographies et de sculptures. Documents, livres et autographes. 4to. In fine condition. Paper bound.

Boston., Museum of Fine Arts., 1972. In Western Europe and the United States. Boston: Museum of Fine Arts Boston & Harvard College Library. Very Good in Very Good dust jacket. 1962. Second Printing. Hardcover. DJ in mylar protector.. Museum of Fine Arts Boston & Harvard College . In good condition.

San Bernardino., California State College., 1980. 4to. 52pp. The Art Gallery, California State College, San Bernardino, 1980. Stiff Wraps. Book Condition: Very Good.

Washington., National Gallery of Art., 1988. 4to. Paperbound. In fine condition.

Paris, Floury, 1927. Two volumes in original wraps. 4to. In fine condition. The 1st edition, not the reprint. perfect condition

Verlag Gerd Hatje D.A.P. DIST. ART PUBLISHERS, 1998. Lrg. 4to. Hardcover. In perfect condition as new with a perfect DJ. A Catalogue Raisonné. Ulrike Gauss with interviews with Henri Deschamps and Charles Marq. Published on the occasion of the exhibition which took place in Stuttgart and Hamburg. Ostfildern-Ruit, Germany Distributed Art Publishers/Verlag 1998 Hardcover . Text in English, French, German. Sewn binding. Cloth over boards. 416 p. Contains: Illustrations. German ISBN 3-7757-0761-1 ISBN 1-891024-07-8

Lithograph. 1854. Dated in the plate. Image: 13¾ x 8¾. Margins: 15¼ x 10.

Stanford., Stanford University Museum, 1970. 4to. in good condition. Standard Art Book 12.

1842. Lithograph. Armelhault & Bocher 34, iii/v. On chine appliqué. Image: 8 x 6¼. 225 x 156mm. Margins: 12 x 9 . Foxing in margins. Prov. I. Curmer, with his stamp. A charming portrait at age 38 of the greatest French lithographer after Daumier of the 19th century. A prolific illustrator, he depicted all facets of the French Bourgeois life in newspapers and periodicals. Signed in the plate.

2003. Watercolor on board. Signed in lower left. 14 x 19 1/4. Framed.

Dying Day, Siren on the Sea, Lower Manhattan. Lithograph with hand colored pastels. 10 1/4 x 14 1/4". Signed Gerald K. Geerlings. 1983. lower right
Gerald Geerlings was a printmaker, architect and author born in Wisconsin in 1897. Having served both world wars, Geerlings returned to printmaking with emphasis and expertise in architecture and cityscape, which became Geerlings' predominant interests.

Barbier: La Fontaine de Coquillages, Robe de Soir de Paquin. G.d.B.T. #3, March, pl. 27. L'Etourdissant Petit Poisson, Robe d'été, G.d.B.T. #5 May, pl..44.
Brissaud: Ta Maman va Bien? Tailler du Matin et Robe de filete de Jeanne Lanvin. G.d.B.T. #4 April, pl. 37.
Sais-Tu Ta Leçon? Costumes Tailler de Fantasie de Jeanne Lanvin. Gd.B.T. #5 May, pl. 40.
A published in G.d.B.T. Gazette du Bon Ton, 1914

1822. Lithograph. L. Delteil 45 ii/iv, with the name of the artist and the address of the printer Delpech. RARE. Image: 7¾ x 9 . Margins: 10½ x 13½.

1822. Lithograph. Delteil 52 ii/iv, with the address of the publisher. From the suite of twelve, Etudes de Chevaux Lithographies. Image: 6¾ x 8½. Margins: 11¼ x 14½.

1823. Lithograph. Delteil 61 iii/iii. From . Ex coll'n: Lang Verly, Rouart. Image: 6½ x 6¾. Margins: 9¾ x 12 . Binding holes on the left.

1823. Lithograph. Delteil 59 ii/iv, with the name of Gericault and the address of Englemann. Image: 5¼ x 8½. Margins: 10½ x 14½. In good condition with full margins.

1822. Lithograph, published by Gihaut. Delteil 47 ii/iv, before the no. 2 is added. École nationale supériore des Beaux-Arts, 1997-1998, E.45.. Slight foxing. Image: 8¼ x 9¼. Margins: 10 x 14¼.
Designed for the series of twelve lithographs entitled Études de Chevaux Lithographiés, created by the artist soon after his return to France from England. Printed for the artist by Godefroy Engelmann I (1788 - Mulhouse - 1839).