Search Results: Authors starting with L from Sebra Prints

1889. Tinted lithograph. 270mm by 205mm (image). Late 19th century portrait lithograph of the woolbroker Richard Goldsbrough (1821-1886). For information on Richard Goldsbrough : click here

1925. Chromolithograph. 235mm by 185mm (image). From the French magazine 'L'Aeronautique'. Another advert on the reverse.

1794. Copper-line engraving. 185mm by 235mm (platemark). France's violent transition from the ancien regime that had nurtured tennis (le jeu de paume) to the anti-aristocratic revolution began with the takeover of a tennis court. In June 1789, following a month-long deadlock in the States-General over constitutional reform at the royal palace of Versailles, the frustrated Third Estate (the commons), which had been locked out from the formal meeting place by King Louis XVI, declared itself a National Assembly, took over a royal tennis court, and on June 20th took an oath (serment) not to disperse till their demands were met. Three weeks later, on July 14th, a Paris mob attacked the Bastille prison. German edition of the French engraving.

1825. Etching. 225mm by 137mm (sheet). From Edward Griffith's English edition of Baron Cuvier's 'Animal Kingdom'. CONDITION : A couple of faint indented lines.

1930. Etching. 200mm by 150mm (platemark). Signed and titled in pencil by the artist below the image. Langmaid was a marine painter and etcher who studied under William Lionel Wylie.Langmaid joined the Royal Navy in 1910 and went to sea at the beginning of the First World War serving at the Dardenelles in HMS "Agamemnon" where he made official sketches for landings. After the war Rowland Langmaid studied at the Royal Academy School and the Royal College of Art. He held exhibitions at the Royal Academy and in London, New York, and Paris.Langmaid was a highly accomplished etcher as well as a painter in oil and watercolour with a style similar to the famous marine artist W L Wyllie with whom he collaborated in Sea Fights of the Great War, 1914-18. Langmaid returned to the Active List in 1939 in the rank of Lieutenant Commander and served as official Admiralty artist to the Commander-in-Chief Mediterranean Fleet from 1941 to 1943.One pin-hole in the sky.

1840. Steel-engraving. 120mm by 95mm (image) 265mm by 170mm (sheet). Fran_ois-Marie Arouet (1694 - 1778), known by his nom de plume Voltaire, was a French Enlightenment writer, historian, and philosopher famous for his wit, his attacks on the established Catholic Church, and his advocacy of freedom of religion, freedom of expression, and separation of church and state. Faint foxing in the margins.

1840. Tinted lithograph with original hand-colouring. 160mm by 110mm (image) 230mm by 150mm (sheet). French tinted lithograph with original hand-colouring, published in Paris by Godard. From a series depicting children in different trades.

1840. Tinted lithograph with original hand-colouring. 160mm by 110mm (image) 230mm by 150mm (sheet). French tinted lithograph with original hand-colouring, published in Paris by Godard. From a series depicting children in different trades.

1781. Copper-line engraving. 180mm by 135mm (platemark). From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Latham was the leading English ornithologist of his day and was significant in publishing images and descriptions of Australian birds.Laid paper.Library stamp on reverse. Faint off-setting.

1801. Copper-line engraving. 190mm by 120mm (platemark). From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Latham was the leading English ornithologist of his day and was significant in publishing images and descriptions of Australian birds.Laid paper.Library stamp on reverse. Light off-setting.

1802. Copper-line engraving. 180mm by 130mm (platemark). From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Latham was the leading English ornithologist of his day and was significant in publishing images and descriptions of Australian birds.Laid paper with watermark.Library stamp on reverse. Very faint off-setting. Platemark faint, title mostly missing, just very top of some letters printed.

1782. Copper-line engraving. 175mm by 130mm (platemark). From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Latham was the leading English ornithologist of his day and was significant in publishing images and descriptions of Australian birds.Laid paper.Library stamp on reverse. Some off-setting and a couple of foxing spots.

1783. Copper-line engraving. 180mm by 130mm (platemark). 'From collection of Joseph Banks'. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements.Latham was the leading English ornithologist of his day and was significant in publishing images and descriptions of Australian birds.Laid paper.Library stamp on reverse. Some light off-setting.

1781. Copper-line engraving. 180mm by 130mm (platemark). From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Latham was the leading English ornithologist of his day and was significant in publishing images and descriptions of Australian birds.Laid paper.Library stamp on reverse.

1785. Copper-line engraving. 180mm by 135mm (platemark). Depicts the New Zealand Shore Plover. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements.Latham was the leading English ornithologist of his day and was significant in publishing images and descriptions of Australian birds.Laid paper.Library stamp on reverse.

1781. Copper-line engraving. 175mm by 135mm (platemark). From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Latham was the leading English ornithologist of his day and was significant in publishing images and descriptions of Australian birds.Laid paper.Library stamp on reverse.

1781. Copper-line engraving. 180mm by 130mm (platemark). From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Latham was the leading English ornithologist of his day and was significant in publishing images and descriptions of Australian birds.Laid paper.Library stamp on reverse. Off-setting.

1785. Copper-line engraving. 175mm by 130mm (platemark). From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Latham was the leading English ornithologist of his day and was significant in publishing images and descriptions of Australian birds. Laid paper. CONDITION : Library ink stamp on reverse. Some faint off-setting. A couple of marks in lower right corner of the sheet.

1783. Copper-line engraving. 175mm by 130mm (platemark). Depicts Turnagra capensis (Piopio). From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements.Latham was the leading English ornithologist of his day and was significant in publishing images and descriptions of Australian birds.Laid paper.Library stamp on reverse. Light off-setting.

1801. Copper-line engraving. 195mm by 120mm (platemark). From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Latham was the leading English ornithologist of his day and was significant in publishing images and descriptions of Australian birds.Laid paper.Library stamp on reverse. Light off-setting.