Search Results: Authors starting with J from Vamp & Tramp, Booksellers, LLC

Ballybeg, Grange, Clonmel, Tipperary, Ireland:: Coracle,, 2008.. Edition of 300. 5.125 x 6.75"; 36 pages. Offset interior with letterpress cover. Drawings and postscript by Jason Clark. Introductory poem "Autobahn Children" by Cralan Kelder. Number three in the flaps poetry series. Jason Clark, statement: "My notebooks trace the interaction between drawing and its subject, the way it can inflect on it its own language, and conversely, the way a drawing interprets a subject as its own vernacular. In a monotone drawing everything is pushed to one extremity or another. The subject, striving to remain legible, contrives dialect for the drawing: hash-marking to suggest middle tones and outline where details would otherwise have been washed out. These contrivances are mental constructions, quite alien to the world of the eye. "The subjects I'm drawn to in my projects are Trees/Lines, of power lines and telephone poles amongst groups of trees, or Drive-Out, Ditched and… Read More

Stevens Point, Wisconsin:: sailorBOYpress,, 2006.. Edition of 48. 7.75 x 10.75 x 1.25"; 25 pages. Type: 20th Century Light. Designed to look like a photograph album with black photographic album corners used to tip in photographs. Bound in brown mottled paper endboards with postage stamp adhered to front board. Ration stamp used for edition numbering. Housed in brown cloth dropback box. my darling, my reason" appears to be a photo album with text from letters written home by a World War II sailor. His thoughts – unexpressed, or at least not included in his letters to his wife – provide the subtext and tension . Colophon: "The substrate is gelatin-sized Hahnemühle watercolor paper. The photographs, with the exception of two obvious photo postcards, have never been published and are part of a larger collection of such images of sailors. They are editioned using an archival inkjet process on Kodak Ultima paper." Jeffry Morin, Colophon: "The… Read More

Milwaukee, Wisconsin:: sailorBOYpress,, 2018.. Edition of 50. 9 x 11"; 28 pages. Text type: Gill Sans. Display type: Hobo. Paper: handmade by Brian Borchardt, Lisa Beth Robinson, Caren Heft, and Jeff Morin. Crow images started as monoprints, which were translated into serigraphs at the Milwaukee Institute of Art & Design (MIAD). Courtney Parbs editioned each of the crow images in January of 2016. Paper tip-ons throughout. Bound in a textured cloth over boards with embossed images of crows on front cover. Numbered and signed by the artist. Colophon: "Levi articulates much from the Old Testament and the Book of Leviticus in particular. Woven into the text is common sense, wisdom, and idiosyncrasy. Discerning betwixt the relevant, out-of-date, and simple prejudice becomes the challenge to the faithful and apostate alike. Many who profess to be devout 'cherry pick' the text to make an argument against equitable marriage but ignore other strictures which no longer seem relevant or… Read More

Stevens Point, Wisconsin:: sailorBOYpress,, 2012.. Edition of 50. 11 x 9"; 28 pages. Letterpress printed with Plantin type. Printed on Barcham Green and other handmade papers. Sewn binding with matching paper covers. In 11.75 x 9" lidded aluminum box with embossed titles. Signed and dated by artist. This is the story of Rudolph Brazda, who when he died in 2011 was the last known survivor of the Nazi concentration camps who had been incarcerated because he was a homosexual. Forced wear a pink triangle, Brazda survived 3 years in Buchenwald. After his liberation, Brazda lived in Alsace until his death. Morin overlays Brazda's story with the German folktale of The White Maiden. Jeff Morin, Colophon: "The White Maiden is the tale of a hunter who wishes for the ancient wines of the cellars at Thurnberg in a moment of great thirst. His wish is granted by the White Maiden but, as a result of drinking his wine, she forever plagues him with a sense of wanting, an inability to take… Read More

New Haven, Connecticut:: the jenny-press,, 2005.. Edition of 300. 5.5 x 8.25"; 56 pages. Perfect bound. Softcover with illustrated wraps. Numbered. the jenny-press: "This conference was held at Wellesley College, June 15-18, 2005, and was intended for all people involved with artists' books to exchange viewpoints, share information, and explore ideas. The conference, composed of panels, tours, and a book fair, considered many aspects of the field, from collecting to production and marketing. The conference was 'bookended' with two keynote addresses. The opening talk offered a historical perspective by Betty Bright and the closing talk present and exploration of collection development practices by Mark Dimunation. The keynote addresses are published together with an introduction by the conference conveners, Ruth Rogers and Richard Zauft, and a list of artists and works cited in the talks.