Search Results: Titles starting with A from RARE PAPER INC

Moscow, 1937. 11 pages, 4 unnumbered pages of plates: illustrations; 14 cm. Essay by N. Mashkovtsev. At head of title: Gorodskoi komitet khudozhnikov knigi i grafiki (City Committee of Book Artists and Graphic Designers). One of 600 copies. A good copy with only a few internal spots marring its pages. As of April 2024, we could only locate a single institutional holding at the Frick Art Reference Library.<br /> <br /> Alexander Dmitrievich Silin (1883-1942), a notable figure in the Russian art scene, was revered for his multifaceted contributions to graphic arts and book illustration during the early 20th century. Born and educated in Moscow at the prestigious School of Painting, Sculpture, and Architecture, Silin excelled in various media, including watercolors, etchings, and lithography. His artwork, renowned for its meticulous detail and dynamic composition, beautifully captured historical and folk themes, resonating with the era's emphasis on national identity. Silin was also… Read More

Moscow: State Music Publishing House, 1922. Publisher's wrappers. Book measures: 21 x 16 cm. 19 pages. Text in Russian. <br /> <br /> Alexander Konstantinovich Glazunov (1865-1936) was a prominent Russian composer, educator, and conductor of the late Romantic era. He served as the director of the Saint Petersburg Conservatory, overseeing its transformation into the Petrograd, then Leningrad Conservatory after the 1917 Revolution, until his departure from the Soviet Union in 1928. Glazunov, who counted Dmitri Shostakovich among his notable students, skillfully blended Russian nationalism with a cosmopolitan style, drawing inspiration from Balakirev, Borodin's majestic narratives, Rimsky-Korsakov's orchestration, Tchaikovsky's lyricism, and Taneyev's counterpoint. Despite being seen as somewhat traditional by younger contemporaries like Prokofiev and Shostakovich, he was respected for his significant stature and his steadying presence during a period of significant change.

Tallinn: Eesti Noukogude Kunstnike Liit, 1947. Publisher's wrappers. Hoidre, Alo (cover design). [20] pages: illustrations. Text in Estonian. <br /> <br /> An illustrated catalogue from an art exhibition titled "Tarbekunsti Aastanäitus" held at the Tallinn Art Hall ("Tallinna Kunstihoones") from March 13 to April 7, 1947.

St. Petersburg: Printing House of the Government Senate, 1913. Contemporary binding. Part two of the reference book highlights Russian authorities and places of administration: provincial, regional, district, city, district, and their departments for 1913.

[New York]: Russian Socialist Federation, 1919. Original publisher's cover. This album, measuring 28 x 35 cm and bound with string ties, contains 47 pages filled with striking half-tone photographs depicting various aspects of the Russian Revolution. The album's exterior shows signs of wear; its spine has been re-covered and the ties have been replaced. The title page has been somewhat unprofessionally re-affixed to the album using cloth tape, resulting in chipping on the title page and some staining on the first illustrated page. However, the rest of the album is internally clean and in sound condition.<br /> <br /> Designed with an American audience in mind, as indicated by bilingual captions in Russian and English and a price in dollars on the back cover, the album features an array of content. It includes portraits of key leaders and officials from the Revolution and the nascent republic, alongside images of worker groups, soldiers, and scenes depicting military engagements,… Read More

Riga: Apgads zelta abele, 1943. Original publisher's folder. Zalkalns, Teodors (illustrator). 48 plates and a booklet in the original publisher's folder. Dimensions: 36 x 25 cm. Text in Latvian. Several tears on the folder; internally very good.<br /> <br /> Teodors Zalkalns (known as Teodors Grinbergs until 1930) born on November 30, 1876 in Allazi district (Latvia), died on September 6, 1972 in Riga. Sculptor. Studies at Stiglitz's Central School for Technical Drawing (1893-1899), a graduate of the Classes of Decorative Painting and Etching, a winner of scholarship for studies abroad. Participation in the activities of Latvian artists' union "Rukis". He took up sculpting in Paris, where he attended Rodin's studio under A. Bourdelle. Zalkalns was highly influenced by Rodin's school and was also interested in Egyptian sculpture. He designed sculptures at C. Faberge's jewelry company in St. Petersburg (1901-1903). Mastering of bronze casting and marble… Read More

Leningrad: Artist of the RSFSR, 1959. Publisher's wrappers with the original dust jacket. Kirillin, Iu. V., book design. This book consists of 50 pages filled with illustrations and measures 22 x 16.5 cm. One of 3000 copies. The dust jacket illustrated by G. N. Traugot. It is a slightly worn copy, still in the publisher's wrappers, and comes with the original dust jacket. However, it's worth noting that the dust jacket has some damage on the top of the spine.<br /> <br /> Alexandra Shchekotikhina-Pototskaya (1892-1967) was a Russian artist renowned for her expertise in graphic arts and porcelain painting, whose artistic inspiration was deeply rooted in her Russian Old Believers heritage and her grandfather's involvement in iconography. Her work is notably influenced by Russian folklore and icons, reflecting a profound connection to her cultural background. In her portrayals of figures, Shchekotikhina-Pototskaya places significant emphasis on costume, a theme that held… Read More

Moscow: Iskusstvo, 1936. Book measures: 14.5 x 11 cm. 42 pages, 17 unnumbered pages of plates: illustrations (1 color). At head of title: Mastera Sovetskogo Iskusstva. There is a tear on one of the plates, along with rust and creasing on the front wrapper. Additionally, there are occasional pencil marks found in the text. As of April 2024, OCLC locates five institutional holdings of the book. <br /> <br /> A proof copy used for testing or as a sample before the final production.<br /> <br /> Aleksandr Mikhailovich Gerasimov (1881 - 1963) was a significant figure in Soviet and Russian art, renowned for his adherence to socialist realism. Born in Kozlov (now Michurinsk) in Tambov Governorate, he honed his skills at the Moscow School of Painting, Sculpture and Architecture, advocating for traditional representational art amidst avant-garde movements. Serving in both World War I and the Russian Civil War, he later transitioned to stage design, promoting revolutionary themes.… Read More

1933. Staple-stitched pamphlet. Deyneka, Aleksandr Aleksandrovich (artist). Book measures: 25 x 18 cm. 21 (85-106) pages: illustrations. Text in Russian. A gently used copy showing some chipping along the spine.<br /> <br /> This publication is an excerpt taken from the "Iskusstvo" magazine, presented as an illustrated pamphlet. It covers pages 85 to 106 and features a monograph on the Soviet painter and graphic artist Aleksandr Deyneka.<br /> <br /> Aleksandr Aleksandrovich Deyneka, a prominent Soviet painter, graphic artist, and sculptor, is celebrated as a key figure in Russian modernist figurative painting during the first half of the 20th century. His work "Collective Farmer on a Bicycle" is often cited as a quintessential example of the socialist realist style.

Moscow: Planeta, 1972. Publisher's wrappers. Book measures: 21 x 16.5 cm. 20 [90] pages: photographs. Text in Russian. <br /> <br /> This illustrated monograph is a tribute to Aleksandr Ustinov, a distinguished Russian Soviet photographer whose lens captured the transformative epochs of the Soviet Union. The volume is rich with visual storytelling, featuring a collection of Ustinov's photographs that chronicle the social, industrial, and political landscapes of his times. Through a narrative interwoven with personal, historical, and artistic perspectives, readers gain an intimate understanding of Ustinov's contributions to the realm of Soviet photography. His work, notable for its compositional brilliance and its candid portrayal of Soviet life, provides a poignant documentary of a nation in flux.

Prague: Statni nakladatelstvi krasne literatury a umeni, 1964. Publisher's wrappers. 15.5 x 17.5 cm. 102 pages: illustrations. Text in Czech. <br /> <br /> Alexander Rodchenko, a trailblazer of Russian Constructivism, is celebrated for revolutionizing art and sculpture with his innovative use of materials and his pioneering approach to form and space. This book delves into Rodchenko's creative odyssey, exploring his profound influence on modern art and his enduring legacy as a sculptor and artist whose works challenged and transcended the boundaries of his time.

Moscow: [A. A. Levenson], 1914. Rebound. Book measures: 28 x 19.5 cm. 89 pages: illustrations, plates, advertisements. Text in Russian. <br /> This rebound copy is missing its original wrappers and shows various signs of wear, such as spotting, torn sections, tears, chips, and general deterioration.<br /> <br /> The book "Almanac of the Palm Bazaar: Moscow Season 1913-1914" is a unique and rare publication, as described by the Russian writer Vladimir Lidin in his book "Druzia moi - knigi", 1966 (Eng: My friends - books,) "Initially, the content related to the Palm Bazaar was published in weekly issues under the title "Vestnik Palm Bazaar," but for the 1913-1914 season, it was compiled into this almanac format." According to Lidin, these publications are now extremely rare and unlikely to be found in any collector's library, primarily due to the ephemeral nature of their content. Despite this, he emphasizes the significant value of such… Read More

1993. Softcover. 85 pages. Good condition.<br /> <br /> This exhibition catalogue from the "American Postmodern Art" exhibition at the Ho-Am Art Gallery is a rare bilingual document that provides a rich insight into the neo-expressionist and postmodern art movements of the United States. Featured within its pages are the works of renowned artists Julian Schnabel, David Salle, Eric Fischl, and Robert Longo, offering a glimpse into the vibrant American art scene of the time. <br /> <br /> The exhibition, which ran from April 10 to June 10, 1993, was sponsored by the Samsung Foundation of Art and Culture and aimed to introduce Korean audiences to the forefront of American artistic innovation. The catalogue is comprehensive, featuring not only plates of the artworks but also essays, messages from cultural leaders, artist biographies, and a list of works. It stands as a testament to cultural exchange and understanding, emphasizing the exhibition's significance in… Read More

New York: Amtorg Trading Corporation, 1933. Illustrated wrappers. Book measures: 31.5 x 23.5 cm. 104-138, [12] pages: illustrations. Text in Russian; table of contents also in English. A good copy with light signs of usage.<br /> <br /> A prominent illustrated magazine published by the Amtorg Trading Corporation in the United States. This publication served as a vital source of information and insight into the country's engineering, industrial, and technological landscape during that era. The magazine featured a wide range of content, including articles, illustrations, and photographs, all aimed at highlighting the cutting-edge developments and innovations in American engineering and industry. <br /> <br /> Initially structured as a semi-private joint-stock company and an American corporation, Amtorg held a distinctive role in the marketplace as the exclusive buyer for a communist state. Despite lacking official recognition as the representative of the Soviet government,… Read More

[Lviv]: [publisher not identified], 1936. Original illustrated wrappers. Fair. Octavo (15.5 x 22.3 cm). 54 pages. Text in Ukrainian. Uncut pages; a few nicks to wrappers; damaged spine; library stamp to title.<br /> <br /> As of April 2020, OCLC shows three copies in Harvard College Library, University of Illinois and University of Minnesota.

Excellent condition. A compelling set of eight anti-Bolshevik propaganda postcards, emanating from the mid-20th century. Each postcard, measuring 10.5 x 15 cm, is a stark artifact of historical political sentiments, characterized by its vividly satirical and graphic illustrations that convey a critique of the Soviet system through anti-communist and anti-Semitic imagery.<br /> <br /> Each postcard has a title in Hungarian that reflects the theme of the illustration on the front:<br /> <br /> "A vörös hadvezér" translates to "The Red Military Leader."<br /> "A népbiztos" translates to "The People's Commissar."<br /> "Az usztikok" translates to "The Usurers."<br /> "Az elvtársak" translates to "The Comrades."<br /> "Szovjet rendszer" translates to "Soviet System."<br />… Read More

Moscow: Iskusstvo, 1944. 16 pages: frontispiece, plates, portraits; 17 cm. Text in Russian. Series: "Massovaia biblioteka". <br /> <br /> Mark (Mordecai) Matveevich Antokolsky, 1843-1902, was one of the leading innovative sculptors in Russian and Western art of the late 19th century.

Washington, D.C.: Victor Kamkin, 1973. Publisher's binding. Book measures: 21.2x15 cm. 192 pages: portraits. Text in Russian with the English introduction article.<br /> <br /> In 1968, the Slavic Department of the University of Pennsylvania was presented with a dissertation containing a biographical collection. The intention behind this work was to compile comprehensive information about A. Averchenko, including details about his life, writing, and journalism career, as well as his literary legacy.

Philadelphia: American Russian Institute, 1936. Publisher's illustrated wrappers. Good condition. Book measures: 18.5 x 24.5 cm. [20] pages: illustrations. Text in English. A copy with light wear to the wrappers and a chipped spine. Internally, the book is in very good condition.<br /> <br /> With the foreword by Fiske Kimball, this catalog showcases the Soviet Art Exhibition, featuring creations by artists such as Aleksandr Shevchenko, Aristarkh Lentulov, Aleksandr Deyneka, Georgi Etcheistov, Vladimir Favorsky, Dmitry Kardovsky, Nina Kashina, Nikolai Kupriyanov, among other notable Russian and Ukrainian artists.<br /> <br /> Christian Frederick Brinton (1870-1942), the youngest child of a Quaker family from Chester County, Pennsylvania, had strong ties to his family's heritage and land. He attended Haverford College, rooming with Maxfield Parrish and becoming known for his flair for theatrical antics. A 1898 European trip inspired him to pursue a career in art rather… Read More